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Today In History
June 12th
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1990
3/18/90
Tuning
1:53
Shakedown Street
12:34
Little Red Rooster
11:13
Stagger Lee
6:33
Me & My Uncle>
3:05
Mexicali Blues
6:56
Friend Of The Devil
9:15
Just A Little Light
6:02
When I Paint My Masterpiece
5:48
Ramble On Rose
8:57
The Music Never Stopped
8:00
Tuning
2:55
Iko Iko
8:05
Looks Like Rain>
8:23
He's Gone>
8:55
Truckin'>
8:54
Spoonful>
6:09
Drums>
7:50
Space>
11:13
The Wheel>
5:54
All Along The Watchtower>
6:07
Morning Dew
13:37
E: U.S. Blues
8:01
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:51:37
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 7, 2020
SHNID:
gd1990-03-18.149785.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View Notes Patch Info: Pre-FM > Reel Master > Dat (shnid=9364) supplies: Drums (4:45 - end of track) Space (0:00 - 2:20) All Transfers and Mastering by Charlie Miller [email protected] April 7, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:51:37
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1990-03-18.149480.ultramatrix.sbd.pearson-healy.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Pre-FM > Reel Master > Dat (shnid=9364) supplies: Drums (4:45 - end of track) Space (0:00 - 2:20) All Transfers and Mastering by Charlie Miller [email protected] April 7, 2020 Notes: -- Recorded by Don Pearson and Dan Healy
Transferrer: Charlie Miller
2:57:24
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1990-03-18.139225.sbd.miller.truck-mix.flac
Source:
SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750)
Lineage:
PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro >Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to David Gans for the tape -- John Cutler's live mix made in the mobile recording truck -- I cleaned up dozens of static pops, some may still remain
Transferrer: Charlie Miller
2:49:52
SBD
Rating:
6.80 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-03-18.sbd.miller.90486.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: The complete 2nd Set is supplied by a remastered version of shnid=9364 The first set from the Pre-FM has numerous aud patches and the SBD mix sounds much better. Unfortunatly, I couldn't get the 2nd Set sbd. Notes: -- Set 2 is seamless -- There is a spot of diginoise right before Spoonful
Transferrer: Kevin Tobin
2:49:05
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1990-03-18.171768.mtx.tobin.flac1648
Source:
SBD + AUD Matrix 2 Source Mix (48/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 14-JUN-2025 - Trader Little Helper - Tagged 14-JUN-2025 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: hansokolow
2:50:45
SBD
Rating:
10.00 / 1 rating
Transferrer:
hansokolow
SHNID:
gd1990-03-18.mtx.hansokolow.96568.flac16
Source:
Matrix mix (SBD/AUD)
Source 7 of 17
2:49:04
SBD
Rating:
8.00 / 11 ratings
SHNID:
gd90-03-18.sbd.huck.9364.sbeok.shnf
Source:
Hartford Civic Center SBD feed to HCN studios via ISDN > HCN Master Reel > DAT(Sony ES)recorded/(Tascam DA20mkII) playback>Pioneer PDR 555>CDR>WAV>SHN
Taper Notes:
View NotesHartford Civic Center SBD feed to HCN studios via ISDN > HCN Master Reel > DAT(Sony ES)recorded/(Tascam DA20mkII) playback>Pioneer PDR 555>CDR; Some aud splices, see info file for details; via David Huck, Matt Fuggi, & Michael Dixon (splicing and tracking)
Taper: Master Digital Audience Recording by Ted Mattes
2:55:58
REMASTER
Taper:
Master Digital Audience Recording by Ted Mattes
Transferrer:
Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 25, 2020
SHNID:
gd1990-03-18.149332.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648
Source:
From the Teddy Ballgame Archive - a reMaster of shnid 141913 Source: (FOB) Schoeps CMC4 MK4 > DAT (Panasonic SV250) Location: Sec 2 Row t Seat 8
Lineage:
Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Master DAT courtesy of Ted Mattes - Harmonized by Charlie Miller - Officially released as part of Spring 1990 (The Other One) box set - some unnecessary crowd banter was edited - level adjustments in Shakedown smoothed out - mics are muffled for approx. 30 seconds in LRR (2:30 - 3:00) reMaster Notes: - The right channel was inverted, that has been corrected. - The levels were improved with gentle EQ work & normalization. - Thanks very much to chillwig & his discerning ear for alerting me to the channel problem.
Taper: Ted Mattes
2:55:58
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-18.141913.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Recording (FOB): Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row t Seat 8; Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Master DAT courtesy of Ted Mattes - Harmonized by Charlie Miller - Officially released as part of Spring 1990 (The Other One) box set - some unnecessary crowd banter was edited - level adjustments in Shakedown smoothed out - mics are muffled for approx. 30 seconds in LRR (2:30 - 3:00)
Transferrer: Kevin Tobin
2:49:01
Transferrer:
Kevin Tobin
SHNID:
gd1990-03-18.171784.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-JUN-2025 - Trader Little Helper - Tagged 17-JUN-2025 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Three source matrix created in Audacity by photoLeon.
2:55:11
Transferrer:
Three source matrix created in Audacity by photoLeon.
SHNID:
gd1990-03-18.139667.mtx.photoLeon.LL.t-flac16
Source:
Three source matrix created in Audacity
Taper: Ted Mattes;Rick Katzeff
2:54:02
Taper:
Ted Mattes;Rick Katzeff
Transferrer:
John Ammons and Joel Noel
SHNID:
gd1990-03-18.138118.Katzeff.Mattes.Ammons.SchoepsCMC34.fob.t-flac16
Source:
Ted Mattes/Rick Katzeff FOB recording: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > Panasonic SV250 (phase corrected); John Ammons
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44K > Wave; Joe Noel Edits, T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper: Lance Deal
2:56:19
Taper:
Lance Deal
Transferrer:
Willl Petty
SHNID:
gd1990-03-18.132671.cmc521.deal-petty.flac16
Source:
Recording info: 2nd row OTS/Schoeps cmc 521's> Schoeps VMS 52 UB p/s> SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal;
Lineage:
Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree by Will Petty
Taper: fitzy
2:48:47
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1990-03-18.125608.Nak300s-Senn441s.Fitzy.Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Maxell MX 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some higher recording levels mostly in "All Along The Watchtower" through the end of the show though the rest of the show shines and is another excellent share from the Fitzy collection of master audience recordings and the Grateful Dead's Spring 1990 Tour! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:48:47
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1990-03-18.125607.Nak300s-Senn441s.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Maxell MX 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some higher recording levels mostly in "All Along The Watchtower" through the end of the show though the rest of the show shines and is another excellent share from the Fitzy collection of master audience recordings and the Grateful Dead's Spring 1990 Tour! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Keith Litzenberger
2:50:20
Rating:
9.00 / 2 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1990-03-18.senn-me80.litzenberger.91358.sbeok.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1 (1st row OTS)
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC)
Taper: Andrew F
2:43:04
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1990-03-18.naks.andrewf.35401.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Mics on stand 7-feet high, set up near the back of the floor, aprx five rows behind the soundboard area. (Note: There was no taping area at this show.)
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72. (for SBE-OK, FLAC compression, and checksums) > FLAC > bt.etree July 2006.
Taper Notes:
View NotesNotes: Soundforge was used to make fades and clean-up around the tape-flips. The break between Disc Two and Disc Three is where I flipped the tape during the show; less than five seconds are missing. Taped and transferred by Andrew F. ...ENJOY!