Bands
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Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h784109
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h62388
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4.1k542
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k352
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h8.9k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k338
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h2.9k366
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k153
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h89999
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k142
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k197
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k218
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k297
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h5.9k634
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k181
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k291
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h17.6k2.4k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k511
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h81078
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k555
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k591
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.4k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2k228
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k952
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k367
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42050
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22217
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1986
Sources
Transferrer: Kevin Tobin
2:48:27
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1986-12-15.137576.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin
Transferrer: DTS by Kevin Tobin
2:48:25
SBD
Transferrer:
DTS by Kevin Tobin
SHNID:
gd1986-12-15.137558.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Maxtrix by Kevin Tobin
2:48:25
SBD
Rating:
8.00 / 1 rating
Transferrer:
Maxtrix by Kevin Tobin
SHNID:
gd1986-12-15.137555.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
Taper: Joani Walkerand Paul Scotton
2:49:04
SBD
Rating:
8.67 / 8 ratings
Taper:
Joani Walkerand Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1986-12-15.sbd.walker-scotton.miller.99035.sbeok.flac16
Source:
SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 300/CP4 -> Cassette Master -> FLAC (shnid=80809) supplies: Drums (2:10 - 2:22) Notes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton for the Cassettes
Transferrer: Matrix by Nick Crump
2:49:35
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matrix by Nick Crump
SHNID:
gd1986-12-15.128689.mtx.nicksmix.flac16
Source:
2 source matrix mix of AUD: shnid 80809 and SBD: shnid 99035
Taper Notes:
View NotesMixed By Nick Crump Eugene, Oregon May 2014 Audience source has a brief cut during Drums, left unpatched. Also, several cuts between songs during 1st set. Gaps were left in, soundboard was not cut so as to preserve the pace of the show. There is some Dead Space. This is the first show after Jerry's recovery from a coma.
Source 6 of 19
2:40:42
SBD
Rating:
8.42 / 19 ratings
SHNID:
gd86-12-15.sbd.kpfa.19600.sbeok.shnf
Source:
Soundboard
Lineage:
Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN. [Note - this is apparently another version of the KPFA sbd source.]
Taper Notes:
View NotesMaster Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN. [Note - this is apparently another version of the KPFA sbd source.]
Transferrer: KPFA
5:21:19
SBD
Rating:
9.00 / 2 ratings
Transferrer:
KPFA
SHNID:
gd1986-12-15.sbd.kpfa.16330.shnf
Source:
Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN
Transferrer: Peter Braverman
2:41:05
SBD
Rating:
9.60 / 5 ratings
Transferrer:
Peter Braverman
SHNID:
gd1986-12-15.sbd.braverman.13270.shnf
Source:
Master Cassette> DAT> CD
Lineage:
CD> SHN
Taper Notes:
View NotesTouch of Grey opens with a strange mix, but loosens up just as the vocals begin. Drums and space are seamless and can be reassembled by those who desire to do so. In fact, there is a break of nearly a minute between the two; nice of them to oblige. Serious level problems in Disk 3 fixed, more or less.
Taper: Thom Moore
2:51:10
SBD
Rating:
2.00 / 1 rating
Taper:
Thom Moore
Transferrer:
Bill Tetzeli
SHNID:
gd1986-12-15.sbd.tetzeli.moore.8230.sbeok.shnf
Source:
SBD > ?? > Cassette > analog signal to ESS Maestro sound card > .wav > CDR > .wav > .shn
Taper Notes:
View NotesMissing end of Good Loving and Johnny B. Goode encore I didn't do any fades on the drums or the end of Good Loving. I figured I'd leave that up to the individual. Special thanks to Thom Moore for the tapes!
