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June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h764105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h66293
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.8k507
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k361
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.3k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k344
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k373
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k249
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h937104
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k211
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k147
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k204
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k224
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.4k306
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.2k664
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k187
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k284
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.1k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.6k499
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h76278
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k560
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k597
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.5k422
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k229
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.3k950
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k358
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h42953
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23118
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h493
7d1026
30d57334
2 shows
2 tapes
1986
12/31/86
Tuning
3:01
Jack Straw >
5:29
Sugaree
11:09
Me And My Uncle >
3:04
Mexicali Blues
5:51
Candyman
6:57
Desolation Row
11:57
U.S. Blues
6:23
Midnight Madness >
3:38
Touch Of Grey >
6:01
Let It Grow
12:00
Black Muddy River >
6:28
Samson And Delilah
7:13
Terrapin Station >
14:06
Drums >
10:23
Space >
9:38
Wharf Rat >
10:01
Goin' Down The Road Feeling Bad >
6:47
Turn On Your Lovelight
5:44
Set-Break
6:24
Tuning
1:44
Gimme Some Lovin' >
4:58
When Push Comes To Shove
4:46
Box Of Rain
5:25
In The Midnight Hour >
4:35
Brokedown Palace
7:35
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
3:01:17
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 8, 2022
SHNID:
gd1986-12-31.156532.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- There's a lot of balloon pops at midnight -- Ultramatrix PCM master used to cover the tape flips and some tuning -- This is 155987 2496 > 1644.1
Taper: Don Pearson and Dan Healy
3:01:17
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 8, 2022
SHNID:
gd1986-12-31.155987.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- There's a lot of balloon pops at midnight -- Ultramatrix PCM master used to cover the tape flips and some tuning
Taper: Joani Walker and Paul Scotton
2:49:00
SBD
Rating:
7.50 / 4 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1986-12-31.sbd.walker-scotton.miller.99051.sbeok.flac16
Source:
SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Seamless transition between discs 2 and 3 -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: Charlie Miller
2:44:24
SBD
Rating:
8.80 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-12-31.sbd.miller.77447.flac16
Source:
SBD -> Cassette Master (Sony D5/MX-XG90) D
Lineage:
Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) ->
Taper Notes:
View NotesNotes: -- Seamless transition between Discs 2 and 3 -- Thanks to Paul Scotton and Joani Walker for the tapes -- This is a better mix than the FM that circulates
Taper: PO and Stucco TINA Holmes
2:57:20
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jason Chastain;Norm
SHNID:
gd1986-12-31.137263.sbd.GEMS.flac16
Source:
Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Norm
Taper Notes:
View NotesPatches: 0:01:53 - 0:01:55 : shnid 81330 (before Jack Straw) 1:41:45 - 1:41:50 : shnid 99051 (during drums)
Source 6 of 13
2:45:36
SBD
Rating:
7.82 / 11 ratings
SHNID:
gd86-12-31.prefm.candyman.4637.sbeok.shnf
Source:
Pre-FM SBD > DAT > CDR > WAV > SHNv3
Taper Notes:
View NotesPre-FM SBD > DAT > CDR > WAV > SHNv3; DAE (EAC> shntools> ftp) by neo_levo
Taper: Doug Lamarre
2:48:04
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-12-31.176485.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's, Blake Jacobs and Charlie Miller for the Schoeps CMC4 MK41 source which supplies a 0:53 patch in "Terrapin Station", as well as a 3:35 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2024
Taper: Oade Brothers
2:58:01
Taper:
Oade Brothers
Transferrer:
Scott Clugston and Charlie Miller and Blake Jacobs
SHNID:
gd1986-12-31.142303.fob.schoeps.composite.oade.jacobs.miller.clugston.flac1644
Source:
Source Info: 1st Set: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; 2nd Set: Oade's Master (FOB) Audience PCM; (2) Schoeps CMC4/MK41mics + (1) CMC4/MK4 center fill > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to the Oade brothers and crew for their master recording(s), as well as the transfer to hard disk - Thanks to Blake Jacobs for the hard disk - Thanks to Charlie Miller for coordinating this effort - Usual fireworks/pops throughout, mostly at the beginning of the 2nd Set. Couple of mic bumps thrown in for good measure. - Outstanding capture, imo Mastered by Scott Clugston June 13, 2018
Taper: David Gans
3:08:48
Rating:
7.00 / 2 ratings
Taper:
David Gans
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1986-12-31.140822.ultramatrix.pcm.gans.miller.clugston.flac1644
Source:
Master UltraMatrix PCM
Taper Notes:
View NotesNotes: - Thanks to David Gans for the master UltraMatrix PCM source - Thanks to Charlie Miller for the transfer - Typical of a New Year's show, pops throughout, especially at the beginning of the 2nd set Mastered by Scott Clugston January 22, 2018
Source 10 of 13
2:48:04
SHNID:
gd1986-12-31.176486.senn441.lamarre.miller.clugston.flac2496
Taper: Ian Stoy
2:59:49
Taper:
Ian Stoy
Transferrer:
Ian Stoy
SHNID:
gd1986-12-31.137457.AA-toaK1.flac24
Source:
Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesCelebrating 30 years!!!! … The master cassettes are getting older and need to be Archived digitally before they are gone…. A new start to going though my recordings. Nothing special about this run… I was way in the back of the HJ Kaiser in the balcony in the Official Taping section. Though seating capacity is only around 6000, so it’s not huge. Running my Toa K1’s Spaced at 24” on bar about 10’ up > xlr to mini (1/8” /3.5mm) TRS,> direct to Sony WM-D6C..There must have been more that 30 or more mic stands up and who knows how many decks, not to mention any front of board tapers. For me personally it’s historic, as It was 30 years ago, and this set of shows were the first Grateful Dead shows I taped (recorded). A big thanks to Ron Cook who custom machined my 24” spreader bar for my Toa K1’s and James (Jim) Ford both of whom helped getting tickets and seats to secure taping locations in 87, 87, 88, 89… I will begin to jump around in my collection of recordings to find special ones and or ones that are unique or of better quality of my uncirculated captures. enjoy - ArchivalAudio
Taper: chasingwilma
2:32:02
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-12-31.135513.chasingwilma.flac24
Source:
source: beyers 160 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Don Beckham and Tony Suraci
2:33:51
Rating:
10.00 / 1 rating
Taper:
Don Beckham and Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-12-31.nakcm304.beckham.suraci.sbeok.81330.flac16
Source:
Nak CM304's>Sony D5
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes* Thanks to Don for running my rig. // tape flip, towards the end. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.