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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1986
12/27/86
Playin in the Band
6:47
Bertha
6:43
Mama Tried
2:36
Mexicali Blues
4:53
Ramble on Rose
7:04
Little Red Rooster
8:45
Bird Song
8:37
Intro
0:38
Quinn the Eskimo(The Mighty Quinn)
5:16
Dancin in the Streets
7:05
Black Muddy River
6:03
Playin in the Band
3:29
I Need A Miracle
5:44
Drums
6:44
Space
7:54
Truckin
6:05
Smokestack Lightnin'
3:41
Comes A Time
7:14
Around and Around
4:05
Playin in the Band
3:22
When Push Comes to Shove
4:12
FIN
View on archive.org
Sources
Transferrer: Matrix by Nick Crump
2:05:41
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Nick Crump
SHNID:
gd1986-12-27.128690.mtx.nicksmix.flac16
Source:
2 Source matrix mix of shnid 81267(aud) and shnid 99050(sbd) with patches used from shnid 88965(aud)
Taper Notes:
View NotesMixed by Nick Crump Eugene, Oregon May 2014 Shnid 88965 was used to patch several cuts in shnid 81267: 35 seconds before Playin in the Band (1st set- all crowd noise) 33 seconds between Bertha and Mama Tried (all crowd noise) 18 seconds between Mexicali and Ramble On Rose (all crowd noise) 2:30 before Iko Iko (all crowd noise) 27 seconds between Iko Iko and Looks Like Rain (all crowd noise) 1:04 during Drums There are still some gaps between songs in the first set. These were left as is to preserve the pace of the show. There will be some "dead air". Set 2 will fit on an 80 minute CD.
Taper: Oade Brothers
2:13:34
Taper:
Oade Brothers
Transferrer:
Scott Clugston and Charlie Miller and Blake Jacobs
SHNID:
gd1986-12-27.142300.fob.schoeps.cmc4.mk41.oade.jacobs.miller.clugston.flac1644
Source:
Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to the Oade brothers and crew for their master recording(s), as well as the transfer to hard disk - Thanks to Blake Jacobs for the hard disk - Thanks to Charlie Miller for coordinating this effort - Thanks to Nick Crump for the shnid128690 matrix source which supplies a 0:03 patch in "Little Red Rooster", as well as a 0:03 patch in "Around & Around" - Noodle into Truckin' included in "Truckin'" - Another fine Oade capture Mastered by Scott Clugston June 12, 2018
Taper: Ian Stoy
2:14:54
Taper:
Ian Stoy
Transferrer:
Ian Stoy
SHNID:
gd1986-12-27.137441.AA-toak1.flac24
Source:
Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesCelebrating 30 years!!!! … The master cassettes are getting older and need to be Archived digitally before they are gone…. A new start to going though my recordings. Nothing special about this run… I was way in the back of the HJ Kaiser in the balcony in the Official Taping section. Though seating capacity is only around 6000, so it’s not huge. Running my Toa K1’s Spaced at 24” on bar about 10’ up > xlr to mini (1/8” /3.5mm) TRS,> direct to Sony WM-D6C..There must have been more that 30 or more mic stands up and who knows how many decks, not to mention any front of board tapers. For me personally it’s historic, as It was 30 years ago, and this set of shows were the first Grateful Dead shows I taped (recorded). A big thanks to Ron Cook who custom machined my 24” spreader bar for my Toa K1’s and James (Jim) Ford both of whom helped getting tickets and seats to secure taping locations in 87, 87, 88, 89… I will begin to jump around in my collection of recordings to find special ones and or ones that are unique or of better quality of my uncirculated captures. enjoy - ArchivalAudio