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Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.4k169
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.7k254
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.8k238
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.7k363
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k357
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h5.1k718
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k268
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k137
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.4k545
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h86199
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.4k736
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.4k295
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h958121
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k163
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h1.9k241
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4k455
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1k150
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k212
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.8k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.4k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h44046
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.1k400
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h4k527
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k314
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k165
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k148
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h77093
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12517
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h41925
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1986
Sources
Transferrer: Charlie Miller
2:24:21
SBD
Transferrer:
Charlie Miller
SHNID:
gd1986-04-03.142712.sbd.miller.flac1644
Source:
PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk)
Lineage:
Reel > Pro Tools (24-bit/96k) > WAVMastering Info:WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a patched version of shnid=142690 (New Minglewood Blues) -- Both sources needed to be pitch corrected -- Rob transferred the PCM > Reel at The Power Station in NYC -- This file set is 16 bit at 44.1
Transferrer: Charlie Miller
2:24:21
SBD
Transferrer:
Charlie Miller
SHNID:
gd1986-04-03.142699.sbd.miller.patched.flac2496
Source:
PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk)
Lineage:
Reel > Pro Tools (24-bit/96k) > WAVMastering Info:WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a patched version of shnid=142690 (New Minglewood Blues) -- Both sources needed to be pitch corrected -- Rob transferred the PCM > Reel at The Power Station in NYC
Transferrer: Charlie Miller
2:24:21
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1986-04-03.142690.sbd.miller.flac2496
Source:
PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk)
Lineage:
Reel > Pro Tools (24-bit/96k) > WAVMastering Info:WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Both sources needed to be pitch corrected -- Rob transferred the PCM > Reel at The Power Station in NYC
Source 4 of 20
2:24:45
SBD
Rating:
6.67 / 15 ratings
SHNID:
gd86-04-03.sbd.samaritano.18509.sbeok.shnf
Source:
Vault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN.DAT seed provided by Michael P. WeitzmanTransfer and SHN by Joe Samaritano
Taper Notes:
View NotesVault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano
Transferrer: Jeff M.
2:26:08
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Jeff M.
SHNID:
gd1986-04-03.sbd.jeffm.2789.sbeok.shnf
Source:
SBD>Master Cassette>DAT>CDR>EAC>SHN
Taper: Doug Lamarre
2:22:24
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-04-03.176417.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:09 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Doug Lamarre
2:22:24
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-04-03.176416.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:09 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Michael Hessberg
2:22:47
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-04-03.167520.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:54 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2024
Taper: Michael Hessberg
2:22:47
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-04-03.167519.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:54 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2024
Taper: Chris Hecht
2:23:49
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-04-03.148582.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 5:05 patch in "Drums" - Beginning of Iko Iko muffled (0:30 or so) - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
2:23:49
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-04-03.148581.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 5:05 patch in "Drums" - Beginning of Iko Iko muffled (0:30 or so) - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:23:16
Rating:
10.00 / 1 rating
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-04-03.156236.akg-c422.davis-murtha-holbrook.flac2448
Source:
Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesThis AKG c422 recording dedicated to our brother Kenny Davis / tape paused between tracks // tape flips ** Jerry not onstage
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:23:16
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-04-03.156235.akg-c422.davis-murtha-holbrook.flac1644
Source:
Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesThis AKG c422 recording dedicated to our brother Kenny Davis / tape paused between tracks // tape flips ** Jerry not onstage
Taper: chasingwilma
2:19:12
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-04-03.127695.chasingwilma.flac24
Source:
source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
1:35:10
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1986-04-03.nak300.morris.crazyfingers.106553.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Dave Barfield and David Lane
2:18:03
Taper:
Dave Barfield and David Lane
Transferrer:
Dave Barfield
SHNID:
gd1986-04-03.nak300.barfield-lane.103357.flac24
Source:
nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
Lineage:
master cassette > tcd5m (orig recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24)
Taper: Joe D'Amico
2:21:05
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-04-03.nak300.damico.88022.flac16
Source:
nak 300 mics w/cp4 shotguns > sony d-5
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
Taper: Brian Mandel
2:19:01
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1986-04-03.nak300.mandel.86824.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Taper: Tony Suraci
2:18:47
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-04-03.nak304.suraci.77346.flac16
Source:
Nakamichi CM304's(pointed)>Sony D5M(Maxell MX)
Lineage:
Sony D5Pro>Lunatec V3(analog out)>722@24/96>Adobe Aud. 2.0>16Bit>cdwav>flac16
Taper: Oades
2:26:13
Rating:
8.50 / 4 ratings
Taper:
Oades
Transferrer:
Rich Gastwirt and GEMS
SHNID:
gd1986-04-03.schoeps.oade.gems.76097.flac16
Source:
FOB/TS - Schoeps CMC 44 Cardioids > Sony PCM F1, FOB > Sony PCM 601 > Sony /2000ES DAT > PC
Lineage:
Adobe Audition 1.5 > Shntool > flac lvl8
Taper Notes:
View NotesIf I remember correctly, GDTS screwed up and put part of the taping section IN FRONT of the soundboard at these shows and this was from that part of the section, so it's FOB.