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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h1.7k242
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.3k715
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.6k208
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.9k515
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k348
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k416
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h76686
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h1.9k228
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k189
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k180
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k238
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k681
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k176
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.7k604
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.8k1.8k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.1k843
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87173
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k544
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k558
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k405
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k241
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.4k837
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k582
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59873
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14021
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30022
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h423
7d1277
30d57234
2 shows
2 tapes
1990
3/24/90
Let the Good Times Roll >
3:59
Help on the Way > Slipknot >
7:50
Franklin's Tower >
7:53
Walkin' Blues
8:56
Loser
7:38
Desolation Row
11:25
Tennessee Jed >
7:38
One More Saturday Night
4:49
crowd & tuning
2:43
Playin' in the Band >
9:58
Uncle John's Band >
9:57
Terrapin >
13:15
Mind Left Body Jam >
7:57
Drums >
8:23
Space >
11:03
The Wheel >
4:49
All Along the Watchtower >
7:36
Stella Blue >
8:29
Not Fade Away
7:18
crowd chant
2:14
And We Bid You Goodnight
2:37
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:39:38
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 8, 2022
SHNID:
gd1990-03-24.156426.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple Ultramatrix masters were used to make this show complete -- This is 156367 2496 > 1644.1
Taper: Recorded by Don Pearson and Dan Healy
2:39:38
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 8, 2022
SHNID:
gd1990-03-24.156367.UltraMatrix.sbd.cm.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple Ultramatrix masters were used to make this show complete -- This is 156367 2496 > 1644.1
Transferrer: Matrix by Dave Usborne
2:39:09
SBD
Rating:
9.43 / 7 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1990-03-24.127119.mtx.dusborne.flac16
Source:
3 Source Matrix by dusborne; Soundboard (shnid:107873) Recording Info: SBD -> Cassette Master (TDK SA90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Audience (shnid:011806) Source: AUD(Schoeps CMC 421’s)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) Conversion/Edit/Seeded to Etree by T. Wiley 8/29/2002 and Audience (shnid:125389) Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz) Location: OTS
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Dr. Stan Lobitz; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View NotesMatrix by dusborne 02-17-2014 Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 02-17-2014 --------------------------------------------------------------------------------
Transferrer: Charlie Miller
2:37:42
SBD
Rating:
9.63 / 19 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-03-24.sbd.miller.107873.flac16
Source:
SBD -> Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- A second master was used to patch the Set 2 tape flip
Transferrer: SBD + AUD Matrix 2 Source Mix (48/16) by Kevin Tobin
2:40:09
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (48/16) by Kevin Tobin
SHNID:
gd1990-03-24.175116.mtx.tobin.flac1648
Source:
SBD + AUD Matrix 2 Source Mix (48/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 14-NOV-2025 - Trader Little Helper - Tagged 14-NOV-2025 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Dan Haugh
2:36:53
SBD
Rating:
10.00 / 8 ratings
Transferrer:
Dan Haugh
SHNID:
gd1990-03-24.mtx.haugh.32082.sbeok.shnf