Taper: Michael Hessberg
2:45:37
Rating:
10.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-12-15.141034.Senn.Hessberg.Miller.Noel.t-flac1644
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - cross fades applied to tape pauses - arguably one of, if not the most important event since Magoo's Pizza Parlor. - "It was kinda like we never left; technical difficulties, tuning up between tunes." Phil - 5 count BIODTL - The Candyman's (back) in town!! (with a couple of new tunes) - He can play the guitar like a bat outta hell! * 1st performances of WPCTS & BMR - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Patch Info: - source #80809 (T. Suraci & D. Beckham) supplies; - s1t08; last two seconds - s1t09; 0:00 - 0:17 - s2t06; 6:38 - 7:25
Taper: Jim Wise
2:54:35
Rating:
8.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1986-12-15.140293.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to the Oade brothers and crew for their master recording(s), as well as a proper transfer to hard disk, and my apologies for not properly acknowledging their efforts sooner. - Thanks to Jim Wise for the hard disk drive - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid80809 Nakamichi CM304 source which supplies a 0:02 patch in "Iko Iko", as well as a 0:09 patch in "Wharf Rat" - Noodle into Playin' Reprise included in "Playin' In The Band Reprise" Mastered by Scott Clugston December 16, 2017
Taper: Michael Hessberg
2:45:37
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-12-15.139362.Senn.Hessberg.Miller.Noel.t-flac24
Source:
Sennheiser ME80 > Cassette Master (Sony TC-D5M)
Lineage:
Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96 Edited & Mastered in Audacity by Joe Noel: Flac 24/96
Taper Notes:
View NotesNotes: - cross fades applied to tape pauses - arguably one of, if not the most important event since Magoo's Pizza Parlor. - "It was kinda like we never left; technical difficulties, tuning up between tunes." Phil - 5 count BIODTL - The Candyman's (back) in town!! (with a couple of new tunes) - He can play the guitar like a bat outta hell! * 1st performances of WPCTS & BMR Patch Info: - source #80809 (T. Suraci & D. Beckham) supplies; - s1t08; last two seconds - s1t09; 0:00 - 0:17 - s2t06; 6:38 - 7:25
Transferrer: Kevin Tobin
2:48:25
Transferrer:
Kevin Tobin
SHNID:
gd1986-12-15.137554.upg-aud.tobin.flac16
Source:
(original shnid = 88884) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
Taper Notes:
View Notes1st set only needed minor patching and 2nd set was missing 20 seconds in the middle of Drums. Speedwise the audience was fast when compared to other recordings - .500 seconds per minute. Brokedown House Production
Taper: Ted Gidley
2:47:42
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1986-12-15.132368.nak300.gidley.flac1644
Source:
OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's, with no Dolby, recording by Ted Gidley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2015
Taper Notes:
View NotesNote: Next in line MAC provides patches: first five seconds of When Push Comes to Shove, and twelve seconds near end of Drums.
Taper: Ted Gidley
2:47:42
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1986-12-15.132367.nak300.gidley.flac2448
Source:
OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's, with no Dolby, recording by Ted Gidley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2015
Taper Notes:
View NotesNote: Next in line MAC provides patches: first five seconds of When Push Comes to Shove, and twelve seconds near end of Drums.
Taper: Greg Holtz
2:49:36
Taper:
Greg Holtz
Transferrer:
Greg Holtz
SHNID:
gd1986-12-15.aud.Holtz.Naks.114699.flac16
Source:
Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz
Taper Notes:
View NotesNotes: -Special Thanks to Indydarkstar for use of the UA-5. -More special thanks to Martha W., Doug and Nancy K., and Brian and LeeAnn O. for making this run of shows a very special and memorable time.
Taper: Joe D'Amico
2:50:46
Rating:
9.00 / 4 ratings
Taper:
Joe D'Amico
SHNID:
gd1986-12-15.nak300.damico.88884.flac16
Source:
nak 300 mics w/cp4 shotguns > sony d-5 > mac
Taper Notes:
View Notesi left the discs the same way i taped them . disc 2 ends with drums and disc 3 starts off with the rest of drums ....
Taper: Don Beckham and Tony Suraci
2:43:03
Rating:
9.00 / 10 ratings
Taper:
Don Beckham and Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-12-15.nakcm304.beckham.suraci.sbeok.80809.flac16
Source:
Nak CM304>Sony D5
Lineage:
Nak CR5A>Lunatec V3>SD 722
Taper Notes:
View Notes*Thanks to Don for running my rig. Notes: This is the 16Bit version.
Taper: Adam Smith & Andy Liu
2:39:46
Rating:
8.96 / 23 ratings
Taper:
Adam Smith & Andy Liu
Transferrer:
Adam Smith & Andy Liu
SHNID:
gd86-12-15.nakcm101-dwonk.25263.sbeok.flacf
Source:
Audience
Lineage:
Nakamichi CM-101 > Nakamichi 550 > Sony WM-D6C; Nakamichi DR-3 (Master) > Oade adc24mod SONY SBM-1 > M-Audio AP2496 > Sound Forge XP4.5 > CDwave1.6 > FLAC16
Taper Notes:
View NotesField: Nakamichi CM-101 > Nakamichi 550 > Sony WM-D6C (Master) Tapers: Adam Smith & Andy Liu (dwonk)<br /> Location: DFC of Taper Section (actually FOB by about 30 feet), 10' spread between mics (AB Stereo, two channel) <br /> Transfer: Nakamichi DR-3 (Master) > Oade adc24mod SONY SBM-1 > M-Audio AP2496 > Sound Forge XP4.5 > CDwave1.6 > FLAC