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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.1k423
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69497
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3.4k461
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k130
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k228
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.6k339
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.9k488
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k139
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k283
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h953106
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.9k220
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k199
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k191
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k212
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.9k563
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.4k190
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.4k1.1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.7k2.1k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h10.6k1.5k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h76170
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h4.1k540
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.9k360
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k248
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h6.4k616
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h3.1k500
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h52966
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14820
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h50038
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h372
7d1468
30d57134
2 shows
2 tapes
1990
3/22/90
tuning
4:46
Feel Like a Stranger
8:31
West L.A. Fadeaway
7:36
Easy to Love You
6:53
Beat it on Down the Line
3:51
It Must Have Been the Roses
7:29
The Last Time
5:14
tuning
3:17
Picasso Moon
7:04
Don't Ease Me In
3:27
tuning
2:20
Scarlet Begonias ->
7:57
Fire on the Mountain
12:10
Samson and Delilah
6:50
Believe It or Not ->
6:35
Truckin'->
11:00
Drums ->
11:25
Space ->
6:18
The Other One ->
8:23
Hey Jude ->
5:04
Dear Mr. Fantasy ->
3:45
Hey Jude Reprise->
4:30
Sugar Magnolia
7:59
encore break
2:51
It's All Over Now Baby Blue
7:06
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:37:44
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 29, 2022
SHNID:
gd1990-03-22.156423.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by mobile recording truck DAT (shnid=139224) -- This is 156195 2496 > 1644.1
Taper: Recorded by Don Pearson and Dan Healy
2:37:44
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 29, 2022
SHNID:
gd1990-03-22.156195.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered by mobile recording truck DAT (shnid=139224)
Transferrer: Charlie Miller
2:42:02
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1990-03-22.139224.sbd.miller.truck-mix.flac
Source:
SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750)
Lineage:
PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro >Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to David Gans for the tape -- John Cutler's live mix made in the mobile recording truck -- I cleaned up dozens of static pops, some may still remain
Transferrer: Kevin Tobin
2:33:52
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1990-03-22.mtx.tobin.126698.flac16
Source:
<b>flac16;</b> Matrix 3 Source Mix - SBD (shnid=107871) Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video found supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 3 Source Mix(48%-SBD/52%-AUD) Seeded to etree on: 10/15/2013 VID (no shnid) used for timing standard --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 09-JAN-2014 - Trader Little Helper - Tagged 09-JAN-2014 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -1.5 AUD -1.0 SET TWO Stereo Matrix SBD -1.5 AUD -1.0 --------------------------------------------------------- BHP note: Both audio sources were very close to the video and only minor patching was needed mostly between songs in the first set. Brokedown House Production
Transferrer: Charlie Miller
2:34:55
SBD
Rating:
9.43 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-03-22.sbd.miller.107871.flac16
Source:
SBD -> Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless
Source 6 of 22
2:21:02
SBD
Rating:
8.00 / 2 ratings
Taper Notes:
View NotesThis show was sent to me a short time ago. It happened to be my own first show. Absolutely amazing! The person that sent it to me didn't know the origin of the source. I think it was SBD original, as there is very little crowd noise. At least no-where near what I remember. ENJOY!
