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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2k277
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h61687
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.2k697
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.5k198
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.7k481
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k355
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.5k441
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k155
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h78989
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k193
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k237
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k283
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k682
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.4k700
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h13.9k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.9k960
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87273
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k554
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k564
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k408
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k248
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.3k820
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k579
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60575
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14521
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h36526
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h433
7d1277
30d57234
2 shows
2 tapes
1990
3/28/90
crowd & tuning
2:15
Cold Rain and Snow >
6:20
Minglewood Blues
8:15
Easy to Love You
6:35
High Time
7:07
Queen Jane Approximately
6:35
Loose Lucy
7:04
Cassidy >
6:03
Deal
8:13
Foolish Heart >
10:32
Looks Like Rain >
8:08
Cumberland Blues >
5:48
The Weight
5:53
Hey Pocky Way >
6:59
Drums >
10:55
Space// (tape flip)
3:55
Space > O1 Jam >
7:42
The Other One >
4:23
Wharf Rat >
10:38
Good Lovin'
7:23
crowd & tuning
0:49
Revolution
4:55
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:30:05
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 30, 2022
SHNID:
gd1990-03-28.158167.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Patch source recorded by John Cutler and supplied by Steve Marcus -- This is 157770 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:30:05
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 30, 2022
SHNID:
gd1990-03-28.157770.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Patch source recorded by John Cutler and supplied by Steve Marcus
Transferrer: Charlie Miller
2:21:37
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-03-28.135520.sbd-pc.miller.flac16
Source:
SBD -> Dat -> Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- This is from a custom live recording mix by John Cutler -- Thanks to Steve Marcus for the tapes -- This is a pitch corrected version of shnid=87643 -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Kevin Tobin
2:28:32
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1990-03-28.132873.dts.bhp.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix;</b> SBD (shnid=87643) SRecording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller + AUD (shn id 87701) AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS.
Lineage:
MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - DTS 5.1 mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 22-APR-2015 - Trader Little Helper - Tagged 22-APR-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1db SBD --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:28:32
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1990-03-28.132872.mtx.bhp.flac16
Source:
<b>flac16;</b> Matrix 2 Source Mix - SBD (shnid=87643) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller + AUD (shn id 87701) AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS.
Lineage:
MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesMultitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD +.5 SET TWO Stereo Matrix SBD 0 AUD -.5 --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
2:21:37
SBD
Rating:
8.50 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-03-28.sbd.miller.87643.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK MA-R90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC4/MK4 -> Dat (shnid=28381) supplies: Drums (9:39 - 9:55) Notes: -- Set 2 is seamless -- This is from a custom live recording mix by John Cutler -- Thanks to Steve Marcus for the tapes
Transferrer: Dan Haugh
2:32:43
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Dan Haugh
SHNID:
gd1990-03-28.mtx.haugh.95943.flac16
Source:
MTX of SBD(87643) and AUD (28381)
Transferrer: Dan Haugh
2:32:43
SBD
Transferrer:
Dan Haugh
SHNID:
gd1990-03-28.mtx.dts.haugh.95825.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesSource Info SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) > Apogee MiniMe (24bit/48k) > Samplitude Professional v9.11 > FLAC/16 Patch Info: Schoeps CMC4/MK4 > DAT (shnid=28381) supplies: Drums (9:39 - 9:55) Transfers By Charlie Miller - October 10, 2007 AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master) Transfer Info: DAT (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional > SHN Recorded By Ted Mattes, Transferred By Charlie Miller - 2/25/05 Thanks to all the hard work from the folks mentioned above with their loving care getting these sources out. --------------------------------------------------------- Notes on the Source Material SBD (ShnID = 87643) Another flawless transfer by Charlie Miller. The cassette master SBD has a bit more hiss than most. It was also missing just about all the between song crowd/tuning and actually clipped a milli- second or so off the very beginning of a few songs in set 1. Charlie did a good job crossfading what crowd there was to make a more natural song to song transition. This made it difficult for me to patch these