Bands
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Bands
Grateful Dead
Today In History
June 11th
Years
1995
30.1k
PlaybackListensHours
48h57078
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k267
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k300
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k191
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3k431
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.9k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.5k315
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k140
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k249
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h85796
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k194
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.8k681
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k158
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k152
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k247
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k290
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k222
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k259
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.3k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37540
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4.1k541
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.3k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.1k277
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k203
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k200
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k162
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h70588
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8814
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h43327
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1990
Sources
Taper: Don Pearson and Dan Healy
2:33:53
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 19, 2020
SHNID:
gd1990-03-19.149701.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:33:53
SBD
Rating:
10.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 9, 2020
SHNID:
gd1990-03-19.149504.ultramatrix.sbd.pearson-healy.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Transferrer: matrix by hansokolow
2:37:23
SBD
Rating:
8.40 / 10 ratings
Transferrer:
matrix by hansokolow
SHNID:
gd1990-03-19.mtx.hansokolow.97024.flac16
Source:
matrix of SBD: shnid=1526 and AUD: shnid=94400
Taper Notes:
View Noteshansokolow's notes: Though this SBD source is not digital (I'm pretty sure) it is very solid and it behaved like a digital source, if that makes any sense. Drums is very short compared to Space as it includes the Healy business (spacey drums) on the Space track, when usually I put it with the Drums section. This is because there is a natural pause before it, and no good pause before the rest of the band comes out. It just seemed more organic that way.
Transferrer: Darrin Sacks and Bill Tetzeli
2:34:44
SBD
Rating:
8.00 / 1 rating
Transferrer:
Darrin Sacks and Bill Tetzeli
SHNID:
gd1990-03-19.sbd.sacks.tetzeli.fix-1526.34777.reflac.flac16
Source:
Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN -> WAV -> FLAC
Taper Notes:
View NotesSlight Diginoise at: Deal 4.31 China Doll 0.31 & 4.22 Around 0.01 Bill Tetzeli made the CD2/CD3 transition seamless SteveSw fixed the replaygain problem
Transferrer: Kirby Bell, Bob Fishman & Darrin Sacks
2:35:03
SBD
Rating:
8.94 / 52 ratings
Transferrer:
Kirby Bell, Bob Fishman & Darrin Sacks
SHNID:
gd90-03-19.prefm-sbd.sacks.1526.sbeok.shnf
Source:
Soundboard
Lineage:
Pre-FM Soundboard Master Reel (at 15 inches per second) > DAT > CDRs > WAV > SHN
Taper Notes:
View Notesupdated source: Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN; source CDs from Kirby (Chalupa) Bell/Bob Fishman, eac>shn by Darrin Sacks; see info file for flaw notes
Taper: Master Digital Audience Recording by Ted Mattes Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 25, 2020
2:37:06
REMASTER
Taper:
Master Digital Audience Recording by Ted Mattes Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 25, 2020
SHNID:
gd1990-03-19.149333.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648
Source:
From the Teddy Ballgame Archive - a reMaster of shnid 141914 Source: (FOB) Schoeps CMC4 MK4 > DAT (Panasonic SV250) Location: Sec 2 Row p Seat 7
Lineage:
Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Master DAT courtesy of Ted Mattes - Thanks to Charlie Miller for the transfer - Here's to the Downtown Marriott, the business casuals & Mike Hunt reMaster Notes: - The right channel was inverted, that has been corrected. - The levels were improved with gentle EQ work & normalization. - Thanks very much to chillwig & his discerning ear for alerting me to the channel problem.
Taper: Ted Mattes
2:37:06
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-19.141914.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Recording (FOB): Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row p Seat 7; Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Master DAT courtesy of Ted Mattes - Harmonized by Charlie Miller - Here's to the Downtown Marriott, the business casuals & Mike Hunt
Taper: Taperjon
2:42:59
Rating:
8.00 / 1 rating
Taper:
Taperjon
Transferrer:
Taperjon
SHNID:
gd1990-03-19.165619.Hartford.CT.WHCN.fm.taperjon.flac1644
Source:
WHCN 105.9 FM > Carver TX-11 Tuner > Carver TD-1700 deck > Hafler DH-110 Preamp/DH-200 Amp > Master Cassette > Aiwa ADF810 HX-Pro 3-Head > Tascam CDR700 > FLAC
Taper: Lance Deal
2:37:43
Taper:
Lance Deal
Transferrer:
Willl Petty
SHNID:
gd1990-03-19.132673.cmc521.deal-petty.flac16
Source:
Recording info: 2nd row center OTS/ortf/Schoeps cmc 521's> Schoeps VMS 52 UB p/s> SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal;
Lineage:
Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree by Will Petty
Taper: fitzy
2:30:17
Rating:
9.00 / 2 ratings
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1990-03-19.Nak300sSenn441s.Fitzy.Keo.125629.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent share from the Fitzy collection of master audience recordings and the Grateful Dead's Spring 1990 Tour!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!
Taper: fitzy
2:30:17
Rating:
10.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1990-03-19.Nak300sSenn441s.Fitzy.Keo.125628.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent share from the Fitzy collection of master audience recordings and the Grateful Dead's Spring 1990 Tour!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!
Taper: Keith Litzenberger
2:36:55
Rating:
9.00 / 2 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1990-03-19.sennME80.wklitz.94400.flac16
Source:
Sennheiser ME-80's > Technics SVM-D1
Lineage:
DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC
Taper: Ted Carpenter
2:33:08
Taper:
Ted Carpenter
Transferrer:
Andrew F
SHNID:
gd1990-03-19.nak300.carpenter.andrewf.86825.sbeok.flac16
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand 7-feet high, set up just behind the soundboard area: Sec 8, Row D. (Note: there was no taping section at this show.)
Lineage:
MAC > Nakamichi BX-125 > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - Drop out in crowd track (set1) 1:09 > 1:14. - PA volume increases gradually during Bucket. - The mic attenuator was accidentally left on at the start of the 2nd set. All of the crowd track and the first nine seconds of Box of Rain are muffled. Soundforge was used to increase the volume and smooth the tape noise. - Soundforge used to make fades and adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums. - Two-disc burning option: end disc one after Foolish Heart. - This was the final GD concert at this venue.