Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.3k184
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62088
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.1k825
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.3k292
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.1k670
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k375
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k412
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k150
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k278
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h86197
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k240
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k179
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k234
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.3k298
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.4k447
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.2k717
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h87373
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.6k572
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.6k599
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.7k456
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k249
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.9k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k616
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52163
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13519
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31723
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1986
Sources
Transferrer: Charlie Miller
2:49:46
SBD
Rating:
7.20 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-06-22.sbd.walker-scotton.miller.81646.flac16
Source:
SBD -> Cassette Master (Sony D5/Maxell MX-90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Neumann KMi84 -> PCM -> Dat -> CD supplies: Space (0:13 - 0:22) Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the Cassettes
Transferrer: Mike Lai
2:35:13
SBD
Rating:
7.71 / 7 ratings
Transferrer:
Mike Lai
SHNID:
gd86-06-22.sbd.lai.388.sbefail.shnf
Source:
Soundboard
Lineage:
DSBD > DAT > CDR
Taper Notes:
View NotesDSDB> DAT> CDr; via Mike Lai
Taper: Chris Hecht
2:47:39
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-06-22.148481.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:24 patch in "Drums > Space" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
2:47:39
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-06-22.148480.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:24 patch in "Drums > Space" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Oade Brothers
2:49:35
Taper:
Oade Brothers
Transferrer:
Charlie Miller, Jim Wise, Scott Clugston
SHNID:
gd1986-06-22.140671.fob.schoeps.cmc4.mk2.oade.wise.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to the Oade brothers and crew for their master recording(s), as well as a proper transfer to hard disk - Thanks to Jim Wise for the hard disk drive - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid117831 AKG 460 source which supplies a 0:01.5 patch in "Mama Tried", a 0:01 patch in "Truckin'", as well as "Box Of Rain" in its entirety - Very nice audience capture Mastered by Scott Clugston January 10, 2018
Taper: Executive Crew; Mike Davis; Kenny Davis; Tom Pinney; John Hance; Aaron;24 bit
2:48:17
Taper:
Executive Crew; Mike Davis; Kenny Davis; Tom Pinney; John Hance; Aaron;24 bit
Transferrer:
Kyle Holbrook
SHNID:
gd1986-06-22.156955.pcmsenn.davis-holbrook.flac2448
Source:
2GEN AUDCA Microphones: Sennheiser 421's > Sony PCMF1 > Recorder: Sony SL-2000 Betarecorder Location: OTS
Lineage:
Original transfer: 1] Sony SL-2000 Betarecorder> Sony TC-D5M Maxell MX90 no nr 2] Sony TC-D5M > Sony TC-D5M Maxell XLII 90 no nr Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661
Taper Notes:
View Notes* After Phil clears his throat to sing an the crowd roars, he says: "You people will cheer for anything won't you? anyway, Thank You." Crowd roars during first verse, he forgets words: "Please don't be surprised if you find me...forgetting the words..."
Taper: Executive Crew; Mike Davis; Kenny Davis; Tom Pinney; John Hance; Aaron
2:48:17
Taper:
Executive Crew; Mike Davis; Kenny Davis; Tom Pinney; John Hance; Aaron
Transferrer:
Kyle Holbrook
SHNID:
gd1986-06-22.156954.pcmsenn.davis-holbrook.flac1644
Source:
2GEN AUDCA Microphones: Sennheiser 421's > Sony PCMF1 > Recorder: Sony SL-2000 Betarecorder Location: OTS
Lineage:
Original transfer: 1] Sony SL-2000 Betarecorder> Sony TC-D5M Maxell MX90 no nr 2] Sony TC-D5M > Sony TC-D5M Maxell XLII 90 no nr Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661
Taper Notes:
View Notes* After Phil clears his throat to sing an the crowd roars, he says: "You people will cheer for anything won't you? anyway, Thank You." Crowd roars during first verse, he forgets words: "Please don't be surprised if you find me...forgetting the words..."
