1990
Bands
Featured
Bands
Grateful Dead
Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1990
Sources
Transferrer: Matrix by Kevin Tobin
2:51:17
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1990-02-25.mtx.tobin.82923.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)
Taper Notes:
View NotesAudio Source Information SBD (shnid=29345) Source: SBD > DAT > C > DAT > CD > EAC > FLAC EAC/FLAC by Darryl Hinko EAC in secure mode with proper offsets used to extract SHNtool to join and confirm sector boundries CDwav used to split tracks Cool Edit Pro used for all editing FLAC frontend for encoding to FLAC Patch Source: AUD(Schoeps CMC 44 s)>DAT>CDR http://db.etree.org/shninfo_detail.php?shnid=11805 SBD Audio Notes: - Lots of level fluctuations in the beginning of set 1 - d1t07 The Last Time: 1200 ms Crossfade from 0:01 - 0:06 - Crossfade from 6:18 of Druns through 2:52 of Space - d3t01 Space: Slight static at 8:33 AUD1 (shnid=11805) AUD(Schoeps CMC 44 s)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) Conversion/Edit/Seeded to Etree by T. Wiley 8/29/2002. EAC: Secure to ectract disks 1 and 3 @ 100% and disk 2 @ 99.9% quality with no reprted errors. CD WAV: To select tracks. Cool Edit Pro: Preformed only on tracks listed above.(see comments) SHN: Via mkwact(seekable) Another Installment Of The Music Never Stopped Project! Thanks to Paul B. for the source disks. AUD2 Video soundtrack from low generation vhs --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 27-FEB-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -3 AUD -6 SET TWO Stereo Matrix SBD -3 AUD -6 --------------------------------------------------------- Audio Faults: 1) Between Greatest Story and Jack-A-Roe, 38.171 seconds was missing from the sbd source and filled in with audio from the original video soundtrack (AUD2). This portion of the audio was normalized to blend in better. 2) Between Jack-A-Roe and Little Red Rooster, 56.600 seconds was missing from the sbd source and filled in with audio from the original video soundtrack (AUD2). This portion of the audio was normalized to blend in better. 3) Between Little Red Rooster and Stagger Lee, 1 minute 19.359 seconds was missing from the sbd source and filled in with audio from the original video soundtrack (AUD2). This portion of the audio was normalized to blend in better. 4) Between Stagger Lee and Queen Jan, 1 minute 28.675 seconds was missing from the sbd source and filled in with audio from the original video soundtrack. This portion of the audio was normalized to blend in better. 5) Between Cassidy and Deal, 1 minute 51.217 seconds was missing from the sbd source and filled in with audio from the original video soundtrack (AUD2). This portion of the audio was normalized to blend in better. 6) After Deal, 10.200 seconds was missing from the audience source and filled in with audio from the original video soundtrack (AUD2). This portion of the audio was normalized to blend in better. 7) At start of China Cat Sunflower, 13.136 seconds was missing from the sbd source and was filled in with audio from original video soundtrack (AUD2). This portion of the audio was normalized to blend in better.
Taper: OldNeumanntapr
3:05:48
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1990-02-25.168839.nakcm300.cp1.ont.flac1644
Source:
OTS; Nakamichi CM-300's w/CP-1 Cardioid Capsules >Sony WM-D6C [XLIIS]
Lineage:
XLIIS Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; Usually I went to at least two shows in a run of three, but this one was an 'Up-And-Back' in one night, from Morro Bay up highway 101 to Oakland and back at 3:30 in the morning. This might have been the night that we limped our 1970 Datsun truck home from Oakland on three cylinders. It was about this same time that we were coming back from a Dead show late at night and I noticed that the truck was running really rough. It would stumble at lower speeds and flat out refuse to idle. I remember stopping for gas at a Shell station in Salinas and as I pulled into the station the truck shuddered and died. It took forever to get her started once the tank was full and I told Nikki, my ex wife, to take it in to our mechanic right away to have it checked out. Perry, Our mechanic, removed one of the spark plugs and was puzzled that the electrode was bent. After removing the oil pan he discovered that there was a hole in one of the pistons! No wonder the old girl was running a mite rough! Nikki remembered that a day or so previous to our trip to Oakland she heard a weird noise from the engine. What had happened was a screw from the Weber carburetor had come loose and gone through the engine while she was driving to work on highway 1. The noise she heard was the screw being forced out of the engine and out through the tail pipe! 'Ping Ping Ping'. Perry was able to remove the piston from below on the 1600 cc four cylinder and didn't have to remove the head to do so. After the new piston was installed it ran much better! (He has told that story to other customers for years!) My friend John Lech shipped me his Nakamichi CM 300s, (which I would eventually purchase from him when he bought Audio Technica AT-853a stealth mics), because all I had at the time was my Superscope EC7 cardioids. He might not have had the shotgun capsules yet because I have it in my notes that I used the CP 1 cardioid capsules. He had me run his Aiwa XD-X1 DAT recorder, but I patched it out of my D6. I don't know if the DAT was ever transferred. It was a real treat to hear the Rolling Stones song 'The Last Time', which had not been performed since 1965. Unfortunately the first few notes are clipped because of the tape flip after 'Queen Jane'. I think several tapers had that same problem. They didn't seem to be doing 'Stagger Lee' as much anymore by 1990, (Deadbase listed seven performances from 1990), so that was nice to hear, as was Brent's 'Just A Little Light.' I was devastated when he OD'd later in the summer of 1990. What a tragic loss.