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD: DAT x 3 > CDR > SHN AUD FOB: Schoeps CMC 421 > DAT > CDR --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 50% SBD, 50% AUD mix. - Mixed by [email protected] - Shn conversion 8-SEP-2004 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- Notes This is NOT the 'Dozin At The Nick' source for any of the first set or set two. You can see by the notes and the removal of several errors that the released source was not used. Although it would have made my life 100 times easier as finding sub second dropouts in a 3 hour show is insane. Set 1 It looks like the SBD source was normalized to 100%. The levels are way up there but not distorted or clipped. I performed a 'light' click and pop eliminator to the first set AUD source. I also took some time to remove or reduce more of the close claps. I raised the low levels on the AUD 2.5db on set 1. The Loser on this night is a smoker! 0:00.000 not much crowd/tuning before Let The Good Times Roll. No music missing though. 30:58.730 I applied a .479 second AUD patch to cover a missing portion on the SBD source. Maybe a dropout had been edited without notation? Between Desolation Row and Tennessee Jed the AUD was missing 25.358 seconds of crow cheer. The SBD was trimmed to match. The result is smooth and most likely undetectable. Set 2 Disc 2 and 3 can be assembled seamlessly on longer media. It looks like the SBD source was normalized to 100%. The levels are way up there but not distorted or clipped. Removed or reduced a few more of the close claps in set 2. I raised the low levels on the AUD 2db on set 2. 0:00.000 not much crowd/tuning before Playing In The Band. No music missing though. 14:56.243 I applied a .487 second AUD patch to cover a missing portion on the SBD source. Maybe a dropout had been edited without notation? 20:01.665 I applied a 1.027 second AUD patch to cover a missing portion on the SBD source. This is in the final verse of Uncle John's Band. A close listen and you might be able to detect this patch as it is over a second long. 1:14:15.057 I applied a .289 second AUD patch to cover a missing portion on the SBD source. Maybe a dropout had been edited without notation? --------------------------------------------------------- More Info On The AUD Recording COMMENTS: D1t01 (Let The Good Times Roll) Pops in right channel @ 2:02 and 2:04 Both removed and replace with left channel. D1t03 (Slipknot!) Static @ 1:05 and @ 2:52 both right channel removed and replaced with left channel. D1t06 (Loser) Pops right channel @ 1:23, 6:15 and 7:54 all removed and replaced with left channel. This track also has a Drop out @ 2:00 both channels removed. D1t07 (Desolation Row) Pop @ 1:55 and 2:03 both right channel removed and replaced with left channel. D1t08 (Tennessee Jed) Pops @ 4:08, 6:01 both right channel removed and replaced with left channel. D1t09 (One More Saturday Night). D2t01 (Playing In The Band) Static @ 4:12 removed slightly, Constant pops from 9:33 through 9:37 removed slightly as well. I couldn't remove all of them because the song didn't sound right. There maybe more problems present it was had to tell. This person next to the mics. was clapping through out the show.
Source 7 of 21
2:37:28
SBD
Rating:
8.75 / 8 ratings
SHNID:
gd90-03-24.sbd.harrell.12791.sbeok.shnf
Source:
SBD > Dat x 3 > CDR > WAV > SHN
Taper Notes:
View NotesSBD > Dat x 3 > CDR > SHN; via drgseeds with thanks to Bob Harrell
Taper: Ted Mattes
2:45:29
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-24.142989.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Master DAT Recording (FOB): Schoeps CMC5 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row Q Seat 7/8; Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - Thanks to Ted for recording the show. - Thanks to Charlie for being the go-between. - upgrade to shnid 28387 - The best Walkin Blues evah & the second set are featured on the official release, "Dozin' at the Knick" - OMSN appears on "Without A Net" - Desolation Row appears on "Postcards of the Hanging" - LTGTR, Help-Slip-Frank, Loser & T. Jed are released as part of the Spring 1990 (album) - The first set is a bona fide sing-a-long. - The second set; buy the ticket & take the ride. - Last "Mind Left Body Jam": 03-22-85
Taper: Ray Akerman
2:37:29
Rating:
10.00 / 1 rating
Taper:
Ray Akerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-24.141113.OTS.AKG.Akerman.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
Taper Notes:
View NotesNotes: - Thanks to Charlie for being the go-between. - The best Walkin Blues ever played & the second set are featured on the official release, "Dozin' at the Knick" - OMSN appears on "Without A Net" - Desolation Row appears on "Postcards of the Hanging" - LTGTR, Help-Slip-Frank, Loser & T. Jed are released as part of the Spring 1990 (album) - last "Mind Left Body Jam": 03-22-85 - The first set is a bona fide sing-a-long. - The second set; buy the ticket & take the ride. - While Albany didn't exactly lay out the welcome matte, the energy inside this oversized cement box, nestled in the foothills, was off the charts. I will never forget it. What we have here is a recording that is not only testament to the bands high caliber play, it captures the raw, palpable energy that was created inside the venue.