Taper: Doug Lamarre
2:42:57
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1986-06-22.139291.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:42:57
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1986-06-22.139290.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Danny Thompson
2:40:01
Taper:
Danny Thompson
Transferrer:
Joe D'Amico
SHNID:
gd1986-06-22.138857.akg.damico.flac2496
Source:
<b/>flac24 96khz </b> Source: AKG 460 w/CK61 Caps > Uher 240.
Lineage:
Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
Taper: Danny Thompson
2:40:01
Taper:
Danny Thompson
Transferrer:
Joe D'Amico
SHNID:
gd1986-06-22.138856.akg.damico.flac1644
Source:
<b/>flac16 44.1khz </b> Source: AKG 460 w/CK61 Caps > Uher 240.
Lineage:
Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
Taper: Mike Darby
2:44:16
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1986-06-22.AKG460.Darby.117831.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:Another Huge thanks out to Mr. Darby for recording and sharing his source for this show!Another excellent recording and performance for this time frame of the Grateful Dead's! As always Enjoy!!!!!
Taper: Mike Darby
2:44:16
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1986-06-22.AKG460.Darby.117830.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:Another Huge thanks out to Mr. Darby for recording and sharing his source for this show!Another excellent recording and performance for this time frame of the Grateful Dead's! As always Enjoy!!!!!
Taper: Mike Grace and Annie Szvetecz
3:02:43
Rating:
8.00 / 2 ratings
Taper:
Mike Grace and Annie Szvetecz
Transferrer:
Mike Grace and Jamie Waddell
SHNID:
gd1986-06-22.schoeps.grace-szvetecz.gems.100204.flac16
Source:
Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1, Recording Location: Official Tapers Section
Lineage:
Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav file
Taper Notes:
View NotesRecording Location: Official Tapers Section PCM to DAW Transfer by Mike Grace Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav file * Transfer into 24bit/44.1kHz wav files. * The biggest challenge was getting the bata tapes to playback without dropouts. * The best process was doing a full fast forward/rewind to repack the tape. * Then play about 10 minutes of the PCM tape and tweak the tracking for the strongest playback envelope. * Next Mike ran the transfer of the entire set and write down the time position of any dropouts. * If any dropouts occured he replayed the same section to new wav files for a complete no drop out transfer * Usually the second or third pass works. * Using a Wavelab montage Mike edited the patch to line up to the exact sample and use no cross fade. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging SBE FREE
Taper: Charlie Connor
2:39:04
Rating:
9.00 / 4 ratings
Taper:
Charlie Connor
Transferrer:
Charlie Connor
SHNID:
gd86-06-22.beyerM88.connor.30865.sbeok.flacf
Source:
Audience: Beyer Dynamic M88's
Lineage:
Beyer Dynamic M88's (FOB/DFC) > Sony TCD5M (CM - Maxell MX90's) > Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71)
Taper Notes:
View NotesPrimary Source: Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Secondary Source: Neumann kmi-84->neumann bs48i-2>pcmf1,(at sbd)PCM->DAT shn id 7281 The secondary source covers patches in the last 26 seconds of d2t05(drums); the first 12 seconds of d3to1 (space) Recorded, digitally mastered and patched by Charlie Connor
Taper: Randy Fleck
2:49:48
Rating:
7.00 / 4 ratings
Taper:
Randy Fleck
Source:
Audience: Neumann kmi-84's
Lineage:
Neumann kmi-84's > Neumann bs48i-2 > PCM-F1 > Sony pcm-601esd > Panasonic 3500 > Fostex D5 > Marantz CDR615 > EAC > CD Wave > mkwACT > SHN
Taper Notes:
View NotesNeumann kmi-84-> Neumann bs48i-2> pcmf1, at sbd; ; Taper Randy Fleck; PCM-> DAT: Sony pcm-601esd-> panasonic 3500; DAT->CD: fostex d5->marantz cdr615-> eac-> cdwav-> mkwact