Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1990
Sources
Taper: Don Pearson and Dan Healy
2:33:53
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 19, 2020
SHNID:
gd1990-03-19.149701.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:33:53
SBD
Rating:
10.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 9, 2020
SHNID:
gd1990-03-19.149504.ultramatrix.sbd.pearson-healy.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Transferrer: matrix by hansokolow
2:37:23
SBD
Rating:
8.40 / 10 ratings
Transferrer:
matrix by hansokolow
SHNID:
gd1990-03-19.mtx.hansokolow.97024.flac16
Source:
matrix of SBD: shnid=1526 and AUD: shnid=94400
Taper Notes:
View Noteshansokolow's notes: Though this SBD source is not digital (I'm pretty sure) it is very solid and it behaved like a digital source, if that makes any sense. Drums is very short compared to Space as it includes the Healy business (spacey drums) on the Space track, when usually I put it with the Drums section. This is because there is a natural pause before it, and no good pause before the rest of the band comes out. It just seemed more organic that way.
Transferrer: Darrin Sacks and Bill Tetzeli
2:34:44
SBD
Rating:
8.00 / 1 rating
Transferrer:
Darrin Sacks and Bill Tetzeli
SHNID:
gd1990-03-19.sbd.sacks.tetzeli.fix-1526.34777.reflac.flac16
Source:
Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN -> WAV -> FLAC
Taper Notes:
View NotesSlight Diginoise at: Deal 4.31 China Doll 0.31 & 4.22 Around 0.01 Bill Tetzeli made the CD2/CD3 transition seamless SteveSw fixed the replaygain problem
Transferrer: Kirby Bell, Bob Fishman & Darrin Sacks
2:35:03
SBD
Rating:
8.94 / 52 ratings
Transferrer:
Kirby Bell, Bob Fishman & Darrin Sacks
SHNID:
gd90-03-19.prefm-sbd.sacks.1526.sbeok.shnf
Source:
Soundboard
Lineage:
Pre-FM Soundboard Master Reel (at 15 inches per second) > DAT > CDRs > WAV > SHN
Taper Notes:
View Notesupdated source: Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN; source CDs from Kirby (Chalupa) Bell/Bob Fishman, eac>shn by Darrin Sacks; see info file for flaw notes
Taper: Master Digital Audience Recording by Ted Mattes Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 25, 2020
2:37:06
REMASTER
Taper:
Master Digital Audience Recording by Ted Mattes Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 25, 2020
SHNID:
gd1990-03-19.149333.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648
Source:
From the Teddy Ballgame Archive - a reMaster of shnid 141914 Source: (FOB) Schoeps CMC4 MK4 > DAT (Panasonic SV250) Location: Sec 2 Row p Seat 7
Lineage:
Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Master DAT courtesy of Ted Mattes - Thanks to Charlie Miller for the transfer - Here's to the Downtown Marriott, the business casuals & Mike Hunt reMaster Notes: - The right channel was inverted, that has been corrected. - The levels were improved with gentle EQ work & normalization. - Thanks very much to chillwig & his discerning ear for alerting me to the channel problem.
Taper: Ted Mattes
2:37:06
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-19.141914.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Recording (FOB): Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row p Seat 7; Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Master DAT courtesy of Ted Mattes - Harmonized by Charlie Miller - Here's to the Downtown Marriott, the business casuals & Mike Hunt
Taper: Taperjon
2:42:59
Rating:
8.00 / 1 rating
Taper:
Taperjon
Transferrer:
Taperjon
SHNID:
gd1990-03-19.165619.Hartford.CT.WHCN.fm.taperjon.flac1644
Source:
WHCN 105.9 FM > Carver TX-11 Tuner > Carver TD-1700 deck > Hafler DH-110 Preamp/DH-200 Amp > Master Cassette > Aiwa ADF810 HX-Pro 3-Head > Tascam CDR700 > FLAC
Taper: Lance Deal
2:37:43
Taper:
Lance Deal
Transferrer:
Willl Petty
SHNID:
gd1990-03-19.132673.cmc521.deal-petty.flac16
Source:
Recording info: 2nd row center OTS/ortf/Schoeps cmc 521's> Schoeps VMS 52 UB p/s> SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal;
Lineage:
Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree by Will Petty
Taper: fitzy
2:30:17
Rating:
9.00 / 2 ratings
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1990-03-19.Nak300sSenn441s.Fitzy.Keo.125629.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent share from the Fitzy collection of master audience recordings and the Grateful Dead's Spring 1990 Tour!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!
Taper: fitzy
2:30:17
Rating:
10.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1990-03-19.Nak300sSenn441s.Fitzy.Keo.125628.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent share from the Fitzy collection of master audience recordings and the Grateful Dead's Spring 1990 Tour!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!
Taper: Keith Litzenberger
2:36:55
Rating:
9.00 / 2 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1990-03-19.sennME80.wklitz.94400.flac16
Source:
Sennheiser ME-80's > Technics SVM-D1
Lineage:
DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC
Taper: Ted Carpenter
2:33:08
Taper:
Ted Carpenter
Transferrer:
Andrew F
SHNID:
gd1990-03-19.nak300.carpenter.andrewf.86825.sbeok.flac16
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand 7-feet high, set up just behind the soundboard area: Sec 8, Row D. (Note: there was no taping section at this show.)
Lineage:
MAC > Nakamichi BX-125 > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - Drop out in crowd track (set1) 1:09 > 1:14. - PA volume increases gradually during Bucket. - The mic attenuator was accidentally left on at the start of the 2nd set. All of the crowd track and the first nine seconds of Box of Rain are muffled. Soundforge was used to increase the volume and smooth the tape noise. - Soundforge used to make fades and adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums. - Two-disc burning option: end disc one after Foolish Heart. - This was the final GD concert at this venue.