Taper: Ted Mattes
2:39:53
Rating:
9.75 / 8 ratings
Taper:
Ted Mattes
Transferrer:
Charlie Miller
SHNID:
gd90-03-24.fob-schoeps-mattes.miller.28387.sbeok.shnf
Source:
FOB Schoeps CMC5/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master)
Lineage:
Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN
Taper Notes:
View NotesFOB Schoeps CMC5/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:40:10
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1990-03-24.175146.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 16-NOV-2025 - Trader Little Helper - Tagged 16-NOV-2025 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Dave Boedicker
2:36:16
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1990-03-24.147572.senn441.boedicker.flac1644
Source:
Sennheiser 441 Mics>Sony TC-D5M Cassteet Deck(Lead Deck)>Sony Wm-D6C Cassette Deck>TDK Ma-90 And TDK Ma-100 Metal Cassette Master Tapes(One For each Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8,Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section.
Taper Notes:
View NotesNotes: 1)Tape Flip After "Loser"(No Music Missed On Next Song "Desolation Row") 2)Tape Flip During Drums
Taper: Dr. Stan Lobitz
2:38:10
Rating:
8.00 / 1 rating
Taper:
Dr. Stan Lobitz
Transferrer:
Lenny Stubbe and Craig Hillwig
SHNID:
gd1990-03-24.125390.nak-cm300.cp4.flac16
Source:
Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- Walkin Blues and the entire second set appear on the official release "Dozin At The Knick" - last Mind Left Body jam 12/30/83 (431 shows) - 44.1k version exists Seeded to etree on: 08/11/2013
Taper: Dr. Stan Lobitz
2:38:10
Taper:
Dr. Stan Lobitz
Transferrer:
DAT clone (1) provided by: Craig Hillwig Transferred and seeded by: Lenny Stubbe
SHNID:
gd1990-03-24.125389.nak.cm300.cp4.48khz.flac16
Source:
<b>flac16/48kHz</b>; Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- Walkin Blues and the entire second set appear on the official release "Dozin At The Knick" - last Mind Left Body jam 12/30/83 (431 shows) - 44.1k version exists Seeded to etree on: 08/11/2013
Taper: B.R. And Mr. Currier
2:41:37
Taper:
B.R. And Mr. Currier
Transferrer:
Rob Berger and Keo
SHNID:
gd1990-03-24.AKG451.Berger.Currier.Keo.120743.Flac1644
Source:
Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
Lineage:
B.R,'s Sony TCD-D10>Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to Mr. Currier for sending me his copies of this show to work on and to B.R. and to Mr. Berger for the initial mic/deck set up!Mr. Currier had cable problems for these shows and copied the master dats to cassette once he returned home from tour.For me I could never have too many copies of this smoking show and these being on metal tapes in excellent condition and a new mic source to circulate they were begging for the Nak MR-1>Korg MR-1000 1 Bit transfer!This is another incredible recording for this show! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: B.R. And Mr. Currier
2:41:37
Taper:
B.R. And Mr. Currier
Transferrer:
Rob Berger and Keo
SHNID:
gd1990-03-24.AKG451.Berger.Currier.Keo.120742.Flac2496
Source:
Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
Lineage:
B.R,'s Sony TCD-D10>Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to Mr. Currier for sending me his copies of this show to work on and to B.R. and to Mr. Berger for the initial mic/deck set up!Mr. Currier had cable problems for these shows and copied the master dats to cassette once he returned home from tour.For me I could never have too many copies of this smoking show and these being on metal tapes in excellent condition and a new mic source to circulate they were begging for the Nak MR-1>Korg MR-1000 1 Bit transfer!This is another incredible recording for this show! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: Keith Litzenberger
2:40:18
Rating:
8.00 / 1 rating
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1990-03-24.sennME80.wklitz.94288.flac16
Source:
Sennheiser ME-80's > Technics SVM-D1
Lineage:
DAT Master > Sony TCD-D0PROII > Edirol R-4 > Wavelab 5 (Fades and Sample Rate Conversion) > CDWAV > FLAC
Taper: Keith Litzenberger
2:40:18
Rating:
10.00 / 1 rating
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1990-03-24.sennME80.wklitz.94287.flac1648
Source:
Sennheiser ME-80's > Technics SVM-D1
Lineage:
DAT Master > Sony TCD-D0PROII > Edirol R-4 > Wavelab 5 (Fades and Sample Rate Conversion) > CDWAV > FLAC
Taper Notes:
View NotesThis is the 48Khz version for archival purposes. If you wish to burn a CD please use the 44.1Khz verion: http://www.archive.org/details/gd1990-03-24.sennME80.wklitz.94288.flac16
Taper: Ted Gidley
2:36:27
Rating:
10.00 / 1 rating
Taper:
Ted Gidley
Transferrer:
Andrew F
SHNID:
gd1990-03-24.aud.gildey.91828.sbeok.flac16
Source:
Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC,
Taper Notes:
View Notes- Patch 7:52 > 8:05 in Drums, taken from MAC that was next in line. - Second set disc break is seamless. - Patch from ShnID-28387 covers glitch, 0:10 crowd chant > 0:06 AWBYGN.
