1986
1986
Sources
Taper: Executive Crew; Mike Davis; Kenny Davis; Tom Pinney; John Hance; Aaron;24 bit
2:48:17
Taper:
Executive Crew; Mike Davis; Kenny Davis; Tom Pinney; John Hance; Aaron;24 bit
Transferrer:
Kyle Holbrook
SHNID:
gd1986-06-22.156955.pcmsenn.davis-holbrook.flac2448
Source:
2GEN AUDCA Microphones: Sennheiser 421's > Sony PCMF1 > Recorder: Sony SL-2000 Betarecorder Location: OTS
Lineage:
Original transfer: 1] Sony SL-2000 Betarecorder> Sony TC-D5M Maxell MX90 no nr 2] Sony TC-D5M > Sony TC-D5M Maxell XLII 90 no nr Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661
Taper Notes:
View Notes* After Phil clears his throat to sing an the crowd roars, he says: "You people will cheer for anything won't you? anyway, Thank You." Crowd roars during first verse, he forgets words: "Please don't be surprised if you find me...forgetting the words..."
Taper: Executive Crew; Mike Davis; Kenny Davis; Tom Pinney; John Hance; Aaron
2:48:17
Taper:
Executive Crew; Mike Davis; Kenny Davis; Tom Pinney; John Hance; Aaron
Transferrer:
Kyle Holbrook
SHNID:
gd1986-06-22.156954.pcmsenn.davis-holbrook.flac1644
Source:
2GEN AUDCA Microphones: Sennheiser 421's > Sony PCMF1 > Recorder: Sony SL-2000 Betarecorder Location: OTS
Lineage:
Original transfer: 1] Sony SL-2000 Betarecorder> Sony TC-D5M Maxell MX90 no nr 2] Sony TC-D5M > Sony TC-D5M Maxell XLII 90 no nr Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661
Taper Notes:
View Notes* After Phil clears his throat to sing an the crowd roars, he says: "You people will cheer for anything won't you? anyway, Thank You." Crowd roars during first verse, he forgets words: "Please don't be surprised if you find me...forgetting the words..."
Taper: Mike Grace and Annie Szvetecz
3:02:43
Rating:
8.00 / 2 ratings
Taper:
Mike Grace and Annie Szvetecz
Transferrer:
Mike Grace and Jamie Waddell
SHNID:
gd1986-06-22.schoeps.grace-szvetecz.gems.100204.flac16
Source:
Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1, Recording Location: Official Tapers Section
Lineage:
Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav file
Taper Notes:
View NotesRecording Location: Official Tapers Section PCM to DAW Transfer by Mike Grace Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav file * Transfer into 24bit/44.1kHz wav files. * The biggest challenge was getting the bata tapes to playback without dropouts. * The best process was doing a full fast forward/rewind to repack the tape. * Then play about 10 minutes of the PCM tape and tweak the tracking for the strongest playback envelope. * Next Mike ran the transfer of the entire set and write down the time position of any dropouts. * If any dropouts occured he replayed the same section to new wav files for a complete no drop out transfer * Usually the second or third pass works. * Using a Wavelab montage Mike edited the patch to line up to the exact sample and use no cross fade. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging SBE FREE
Taper: Charlie Connor
2:39:04
Rating:
9.00 / 4 ratings
Taper:
Charlie Connor
Transferrer:
Charlie Connor
SHNID:
gd86-06-22.beyerM88.connor.30865.sbeok.flacf
Source:
Audience: Beyer Dynamic M88's
Lineage:
Beyer Dynamic M88's (FOB/DFC) > Sony TCD5M (CM - Maxell MX90's) > Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71)
Taper Notes:
View NotesPrimary Source: Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Secondary Source: Neumann kmi-84->neumann bs48i-2>pcmf1,(at sbd)PCM->DAT shn id 7281 The secondary source covers patches in the last 26 seconds of d2t05(drums); the first 12 seconds of d3to1 (space) Recorded, digitally mastered and patched by Charlie Connor