cuts with the AUD but it isn't too bad. AUD1 (ShnID = 31211) Ted Mattes made a spectacular FOB. Full, rich and dynamic with everyone nicely in the mix and a good feel for the room and the vibe. --------------------------------------------------------- Tech Notes FLACs were decoded to wave. Wavemerge was used to reassemble the entire show back to 1 long wave. CEP2.0 was used to align & sync both of the sources. SF8.0 used to EQ and adjust the volume for the center, surround and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion done 04-OCT-2008 - Artwork at 300dpi by [email protected] - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear, slim double CD case. --------------------------------------------------------- DTS-Audio-CD Info Front * Left Channel SBD+AUD DEQ'd Matrix 95%-SBD/5%-AUD Right Channel SBD+AUD DEQ'd Matrix 95%-SBD/5%-AUD Center Mono Mix -5db SBD DEQ'd Surround Left Channel AUD Right Channel AUD Sub/LFE Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD * The front channels are all SBD except for the notch filter used to reduce this analog hiss. The AUD recording was then used to fill out this frequency range. See notes. --------------------------------------------------------- Notes The entire show is seamless and can be burned in any config that you want and can be played back in its entirety from start to finish without interruption. The SBD had an unusually apparent analog hiss for a cassette master. I was able to successfully reduce this by applying a very narrow high frequency notch filter. I then took that same frequency range from the AUD source and patched it into the SBD by mixing the 2 sources together. The results were very nice and that analog hiss is now inaudible and the SBD still has a full frequency range. d1t01 "Tuning" the SBD source started very abruptly. This was fixed with a lead in patch from the AUD source and a crossfade to the SBD source. d1t02 - d1t09 Just about all the between song crowd was missing and actually clipped a milli-second or so off the very beginning of a few songs in set 1. I patched these missing portions with the AUD source and crossfaded back to the SBD right at the point the song starts. In most cases this is completely inaudible but a couple of these patches and transistions can be heard. d3t01 "Space" there is a tape flip and is missing approx 15 secs. This was patched using entirely the AUD source. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Transferrer: Bill Tetzeli
2:18:48
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1990-03-28.sbd.gorinsky.tetzeli.fix-8510.33833.sbeok.shnf
Source:
Fix of shnid 8510
Taper Notes:
View NotesThe following fix was made to this source: the transition between disks 2 and 3 was made seamless. CD3 was retracked in CDWave to resolve ripple effect on sector boundaries. Bill Tetzeli, [email protected] 2/16/2006
Source 10 of 25
2:18:56
SBD
Rating:
9.28 / 26 ratings
SHNID:
gd90-03-28.sbd.gorinsky.8510.sbeok.shnf
Source:
24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>WAV>SHN
Taper Notes:
View Notes24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky
Taper: John Cutler
2:19:05
SBD
Rating:
9.00 / 2 ratings
Taper:
John Cutler
Transferrer:
David Hollister
SHNID:
gd1990-03-28.sbd.cutler.hollister.7510.sbeok.shnf
Source:
SBD>24 Track Mixdown>DAT>C>PCM>FC/DD2496>CD
Lineage:
EAC Secure Mode w/correct offest>Plextor SCSI 40X>MKW>SHN
Taper Notes:
View NotesThere is a small bit of weirdness about 3 minutes into Cold Rain. //Foolish Heart The FC/DD2496 refers to the A/D transfer. The FC is a Flying Calf external 24-bit A/D converter. This provided the A/D conversion (@ 44.1KHz) which was then fed into my Delta DiO 2496 soundcard. Minor Editing done in Sound Forge These tapes came from rough mixes that john cutler did in the mobile recording unit while multitracking the shows. They are basically live recording mixes. The dats were then transferred to cassettes and gives to folks who were trying out to replace Brent.
Source 12 of 25
2:19:27
SBD
Rating:
10.00 / 1 rating
SHNID:
gd1990-03-28.sbd.nawrocki.4685.shnf
Source:
SBD/32 Track Mix > Master Cass > Dat
Lineage:
DAT > CD-R > SHN > WAV > AddAWave > retracking > shn > WAV > SHN
Taper Notes:
View NotesDoug's shns were decompressed and rejoined using AddAWave tracks for retracking and shortening with v3. Then since only one MD5 was generated in the original shortening they were re-shned generating one MD5 per disc audio
Transferrer: Discs provided by Steve Wigley, shn by Doug Nawrocki...
2:19:27
SBD
Transferrer:
Discs provided by Steve Wigley, shn by Doug Nawrocki...
SHNID:
gd1990-03-28.sbd.nawrocki.3872.sbeok.shnf
Source:
sbd/32 track mix>mc>dat>cdr>shn*
Taper Notes:
View Notes*I decompressed the shns and used AddAWave to join the tracks again for retracking and shortening with v3. Flaws- Easy to Love You has a cut at start of tune High Time has a cut during tuning segueing into tune at start Tuning and silences between tracks have been edited in several spots
Taper: Master Digital Audience Recording by Ted Mattes
2:34:25
REMASTER
Rating:
10.00 / 1 rating
Taper:
Master Digital Audience Recording by Ted Mattes
Transferrer:
Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 29, 2020
SHNID:
gd1990-03-28.149443.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648
Source:
Source: Schoeps CMC4 MK4 (ORTF) > DAT 48k (Panasonic SV-250) Location: Sec b1 Row 24 Seat 8/9
Lineage:
Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - DAT master courtesy of Ted Mattes - Thanks to Charlie for coordinating this - Upgrade of shnid 132758 - FM Broadcast on WPYX radio - officially released as part of Spring 1990 (The Other One) box set - last High Time: 12-09-88 [92] - LL Rain officially released on Without A Net - first The Weight - final Revolution reMaster Notes: - The right channel was inverted, that has been corrected. - The levels were improved with gentle EQ work & normalization. - Thanks very much to chillwig & his discerning ear for alerting me to the channel problem.