Taper: Richard Berner and Friends
2:56:31
Rating:
10.00 / 1 rating
Taper:
Richard Berner and Friends
Transferrer:
bltz
SHNID:
gd1990-02-25.135154.schoepsCMC421.bltz.sbeok.flac1644
Source:
Source: Schoeps CMC 421 Sub Cardioids, ORTF, SV-250 DAT, FOB -> NAK 682 ZX/Sony Metal-SR/100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; further processing: .flac2496 to .wav2496 (TLH) to .wav1644 (r8brain, very high) to .flac1644 (THL, level 8, fix SBEs); Recorded by: Richard Berner and Friends
Taper Notes:
View NotesDownloaded from bt.etree.org 1/30/2016 with further processing: .flac2496 to .wav2496 (TLH) to .wav1644 (r8brain, very high) to .flac1644 (THL, level 8, fix SBEs) by deadrat (LL) 1/30/2016 Original Master Rescue Project Notes: Master off previously unreleased Audience FOB DAT. Excellent Rooster, China-Rider, Wheel.
Taper: fitzy
2:52:58
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1990-02-25.Nak300CP4.Fitzy.Keo.125810.Flac1644
Source:
Master Audience Recorded BY M.L./Keo, Transfer By Keo; Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks to Fitzy for supplying these master tapes for this show! My friend and I were at this run taping with Fitzy's gear and my friends gear, I'm not sure if we had any other of our friends decks with us or not and I believe that this set of masters is all that survives for this night from us.First set recording levels were a bit higher and levels were lowered during "The Last Time" through the rest of the show.Even though the first set had higher recording levels the second set shines and is very sweet sounding!I also seem to recall us sitting in seats rather than in the GA seating like my ticket stub states. AS ALWAYS ENJOY!!!!!!!!!!
Taper: fitzy
2:52:58
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1990-02-25.Nak300CP4.Fitzy.Keo.125809.Flac2496
Source:
Master Audience Recorded By M.L./Keo, Transfer By Keo; Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks to Fitzy for supplying these master tapes for this show! My friend and I were at this run taping with Fitzy's gear and my friends gear, I'm not sure if we had any other of our friends decks with us or not and I believe that this set of masters is all that survives for this night from us.First set recording levels were a bit higher and levels were lowered during "The Last Time" through the rest of the show.Even though the first set had higher recording levels the second set shines and is very sweet sounding!I also seem to recall us sitting in seats rather than in the GA seating like my ticket stub states. AS ALWAYS ENJOY!!!!!!!!!!
Transferrer: Kevin Tobin
2:51:17
Transferrer:
Kevin Tobin
SHNID:
gd1990-02-25.dts.tobin.34732.sbeok.flac16
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View NotesAudio Source Information SBD (shnid=29345) Source: SBD > DAT > C > DAT > CD > EAC > FLAC EAC/FLAC by Darryl Hinko EAC in secure mode with proper offsets used to extract SHNtool to join and confirm sector boundries CDwav used to split tracks Cool Edit Pro used for all editing FLAC frontend for encoding to FLAC Patch Source: AUD(Schoeps CMC 44�s)>DAT>CDR http://db.etree.org/shninfo_detail.php?shnid=11805 SBD Audio Notes: - Lots of level fluctuations in the beginning of set 1 - d1t07 The Last Time: 1200 ms Crossfade from 0:01 - 0:06 - Crossfade from 6:18 of Druns through 2:52 of Space - d3t01 Space: Slight static at 8:33 AUD1 (shnid=11805) AUD(Schoeps CMC 44�s)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) Conversion/Edit/Seeded to Etree by T. Wiley 8/29/2002. EAC: Secure to ectract disks 1 and 3 @ 100% and disk 2 @ 99.9% quality with no reprted errors. CD WAV: To select tracks. Cool Edit Pro: Preformed only on tracks listed above.(see comments) SHN: Via mkwact(seekable) Another Installment Of The Music Never Stopped Project! Thanks to Paul B. for the source disks. AUD2 Video soundtrack from low generation vhs --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 1.0 was used to reassemble the tracks back to 1 long wave. Audition 1.0 was used to align & synch the SBD & both AUD sources. Audition 1.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Aud and sbd were synced while working on a low generation video available on 3 dvds by Brokedown House Productions - Mixed by [email protected] - FLAC conversion 10-MAY-2006 --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -3db SBD Surround Left Channel -2db AUD (with some AUD2 patches) Right Channel -2db AUD1 (with some AUD2 patches) Sub/LFE Mixed to mono -3db SBD Reel --------------------------------------------------------- Audio Faults: 1) Between Greatest Story and Jack-A-Roe, 38.171 seconds was missing from the sbd source and filled in with audio from the original video soundtrack (AUD2). This portion of the audio was normalized to blend in better. 2) Between Jack-A-Roe and Little Red Rooster, 56.600 seconds was missing from the sbd source and filled in with audio from the original video soundtrack (AUD2). This portion of the audio was normalized to blend in better. 3) Between Little Red Rooster and Stagger Lee, 1 minute 19.359 seconds was missing from the sbd source and filled in with audio from the original video soundtrack (AUD2). This portion of the audio was normalized to blend in better. 4) Between Stagger Lee and Queen Jan, 1 minute 28.675 seconds was missing from the sbd source and filled in with audio from the original video soundtrack. This portion of the audio was normalized to blend in better. 5) Between Cassidy and Deal, 1 minute 51.217 seconds was missing from the sbd source and filled in with audio from the original video soundtrack (AUD2). This portion of the audio was normalized to blend in better. 6) After Deal, 10.200 seconds was missing from the audience source and filled in with audio from the original video soundtrack (AUD2). This portion of the audio was normalized to blend in better. 7) At start of China Cat Sunflower, 13.136 seconds was missing from the sbd source and was filled in with audio from original video soundtrack (AUD2). This portion of the audio was normalized to blend in better. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. ---------------------------------------------------------