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June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k158
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h63590
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.5k874
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.6k329
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h5.7k744
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k389
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k423
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k297
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87197
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k185
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.9k242
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.4k313
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k698
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k190
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.2k420
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k706
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87272
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k594
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k625
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k471
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k258
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.4k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k620
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h50961
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31822
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1990
3/29/90
Jack Straw >
6:04
Bertha
6:58
We Can Run
6:14
Ramble On Rose
8:01
When I Paint My Masterpiece
6:09
Bird Song >
13:06
The Promised Land
4:41
Eyes Of The World >
16:25
Estimated Prophet >
14:48
Dark Star >
18:19
Drums >
9:24
Space >
8:39
Dark Star >
2:46
The Wheel >
4:23
Throwing Stones >
9:25
Turn On Your Lovelight
7:10
Knockin' On Heaven's Door
8:28
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering By Charlie Miller
2:37:15
SBD
Rating:
10.00 / 1 rating
Transferrer:
All Transfers and Mastering By Charlie Miller
SHNID:
gd1990-03-29.149419.UltraMatrix.sbd.cm.miller.flac16
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View Notes Notes: -- Two sets of masters were used to make this show complete -- With Branford Marsalis on Bird Song thru end of show except Drums -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:37:15
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1990-03-29.149396.sbd.ultramatrix.miller.flac24
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- With Branford Marsalis on Bird Song thru end of show except Drums
Transferrer: Charlie Miller
2:30:46
SBD
Rating:
9.21 / 29 ratings
Transferrer:
Charlie Miller
SHNID:
gd90-03-29.sbd.miller.26341.sbeok.shnf
Source:
Soundboard (Miller)
Lineage:
SBD > DAT > CD
Taper Notes:
View NotesSBD> Dat> CD; SHN Conversion By Charlie Miller
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:34:38
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1990-03-29.149592.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 19-APR-2020 - Trader Little Helper - Tagged 19-APR-2020 - Tag&Rename --------------------------------------------------------- rBrain Pro was used for 96/24 > 44/16 encoding. Brokedown House Production
Transferrer: SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin
2:34:37
SBD
Rating:
10.00 / 1 rating
Transferrer:
SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin
SHNID:
gd1990-03-29.149591.mtx.tobin.flac24
Source:
SBD + AUD Matrix 2 Source Mix (96/24)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 19-APR-2020 - Trader Little Helper - Tagged 19-APR-2020 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Roger Eichorn
2:38:12
SBDREMASTER
Rating:
10.00 / 4 ratings
Taper:
Roger Eichorn
Transferrer:
Roger Eichorn
SHNID:
gd1990-03-29.127385.mtx.eichorn.flac16
Source:
Matrix from SBD (shnid=33925) and AUD (shnid=91347)
Lineage:
The sources were remastered and mixed in Logic Pro 9. Clean-up was done using iZotope RX 3 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper
Taper Notes:
View NotesFRESH LEGS, VOL. 9 (Matrix) freshdeadlegs.wordpress.com/ www.facebook.com/freshdeadlegs/ SOURCE 1: SBD (shnid=33925) Recording Info: Main source: SBD -> Dat -> CD Patch source: purported FOB > DAT > ? > CDR, likely SBD or matrix (shnid 1317) SHN Conversion By Charlie Miller SOURCE 2: AUD (shnid=91347) Sennheiser ME-80's>Technics SV -MD1 DAT (OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger
Transferrer: hansokolow
2:38:13
SBD
Rating:
9.50 / 8 ratings
Transferrer:
hansokolow
SHNID:
gd1990-03-29.mtx.hansokolow.97118.flac16
Source:
matrix of DSBD: shnid=????? and DAUD: shnid=91347 by hansokolow using ProTools
Transferrer: Bill Tetzeli
2:31:00
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1990-03-29.sbd.miller.tetzeli.fix-26341.33925.reflac.flac16
Source:
fix of shnid = 26341
Taper Notes:
View NotesAt first I wasn't going to fix this because there was no overlap between CDs 2 and 3, but then on a faint hope I went to archive.org looking for a suitable AUD for patch material; sure enough, I very tasty purported FOB of set 2 is sitting there, ripe for the download. I say purported because it's extremely clean, and per my ears and comments both on archive and etree it's most likely a board or matrix. The only flaw is Branford is either very low or missing entirely during space, where in the Miller seed he's very prominent. I used this source to patch in about 15 seconds of missing space between the end of CD 2 and the beginning of CD 3 (1:06-1:20 on the new d3t01) using CE Pro. Shntool was used to correct resulting SBEs and the SHNs were converted to FLAC (I was going to reconvert them back to seekable shns as they were originally, but after reading about the problems some people have with them I decided on the flac route).