Transferrer: Dan Haugh
2:31:49
SBD
Rating:
9.33 / 9 ratings
Transferrer:
Dan Haugh
SHNID:
gd1990-03-22.mtx.dan.28040.sbeok.shnf
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD Taper: ? Source: SBD > MC > DAT Location: At the soundboard AUD Taper: Dave Brotman Source: FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT Location: 19th Row --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & AUD sources. This is a 60% SBD, 40% AUD mix. - Mixed by [email protected] - Shn conversion done by [email protected] 10-AUG-2004 - Artwork by Mike Ahern and [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. Special thanks to Mike for his hard work on this art. --------------------------------------------------------- Notes The levels were very low on the SBD source. I increased set 1 by 3.5db and set 2 by 7.5db. D1t4 'BIODTL' a 1 second AUD patch was made at approx 2.22 to cover a cut, dropout or skip in the SBD. Source change from SBD to AUD is obvious to the listener. D1t5 'Roses' a 1 second AUD patch was made at approx 0.22 to cover a cut, dropout or skip in the SBD. The result was smooth and most likely unnoticeable. D1 The SBD source was missing approx 2.38 of crowd cheer after 'Roses'. Most likely where the cassette flip was. The AUD source was trimmed to match. The result was smooth and most likely unnoticeable. D2 and D3 can be assembled seamlessly on longer media. NOTE: Burning options. You can also burn this as 2 CDs by putting D2T1 & D2T2 (Scarlet > Fire) on the end of the first CD. Obviously I set this up for 3 discs but in the end I ended up burning as a 2 disc myself. The artwork was setup to accomidate both options. D2 Both the SBD and the AUD sources had breaks bwtn the D2 and D3 change. The SBD source also had a cassette flip break. Fortunately the breaks were at different spots. I patched the missing SBD portions, approx 4 and 3 seconds, with the AUD. I patched the missing AUD portion, approx 6 seconds, with the SBD. The result was smooth and most likely unnoticeable. The SBD source faded out after the last song of set 2. It restarts at the very first notes of the encore. I adjusted the AUD source accordingly to match. I tried to make this as smooth as possible and it came out okay. I ran the center channel lower than usual (-5db) for this DTS 5.1 mix. This Scarlet > Fire is absolutely insane. Final/last "Believe It Or Not" 10-21-1988 (89 shows) Final/last "Hey Jude" 03-01-1969 (1522 shows)
Source 8 of 22
2:31:00
SBD
Rating:
8.86 / 50 ratings
SHNID:
gd90-03-22.sbd.bertha-ashley.21433.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>SHN
Taper Notes:
View NotesBertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
Source 9 of 22
2:31:15
SBD
Rating:
8.64 / 25 ratings
SHNID:
gd90-03-22.sbd-matrix.aj.453.sbefail.shnf
Source:
SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN
Taper Notes:
View NotesSBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17
Taper: Master Digital Audience Recording by Ted Mattes
2:42:21
REMASTER
Taper:
Master Digital Audience Recording by Ted Mattes
Transferrer:
Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 26, 2020
SHNID:
gd1990-03-22.149413.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648
Source:
Source: (FOB) Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250) Location: *
Lineage:
Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: otes: - DAT master courtesy of Ted Mattes - Thanks to Charlie Miller for the transfer & coordinating these. - Upgrade of shnid 143170 - 12 count BIODTL - last IMHBTR 04-09-89 [67] - final/last "Believe It or Not" 10-21-1988 [89] - final/last "Hey Jude" 03-01-1969 [1522] - Squeaky & I snuck onto the floor for the second set & danced like wild fires. - Nothin' say good times like a RCMP escort outta town. Oh Canada… reMaster notes: - gentle EQ (30 band) work was performed in Adobe Audition.
Taper: Ted Mattes
2:42:21
REMASTER
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-22.143170.FOB.Schoeps.Mattes.Miller.Noel.REMASTER.t-flac1648
Source:
Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250) Location: row 23 seat 10
Lineage:
Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 Edited & reMastered by Joe Noel Flac 16/48 > Audacity > 16/48 September 26, 2018
Taper Notes:
View NotesNotes: - DAT master courtesy of Ted Mattes - Thanks to Charlie for being MC extraordinaire - Upgrade of shnid 125880 - 12 count BIODTL - last IMHBTR 04-09-89 [67] - final/last "Believe It or Not" 10-21-1988 [89] - final/last "Hey Jude" 03-01-1969 [1522] - Squeaky & I snuck onto the floor for the second set & danced like wild fires. - Nothin' say good times like a RCMP escort outta town. Oh Canada… Remaster notes: - The right channel was inverted, that has been corrected. - The levels were on the timid side, each track has been normalized. - Thanks very much to chillwig & his discerning ear for alerting me to the channel problem.