Transferrer: Matrixing by Dan Haugh
2:36:53
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1990-03-24.dts.32075.shnf
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD: DAT x 3 > CDR > SHN AUD FOB: Schoeps CMC 421 > DAT > CDR --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 8.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & AUD sources. CEP2.0 used to adjust the volume for the SBD, AUD, center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - Shn conversion 8-SEP-2004 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD: DAT x 3 > CDR Right Channel SBD: DAT x 3 > CDR Center Mixed to mono -5db SBD Surround Left Channel Schoeps +2db CMC 421 > DAT Right Channel Schoeps +2b CMC 421 > DAT Sub/LFE Mixed to mono -4db SBD --------------------------------------------------------- Notes This is NOT the 'Dozin At The Nick' source for any of the first set or set two. You can see by the notes and the removal of several errors that the released source was not used. Although it would have made my life 100 times easier as finding sub second dropouts in a 3 hour show is insane. Set 1 It looks like the SBD source was normalized to 100%. The levels are way up there but not distorted or clipped. I performed a 'light' click and pop eliminator to the first set AUD source. I also took some time to remove or reduce more of the close claps. I raised the low levels on the AUD 2.5db on set 1. The Loser on this night is a smoker! 0:00.000 not much crowd/tuning before Let The Good Times Roll. No music missing though. 30:58.730 I applied a .479 second AUD patch to cover a missing portion on the SBD source. Maybe a dropout had been edited without notation? Between Desolation Row and Tennessee Jed the AUD was missing 25.358 seconds of crowd cheer. The SBD was trimmed to match. The result is smooth and most likely undetectable. Set 2 Disc 2 and 3 can be assembled seamlessly on longer media. It looks like the SBD source was normalized to 100%. The levels are way up there but not distorted or clipped. Removed or reduced a few more of the close claps in set 2. I raised the low levels on the AUD 2db on set 2. 0:00.000 not much crowd/tuning before Playing In The Band. No music missing though. 14:56.243 I applied a .487 second AUD patch to cover a missing portion on the SBD source. Maybe a dropout had been edited without notation? The result is smooth and most likely undetectable. 20:01.665 I applied a 1.027 second AUD patch to cover a missing portion on the SBD source. This is in the final verse of Uncle John's Band. A close listen and you will be able to detect this patch as it is over a second long. 1:14:15.057 I applied a .289 second AUD patch to cover a missing portion on the SBD source. Maybe a dropout had been edited without notation? --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from .shn files. ------------------------------
Source 21 of 21
2:37:41
Rating:
8.83 / 30 ratings
SHNID:
gd90-03-24.schoeps.wiley.11806.sbeok.shnf
Source:
Audience: Schoeps CMC 421's
Lineage:
Schoeps CMC 421's > DAT > CDR > WAV > SHN
Taper Notes:
View NotesAUD(Schoeps CMC 421ÃÂs)>DAT>CDR; See info file for flaw notes; via Paul B; Seeded to Etree by T. Wiley