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Bands
Grateful Dead
Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k150
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h66494
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k898
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k352
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.1k798
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k404
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k431
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k163
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k303
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h928103
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k249
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k187
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k191
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k245
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k329
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k704
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k198
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k414
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.3k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k707
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h84070
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.9k611
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k664
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.9k477
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k268
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k616
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10316
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1990
Sources
Taper: Don Pearson and Dan Healy
2:51:37
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 7, 2020
SHNID:
gd1990-03-18.149785.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View Notes Patch Info: Pre-FM > Reel Master > Dat (shnid=9364) supplies: Drums (4:45 - end of track) Space (0:00 - 2:20) All Transfers and Mastering by Charlie Miller [email protected] April 7, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:51:37
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1990-03-18.149480.ultramatrix.sbd.pearson-healy.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Pre-FM > Reel Master > Dat (shnid=9364) supplies: Drums (4:45 - end of track) Space (0:00 - 2:20) All Transfers and Mastering by Charlie Miller [email protected] April 7, 2020 Notes: -- Recorded by Don Pearson and Dan Healy
Transferrer: Charlie Miller
2:57:24
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1990-03-18.139225.sbd.miller.truck-mix.flac
Source:
SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750)
Lineage:
PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro >Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to David Gans for the tape -- John Cutler's live mix made in the mobile recording truck -- I cleaned up dozens of static pops, some may still remain
Transferrer: Charlie Miller
2:49:52
SBD
Rating:
6.80 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-03-18.sbd.miller.90486.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: The complete 2nd Set is supplied by a remastered version of shnid=9364 The first set from the Pre-FM has numerous aud patches and the SBD mix sounds much better. Unfortunatly, I couldn't get the 2nd Set sbd. Notes: -- Set 2 is seamless -- There is a spot of diginoise right before Spoonful
Transferrer: Kevin Tobin
2:49:05
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1990-03-18.171768.mtx.tobin.flac1648
Source:
SBD + AUD Matrix 2 Source Mix (48/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 14-JUN-2025 - Trader Little Helper - Tagged 14-JUN-2025 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: hansokolow
2:50:45
SBD
Rating:
10.00 / 1 rating
Transferrer:
hansokolow
SHNID:
gd1990-03-18.mtx.hansokolow.96568.flac16
Source:
Matrix mix (SBD/AUD)
Source 7 of 17
2:49:04
SBD
Rating:
8.00 / 11 ratings
SHNID:
gd90-03-18.sbd.huck.9364.sbeok.shnf
Source:
Hartford Civic Center SBD feed to HCN studios via ISDN > HCN Master Reel > DAT(Sony ES)recorded/(Tascam DA20mkII) playback>Pioneer PDR 555>CDR>WAV>SHN
Taper Notes:
View NotesHartford Civic Center SBD feed to HCN studios via ISDN > HCN Master Reel > DAT(Sony ES)recorded/(Tascam DA20mkII) playback>Pioneer PDR 555>CDR; Some aud splices, see info file for details; via David Huck, Matt Fuggi, & Michael Dixon (splicing and tracking)
Taper: Master Digital Audience Recording by Ted Mattes
2:55:58
REMASTER
Taper:
Master Digital Audience Recording by Ted Mattes
Transferrer:
Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 25, 2020
SHNID:
gd1990-03-18.149332.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648
Source:
From the Teddy Ballgame Archive - a reMaster of shnid 141913 Source: (FOB) Schoeps CMC4 MK4 > DAT (Panasonic SV250) Location: Sec 2 Row t Seat 8
Lineage:
Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Master DAT courtesy of Ted Mattes - Harmonized by Charlie Miller - Officially released as part of Spring 1990 (The Other One) box set - some unnecessary crowd banter was edited - level adjustments in Shakedown smoothed out - mics are muffled for approx. 30 seconds in LRR (2:30 - 3:00) reMaster Notes: - The right channel was inverted, that has been corrected. - The levels were improved with gentle EQ work & normalization. - Thanks very much to chillwig & his discerning ear for alerting me to the channel problem.
Taper: Ted Mattes
2:55:58
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-18.141913.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Recording (FOB): Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row t Seat 8; Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Master DAT courtesy of Ted Mattes - Harmonized by Charlie Miller - Officially released as part of Spring 1990 (The Other One) box set - some unnecessary crowd banter was edited - level adjustments in Shakedown smoothed out - mics are muffled for approx. 30 seconds in LRR (2:30 - 3:00)
Transferrer: Kevin Tobin
2:49:01
Transferrer:
Kevin Tobin
SHNID:
gd1990-03-18.171784.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-JUN-2025 - Trader Little Helper - Tagged 17-JUN-2025 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Three source matrix created in Audacity by photoLeon.
2:55:11
Transferrer:
Three source matrix created in Audacity by photoLeon.
SHNID:
gd1990-03-18.139667.mtx.photoLeon.LL.t-flac16
Source:
Three source matrix created in Audacity
Taper: Ted Mattes;Rick Katzeff
2:54:02
Taper:
Ted Mattes;Rick Katzeff
Transferrer:
John Ammons and Joel Noel
SHNID:
gd1990-03-18.138118.Katzeff.Mattes.Ammons.SchoepsCMC34.fob.t-flac16
Source:
Ted Mattes/Rick Katzeff FOB recording: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > Panasonic SV250 (phase corrected); John Ammons
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44K > Wave; Joe Noel Edits, T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper: Lance Deal
2:56:19
Taper:
Lance Deal
Transferrer:
Willl Petty
SHNID:
gd1990-03-18.132671.cmc521.deal-petty.flac16
Source:
Recording info: 2nd row OTS/Schoeps cmc 521's> Schoeps VMS 52 UB p/s> SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal;
Lineage:
Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree by Will Petty
Taper: fitzy
2:48:47
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1990-03-18.125608.Nak300s-Senn441s.Fitzy.Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Maxell MX 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some higher recording levels mostly in "All Along The Watchtower" through the end of the show though the rest of the show shines and is another excellent share from the Fitzy collection of master audience recordings and the Grateful Dead's Spring 1990 Tour! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:48:47
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1990-03-18.125607.Nak300s-Senn441s.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Maxell MX 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some higher recording levels mostly in "All Along The Watchtower" through the end of the show though the rest of the show shines and is another excellent share from the Fitzy collection of master audience recordings and the Grateful Dead's Spring 1990 Tour! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Keith Litzenberger
2:50:20
Rating:
9.00 / 2 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1990-03-18.senn-me80.litzenberger.91358.sbeok.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1 (1st row OTS)
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC)
Taper: Andrew F
2:43:04
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1990-03-18.naks.andrewf.35401.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Mics on stand 7-feet high, set up near the back of the floor, aprx five rows behind the soundboard area. (Note: There was no taping area at this show.)
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72. (for SBE-OK, FLAC compression, and checksums) > FLAC > bt.etree July 2006.
Taper Notes:
View NotesNotes: Soundforge was used to make fades and clean-up around the tape-flips. The break between Disc Two and Disc Three is where I flipped the tape during the show; less than five seconds are missing. Taped and transferred by Andrew F. ...ENJOY!