Transferrer: Darryl Hinko
2:31:26
SBD
Rating:
9.75 / 16 ratings
Transferrer:
Darryl Hinko
SHNID:
gd90-03-29.sbd.hinko.24996.sbeok.shnf
Source:
Soundboard (Hinko)
Lineage:
SBD > DAT > CDR
Taper Notes:
View NotesSBD>DAT>CDR; fixed copy of SHNid=3389; encoded by Darryl Hinko - Many pops and clicks removed throughout the show, I would estimate about 100. - There are still some cuts in the first set mostly in the tuning. - I recut the show as well. There were some tracks that started just slightly after the song started. - d1t03 We Can Run: Light Static at 3:58 - 3:59 - d1t05 Masterpiece: Dropout removed at 0:03. Maybe half a note is missing. - d1t06 Bird Song: Dropout cut out at 0:02 during the tuning. - d3t01 Space: Crossfades performed at 2000 ms from 0:00 - 0:09 and 4:19 - 4:39 - d3t06 Knockin' on Heaven's Door: Crossfade performed at 2000 ms from 0:00 - 0:07.
Transferrer: Doug Nawrocki
2:31:23
SBD
Rating:
8.00 / 1 rating
Transferrer:
Doug Nawrocki
Source:
SBD>DAT>CDR>SHN
Taper Notes:
View Notes*Bird Song and Set 2 with Branford Marsalis
Transferrer: Andy Bear Greider and Doug Nawrocki
2:31:23
SBD
Rating:
9.57 / 50 ratings
Transferrer:
Andy Bear Greider and Doug Nawrocki
SHNID:
gd90-03-29.sbd.nawrocki.3389.sbeok.shnf
Source:
Soundboard (Nawrocki)
Lineage:
SBD > DAT > CDR
Taper Notes:
View NotesSBD> DAT> CDR; via Andy Bear Greider, Doug Nawrocki; note <a href="http://db.etree.org/shninfo_detail.php?shnid=4686" rel="ugc nofollow">reshn</a> version also in circ
Taper: Ted Mattes
2:40:37
REMASTER
Rating:
10.00 / 2 ratings
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-29.143171.FOB.Schoeps.Mattes.Miller.Noel.REMASTER.t-flac1648
Source:
Ted Mattes Recording: Schoeps CMC4 MK21 (ORTF) > Prolink Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250) Location: Sec b1 Row 20 Seat 8/9
Lineage:
Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 Edited & reMastered by Joe Noel Flac 16/48 > Audacity > 16/48 September 27, 2018
Taper Notes:
View NotesNotes: - DAT master courtesy of Ted Mattes - Thanks to Charlie for organizing this - Upgrade of shnid 124325 - officially released; Wake Up To Find Out & Spring 1990 (The Other One) - EotW appears on Without A Net * w/ Branford Marsalis on Saxophone reMaster Notes: - The right channel was inverted, that has been corrected. - The levels were on the timid side, each track has been normalized. - Thanks very much to chillwig & his discerning ear for alerting me to the channel problem.