Taper: Ted Mattes
2:42:21
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-22.141931.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250); Location: row 23 seat 10; Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - DAT master courtesy of Ted Mattes - Thanks to Charlie for being MC Xtraordinaire - Upgrade of shnid 125880 - 12 count BIODTL - last IMHBTR 04-09-89 [67] - final/last "Believe It or Not" 10-21-1988 [89] - final/last "Hey Jude" 03-01-1969 [1522] - Squeaky & I snuck onto the floor for the second set & danced like wild fires. - Nothin' say good times like a RCMP escort outta town. Oh Canada…
Taper: Ray Akerman
2:35:37
Taper:
Ray Akerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-22.141112.OTS.AKG.Akerman.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
Taper Notes:
View NotesNotes: - Thanks to Charlie for being the go-between. - 12 count BIODTL - last IMHBTR 04-09-89 [67] - final/last "Believe It or Not" 10-21-1988 [89] - final/last "Hey Jude" 03-01-1969 [1522] - Squeaky & I snuck onto the floor for the second set & danced like wild fires. - Nothing say good times like a RCMP escort outta town while tripping. - Oh Canada… You really shouldn't have, but thank you.
Source 14 of 22
2:37:07
SHNID:
gd1990-03-22.165885.mtx.seamons.ht090.flac16
Source:
Matrix by Jubal Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) October 2, 2023
Taper Notes:
View NotesNotes: This new version of the matrix uses the Cutler truck mix instead of the Healy recording, and a greatly improved transfer of the audience source. While the SBD mix had extra ambience from the ambient mic, the crowd levels were generally distant or low. The audience tape adds some nice crowd energy here and some extra resonance. Many clicks and pops were removed. Some light static can be heard mostly between songs, during Space into Other One, and during the quiet parts in Hey Jude in the SBD source. Some of this static could be cleaned, but most remains.
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:34:04
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1990-03-22.157157.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-JUN-2014 - Trader Little Helper - Tagged 30-JUN-2014 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 16 of 22
2:42:46
SHNID:
gd1990-03-22.152792.3-Source-MTX.photoLeon.t-flac16
Source:
Matrix created in Adobe Audition by Joe Noel May 16, 2021
Taper Notes:
View NotesNotes: - Thanks to Ray & Ted for their wonderful audience recordings. - Thanks to John Cutler for the masterful SBD recording. - Thanks to David Gans for sharing his PCM tapes. - Thanks to Charlie Miller for the transfer. - Thanks to Jack Schlottman for the critique. - First 25 seconds of set one is Schoeps only - First 19 seconds of set two is Schoeps only - 12 count BIODTL - last IMHBTR 04-09-89 [67] - final/last "Believe It or Not" 10-21-1988 [89] - final/last "Hey Jude" 03-01-1969 [1522] - Squeaky & I snuck onto the floor for the second set & danced like wild fires. - Nothin' says a good times like a RCMP escort outta town. Oh Canada…
Taper: Ted Mattes
2:41:17
Taper:
Ted Mattes
Transferrer:
Lenny Stubbe and Craig Hillwig
SHNID:
gd1990-03-22.125881.mk4.fixed.flac16
Source:
Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)>Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe
Taper Notes:
View Notes- Last Roses 4/9/89 (67 shows) - Final and last Hey Jude 3/1/69 (1,525 shows) - Final and last Believe It 10/21/88 (89 shows) - 12 beats to start BIODTL - This is a NEW processing of the original SHN files of SHNID #7460. This is an upgrade due to the fact that the right channel was inverted on the original DAT recording and not previously caught. This new fileset includes the channel inversion, as well and some low level adjustment. No EQ was applied whatsoever. MD5's of the original SHN's verified. Thanks to Craig for catching the channel issue and suggesting we fix and reseed - 48khz version exists
Taper: Ted Mattes
2:41:17
Taper:
Ted Mattes
Transferrer:
Lenny Stubbe and Craig Hillwig
SHNID:
gd1990-03-22.125880.mk4.fixed.48khz.flac16
Source:
<b>flac16/48kHz</b>; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe
Taper Notes:
View NotesNotes: - Last Roses 4/9/89 (67 shows) - Final and last Hey Jude 3/1/69 (1,525 shows) - Final and last Believe It 10/21/88 (89 shows) - 12 beats to start BIODTL - This is a NEW processing of the original SHN files of SHNID #7460. This is an upgrade due to the fact that the right channel was inverted on the original DAT recording and not previously caught. This new fileset includes the channel inversion, as well and some low level adjustment. No EQ was applied whatsoever. MD5's of the original SHN's verified. Thanks to Craig for catching the channel issue and suggesting we fix and reseed - 44.1khz version exists Seeded to etree on: 10/15/2013
Transferrer: Hunter Seamons
2:41:12
Rating:
9.33 / 3 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1990-03-22.mtx.seamons.113144.flac16
Source:
<b>flac16:</b>Matrix by Jubal Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
Taper Notes:
View Notes*final performance - last "Believe It Or Not" 10-21-1988 (89 shows) **final performance - last complete "Hey Jude" 03-01-1969 (1522 shows!) Notes: 1) The vocals often have a "phasey" sound in the SBD, but this is normal.
