05
1986
Sources
Taper: Executive Crew; Kenny Davis; Mike Davis; Tom Pinney; John Goode
2:07:47
Taper:
Executive Crew; Kenny Davis; Mike Davis; Tom Pinney; John Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1986-05-04.156458.akgc422.davis.holbrook.flac2448
Source:
Source: 1GEN AUDCA speed corrected 1.5% Microphones: AKG c422 cardioid (X-Y at 90') chest level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (1st in line) Location: approximately 30 feet from stage; DFC
Lineage:
original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View Notes^ There is massive bass distortion at start of Saturday Night, then until they dial it in, there is random Phil bomb distortion. The sound starts to get solid around China-Rider ++ At the segue between China > Rider the master tape was flipped, so we spliced it putting the entire suite onto side two during the first generation copying in 1986. It is a bit whooshy at the splice for about 3 seconds and then a distinct change in sound quality results.
Taper: Executive Crew; Kenny Davis; Mike Davis; Tom Pinney; John Goode;
2:07:57
Taper:
Executive Crew; Kenny Davis; Mike Davis; Tom Pinney; John Goode;
Transferrer:
Kyle Holbrook
SHNID:
gd1986-05-04.156457.akgc422.davis.holbrook.flac1644
Source:
Source: 1GEN AUDCA speed corrected 1.5% Microphones: AKG c422 cardioid (X-Y at 90') chest level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (1st in line) Location: approximately 30 feet from stage; DFC
Lineage:
original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View Notes^ There is massive bass distortion at start of Saturday Night, then until they dial it in, there is random Phil bomb distortion. The sound starts to get solid around China-Rider ++ At the segue between China > Rider the master tape was flipped, so we spliced it putting the entire suite onto side two during the first generation copying in 1986. It is a bit whooshy at the splice for about 3 seconds and then a distinct change in sound quality results.
Taper: Mike Darby
2:05:15
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1986-05-04.Senn421sNak300CP4s.Darby.119546.Flac1644
Source:
Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr, Darby for recording and sharing his four microphone mix for this show.Another excellent Share from the Darby collection and the early May 1986 Grateful Dead! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!