Taper: Ted Mattes
2:40:37
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-29.141955.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Recording: Schoeps CMC4 MK21 (ORTF) > Prolink Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - DAT master courtesy of Ted Mattes - Thanks to Charlie for organizing this - Upgrade of shnid 124325 - officially released Wake Up To Find Out & Spring 1990 (The Other One) - EotW appears on Without A Net * w/ Branford Marsalis on Saxophone
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:34:37
Rating:
10.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1990-03-29.149594.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 19-APR-2020 - Trader Little Helper - Tagged 19-APR-2020 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Patched and pitch corrected audience (44/16) by Kevin Tobin
2:34:38
Rating:
10.00 / 1 rating
Transferrer:
Patched and pitch corrected audience (44/16) by Kevin Tobin
SHNID:
gd1990-03-29.149590.PandP-aud.tobin.flac16
Source:
Patched and pitch corrected audience (44/16)
Taper Notes:
View NotesPatched close to the start of Drums. This recording was extremely slow - about 3 second per minute. rBrain Pro was used for 96/24 > 44/16 encoding. Brokedown House Production
Transferrer: Patched and pitch corrected audience (96/24) by Kevin Tobin
2:34:37
Transferrer:
Patched and pitch corrected audience (96/24) by Kevin Tobin
SHNID:
gd1990-03-29.149589.PandP-aud.tobin.flac24
Source:
Patched and pitch corrected audience (96/24)
Taper Notes:
View NotesPatched close to the start of Drums. This recording was extremely slow - about 3 second per minute Brokedown House Production
Taper: Fitzy
2:34:31
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-03-29.Senn441.Fitzy.Keo.126847.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M; Tapes: Set 1: Maxell MX-90, Set 2: TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Branford Marsalis On Saxophone * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent recording from the Fitzy collection of masters and the Grateful Dead's Spring 1990 Tour!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!
Taper: Fitzy
2:34:31
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-03-29.Senn441.Fitzy.Keo.126846.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes: Set 1: Maxell MX-90, Set 2: TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Branford Marsalis On Saxophone * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent recording from the Fitzy collection of masters and the Grateful Dead's Spring 1990 Tour!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!
Taper: Ted Mattes
2:38:05
Taper:
Ted Mattes
Transferrer:
Craig Hillwig
SHNID:
gd1990-03-29.124325.fixed.mk4.flac16
Source:
Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; <a href="http://db.etree.org/shn/124325">Upgrade</a> in circulation
Taper Notes:
View Notes- Fixed version corrects inverted left channel - Unavoidable ~2 second drop out in Lovelight on the DAT. I left it for timing purposes - Bird Song and the entire second set with Branford Marsalis on saxophone - Eyes of the World appears on the "Without A Net" official band release - Widely considered one of the greatest Grateful Dead shows of all time, certainly one of the very best modern era show, particularly due to the guest dynamic appearance of Branford Marsalis - 48k version exists Seeded to etree on: 02/24/2013
Taper: Ted Mattes
2:38:05
Taper:
Ted Mattes
Transferrer:
Craig Hillwig
SHNID:
gd1990-03-29.124324.fixed.mk4.48khz.flac16
Source:
<b>flac16/48kHz</b>; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; <a href="http://db.etree.org/shn/124324">Upgrade</a> in circulation
Taper Notes:
View Notes- Fixed version corrects inverted left channel - Unavoidable ~2 second drop out in Lovelight on the DAT. I left it for timing purposes - Bird Song and the entire second set with Branford Marsalis on saxophone - Eyes of the World appears on the "Without A Net" official band release - Widely considered one of the greatest Grateful Dead shows of all time, certainly one of the very best modern era show, particularly due to the guest dynamic appearance of Branford Marsalis - 44.1k version exists Seeded to etree on: 04/4/2013
Taper: Ted Mattes
2:38:05
Taper:
Ted Mattes
Transferrer:
Lenny Stubbe and Craig Hillwig
SHNID:
gd1990-03-29.123925.mk4.flac16
Source:
Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- Unavoidable ~2 second drop out in Lovelight on the DAT. I left it for timing purposes - Bird Song and the entire second set with Branford Marsalis on saxophone - Eyes of the World appears on the "Without A Net" official band release - Widely considered one of the greatest Grateful Dead shows of all time, certainly one of the very best modern era show, particularly due to the guest dynamic appearance of Branford Marsalis - 48k version exists Seeded to etree on: 02/24/2013
Taper: Ted Mattes
2:38:05
Taper:
Ted Mattes
Transferrer:
Lenny Stubbe and Craig Hillwig
SHNID:
gd1990-03-29.123924.mk4.48khz.flac16
Source:
<b>flac16/48kHz</b>; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- Unavoidable ~2 second drop out in Lovelight on the DAT. I left it for timing purposes - Bird Song and the entire second set with Branford Marsalis on saxophone - Eyes of the World appears on the "Without A Net" official band release - Widely considered one of the greatest Grateful Dead shows of all time, certainly one of the very best modern era show, particularly due to the guest dynamic appearance of Branford Marsalis - 44.1k version exists Seeded to etree on: 02/24/2013
Taper: B.R. And Mr. Currier
2:43:13
Taper:
B.R. And Mr. Currier
Transferrer:
Rob Berger and Keo
SHNID:
gd1990-03-29.AKG451.Berger.Currier.Keo.121843.Flac1644
Source:
Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
Lineage:
B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out To Mr. Currier for sending in his copies from B.R.'s original master DAT copy of this show and from Mr. Berger's initial setup! The Master DATS are not availible any more so this will be the only source from this setup to circulate!Some slight tape hiss from the copyied masters but still worthy getting these to 1Bit/5.6 transfers IMO! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: B.R. And Mr. Currier
2:43:13
Taper:
B.R. And Mr. Currier
Transferrer:
Rob Berger and Keo
SHNID:
gd1990-03-29.AKG451.Berger.Currier.Keo.121842.Flac2496
Source:
Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
Lineage:
B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Branford Marsalis On Saxophone * Comments:Another Huge Thanks out To Mr. Currier for sending in his copies from B.R.'s original master DAT copy of this show and from Mr. Berger's initial setup! The Master DATS are not availible any more so this will be the only source from this setup to circulate!Some slight tape hiss from the copyied masters but still worthy getting these to 1Bit/5.6 transfers IMO! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Keith Litzenberger
2:38:14
Rating:
10.00 / 2 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1990-03-29.senn-me80.litzenberger.91347.sbeok.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1 DAT (OTS)
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC)
Taper Notes:
View NotesBrandford Marsalis plays on Birdsong and entire Second Set.
Taper: Andrew F
2:36:55
Rating:
10.00 / 4 ratings
Taper:
Andrew F
Transferrer:
Andrew F.
SHNID:
gd1990-03-29.nak300.andrewf.83612.flac16
Source:
Nakamichi CM300's with CP4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with Dolby off. Mics on stand aprx 7-feet high, pointed at stacks, set up in taper's area second row center.
Lineage:
MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC,
Taper Notes:
View NotesNotes: The tape-flip in Birdsong was patched (9:13 > 9:18) with a 1st-gen cassette from the OTS. The tape-flip in Dark Star was patched (14:23 > 14:29) with ShnID-1317. Set two is seamless. Soundforge was used to make fades and to add the patches. TLH was used for SBE-OK, lossless compression, and checksums. Brandford Marsalis plays on Birdsong and entire Second Set.
Taper: Audio VHS provided by David Neaman
2:37:44
Rating:
10.00 / 3 ratings
Taper:
Audio VHS provided by David Neaman
Transferrer:
Doug Nawrocki
SHNID:
gd1990-03-29.aud.nawrocki.29191.sbeok.flac16
Lineage:
HiFi VHS > SBM-1 > Audiophile 2496 > Adobe Audition > FLAC
Taper Notes:
View NotesBird Song and Set 2 w/Branford Marsalis Known Flaws: - d3t03 - .3 second d/o in right channel at 0:59 replaced with left channel - d1t04 - at 1:14 the sound seems to get more open and brighter in the high end - various sub-second spots of diginoise in right channel repaired
Source 28 of 28
1:44:22
Rating:
9.33 / 34 ratings
Source:
Audience (matrix??)
Lineage:
FOB > DAT > ? > CDR