Taper: Ted Gidley
2:33:42
Rating:
8.00 / 3 ratings
Taper:
Ted Gidley
Transferrer:
Andrew F
SHNID:
gd1990-03-22.aud.gidley.91779.sbeok.flac16
Source:
Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes- Disc break is seamless. - Patch 7:15 > 7:22 in Drums, taken from MAC that was next in line.
Transferrer: Dan Haugh
2:31:49
Transferrer:
Dan Haugh
SHNID:
gd1990-03-22.dts.dan.31772.sbeok.shnf
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD Taper: ? Source: SBD > MC > DAT Location: At the soundboard AUD Taper: Dave Brotman Source: FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT Location: 19th Row --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & AUD sources. CEP2.0 used to adjust the volume for the center, LFE and front channels. Surcode CD Pro DTS was used to encode to DTS. -3db was NOT applied to the rear channels, they were left at their original levels. - Mixed by [email protected] - Shn conversion done by [email protected] 10-AUG-2004 - Artwork by Mike Ahern and [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. Special thanks to Mike for his hard work on this art. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD > MC > DAT Right Channel SBD > MC > DAT Center SBD Mixed to mono -5db SBD > MC > DAT Surround Left Channel FOB > Scheops > DAT Right Channel FOB > Scheops > DAT Sub/LFE SBD Mixed to mono -3.5db SBD > MC > DAT --------------------------------------------------------- Notes The levels were very low on the SBD source. I increased set 1 by 3.5db and set 2 by 7.5db. D1t4 'BIODTL' a 1 second AUD patch was made at approx 2.22 to cover a cut, dropout or skip in the SBD. Source change from SBD to AUD is obvious to the listener. D1t5 'Roses' a 1 second AUD patch was made at approx 0.22 to cover a cut, dropout or skip in the SBD. The result was smooth and most likely unnoticeable. D1 The SBD source was missing approx 2.38 of crowd cheer after 'Roses'. Most likely where the cassette flip was. The AUD source was trimmed to match. The result was smooth and most likely unnoticeable. D2 and D3 can be assembled seamlessly on longer media. NOTE: Burning options. You can also burn this as 2 CDs by putting D2T1 & D2T2 (Scarlet > Fire) on the end of the first CD. Obviously I set this up for 3 discs but in the end I ended up burning as a 2 disc myself. The artwork was setup to accomidate both options. D2 Both the SBD and the AUD sources had breaks bwtn the D2 and D3 change. The SBD source also had a cassette flip break. Fortunately the breaks were at different spots. I patched the missing SBD portions, approx 4 and 3 seconds, with the AUD. I patched the missing AUD portion, approx 6 seconds, with the SBD. The result was smooth and most likely unnoticeable. The SBD source faded out after the last song of set 2. It restarts at the very first notes of the encore. I adjusted the AUD source accordingly to match. I tried to make this as smooth as possible and it came out okay. I ran the center channel lower than usual (-5db) for this DTS 5.1 mix. This Scarlet > Fire is absolutely insane. Final/last "Believe It Or Not" 10-21-1988 (89 shows) Final/last "Hey Jude" 03-01-1969 (1522 shows) --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player.
Source 22 of 22
2:41:15
Rating:
8.67 / 13 ratings
SHNID:
gd90-03-22.schoeps.dankseeds.7460.sbeok.shnf
Source:
Schoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT > WAV > SHN
Taper Notes:
View NotesSchoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT @ 48kHz; via <a href="http://groups.yahoo.com/group/dankseeds/files/gd1990-03-22" rel="ugc nofollow">Dankseeds</a>