Taper: Ted Mattes
2:34:24
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-28.141954.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Recording: Schoeps CMC4 MK4 (ORTF) > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 24 Seat 8/9; Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - DAT master courtesy of Ted Mattes - Thanks to Charlie for coordinating this - Upgrade of shnid 132758 - FM Broadcast on WPYX radio - officially released as part of Spring 1990 (The Other One) box set - last High Time: 12-09-88 [92] - LL Rain officially released on Without A Net - first The Weight - final Revolution
Taper: Ted Mattes
2:34:23
Taper:
Ted Mattes
Transferrer:
Craig Hillwig and Lenny Stubbe and Charlie Miller
SHNID:
gd1990-03-28.132758.hillwig-stubbe.mattes.miller.flac16
Source:
(FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply ->Dat (Panasonic SV250/48k) -> Dat (Cloned From Master)
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus ->Samplitude v7.02 Professional -> SHN(3 Discs Audio / 2 Discs SHN)Recorded By Ted MattesTransferred By Charlie [email protected]/25/05***fix of SHNID 28381 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain.Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float.Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC
Taper Notes:
View Notes***fix of SHNID 28381 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed. Thanks to Craig for discovering this issue and taking the time to fix. 03/28/2015
Taper: Ted Mattes
2:34:24
Rating:
8.50 / 4 ratings
Taper:
Ted Mattes
Transferrer:
Charlie Miller
SHNID:
gd1990-03-28.schoeps.mattes.miller.28381.sbeok.shnf
Source:
(FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master)
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
Taper Notes:
View Notes-- Seamless transition between discs 2 and 3. -- This includes the missing d1t08 (Cassidy)
Taper: Fitzy
2:25:06
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-03-28.Senn441.Fitzy.Keo.126838.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes Maxell MX-90s; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent share from the Fitzy collection of masters and the Grateful Dead's 1990 Spring Tour! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: Fitzy
2:25:06
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-03-28.Senn441.Fitzy.Keo.126837.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes Maxell MX-90s; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent share from the Fitzy collection of masters and the Grateful Dead's 1990 Spring Tour! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: M.Laurentus
2:31:58
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1990-03-28.124834.AT835.laurentis.flac16
Source:
AT835B's- AT 8202's-SONY TCD-5M-Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section Sec B2,Row 54,Seat 10
Taper: Mr. Currier
2:32:21
Taper:
Mr. Currier
Transferrer:
Rob Berger and Keo
SHNID:
gd1990-03-28.AKG451.Berger.Currier.Keo.121788.Flac1644
Source:
Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
Lineage:
B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out To Mr. Currier for sending in his copies from B.R.'s original master DAT copy of this show and from Mr. Berger's initial setup! The Master DATS are not availible any more so this will be the only source from this setup to circulate!Some slight tape hiss from the copyied masters but still worthy getting these to 1Bit/5.6 transfers IMO! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: B.R. And Mr. Currier
2:32:21
Taper:
B.R. And Mr. Currier
Transferrer:
Rob Berger and Keo
SHNID:
gd1990-03-28.AKG451.Berger.Currier.Keo.121786.Flac2496
Source:
Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
Lineage:
B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out To Mr. Currier for sending in his copies from B.R.'s original master DAT copy of this show and from Mr. Berger's initial setup! The Master DATS are not availible any more so this will be the only source from this setup to circulate!Some slight tape hiss from the copyied masters but still worthy getting these to 1Bit/5.6 transfers IMO! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Keith Litzenberger
2:35:36
Rating:
9.00 / 4 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1990-03-28.senn-me80.litzenberger.91355.sbeok.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1 DAT (OTS)
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC)
Taper: Brian Mandel
2:25:14
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1990-03-28.nak300.mandel.91202.sbeok.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Taper: Andrew F
2:26:27
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1990-03-28.aud.andrewf.87701.sbeok.flac16
Source:
AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS.
Lineage:
MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
Taper Notes:
View NotesNotes: - During the intermission I had the opportunity to plug my deck into an unused set of 441's that were on a stand next to me. - Level adjustments and minor vocals distortion during CR&S. - The show fits on two discs if you break between LLR and Cumberland. - Soundforge used to make fades, and adjust levels in CR&S. - TLH used for SBE-OK, FLAC compression, and checksums.