Bands
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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h54973
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.4k178
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k432
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.5k330
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5k631
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h6.9k863
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k348
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k134
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.8k314
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h982111
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k212
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4k474
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k174
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.3k289
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.5k284
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k210
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k264
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h9.9k1.3k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h19.7k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h20522
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k499
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h9.8k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.1k261
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.6k181
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k190
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k167
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56871
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9414
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h48431
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h322
7d1368
30d63237
2 shows
2 tapes
1986
Sources
Transferrer: Charlie Miller
2:24:21
SBD
Transferrer:
Charlie Miller
SHNID:
gd1986-04-03.142712.sbd.miller.flac1644
Source:
PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk)
Lineage:
Reel > Pro Tools (24-bit/96k) > WAVMastering Info:WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a patched version of shnid=142690 (New Minglewood Blues) -- Both sources needed to be pitch corrected -- Rob transferred the PCM > Reel at The Power Station in NYC -- This file set is 16 bit at 44.1
Transferrer: Charlie Miller
2:24:21
SBD
Transferrer:
Charlie Miller
SHNID:
gd1986-04-03.142699.sbd.miller.patched.flac2496
Source:
PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk)
Lineage:
Reel > Pro Tools (24-bit/96k) > WAVMastering Info:WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a patched version of shnid=142690 (New Minglewood Blues) -- Both sources needed to be pitch corrected -- Rob transferred the PCM > Reel at The Power Station in NYC
Transferrer: Charlie Miller
2:24:21
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1986-04-03.142690.sbd.miller.flac2496
Source:
PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk)
Lineage:
Reel > Pro Tools (24-bit/96k) > WAVMastering Info:WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Both sources needed to be pitch corrected -- Rob transferred the PCM > Reel at The Power Station in NYC
Source 4 of 20
2:24:45
SBD
Rating:
6.67 / 15 ratings
SHNID:
gd86-04-03.sbd.samaritano.18509.sbeok.shnf
Source:
Vault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN.DAT seed provided by Michael P. WeitzmanTransfer and SHN by Joe Samaritano
Taper Notes:
View NotesVault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano
Transferrer: Jeff M.
2:26:08
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Jeff M.
SHNID:
gd1986-04-03.sbd.jeffm.2789.sbeok.shnf
Source:
SBD>Master Cassette>DAT>CDR>EAC>SHN
Taper: Doug Lamarre
2:22:24
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-04-03.176417.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:09 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Doug Lamarre
2:22:24
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-04-03.176416.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:09 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Michael Hessberg
2:22:47
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-04-03.167520.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:54 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2024
Taper: Michael Hessberg
2:22:47
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-04-03.167519.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:54 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2024
Taper: Chris Hecht
2:23:49
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-04-03.148582.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 5:05 patch in "Drums" - Beginning of Iko Iko muffled (0:30 or so) - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
2:23:49
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-04-03.148581.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 5:05 patch in "Drums" - Beginning of Iko Iko muffled (0:30 or so) - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:23:16
Rating:
10.00 / 1 rating
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-04-03.156236.akg-c422.davis-murtha-holbrook.flac2448
Source:
Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesThis AKG c422 recording dedicated to our brother Kenny Davis / tape paused between tracks // tape flips ** Jerry not onstage
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:23:16
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-04-03.156235.akg-c422.davis-murtha-holbrook.flac1644
Source:
Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesThis AKG c422 recording dedicated to our brother Kenny Davis / tape paused between tracks // tape flips ** Jerry not onstage
Taper: chasingwilma
2:19:12
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-04-03.127695.chasingwilma.flac24
Source:
source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
1:35:10
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1986-04-03.nak300.morris.crazyfingers.106553.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Dave Barfield and David Lane
2:18:03
Taper:
Dave Barfield and David Lane
Transferrer:
Dave Barfield
SHNID:
gd1986-04-03.nak300.barfield-lane.103357.flac24
Source:
nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
Lineage:
master cassette > tcd5m (orig recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24)
Taper: Joe D'Amico
2:21:05
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-04-03.nak300.damico.88022.flac16
Source:
nak 300 mics w/cp4 shotguns > sony d-5
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
Taper: Brian Mandel
2:19:01
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1986-04-03.nak300.mandel.86824.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Taper: Tony Suraci
2:18:47
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-04-03.nak304.suraci.77346.flac16
Source:
Nakamichi CM304's(pointed)>Sony D5M(Maxell MX)
Lineage:
Sony D5Pro>Lunatec V3(analog out)>722@24/96>Adobe Aud. 2.0>16Bit>cdwav>flac16
Taper: Oades
2:26:13
Rating:
8.50 / 4 ratings
Taper:
Oades
Transferrer:
Rich Gastwirt and GEMS
SHNID:
gd1986-04-03.schoeps.oade.gems.76097.flac16
Source:
FOB/TS - Schoeps CMC 44 Cardioids > Sony PCM F1, FOB > Sony PCM 601 > Sony /2000ES DAT > PC
Lineage:
Adobe Audition 1.5 > Shntool > flac lvl8
Taper Notes:
View NotesIf I remember correctly, GDTS screwed up and put part of the taping section IN FRONT of the soundboard at these shows and this was from that part of the section, so it's FOB.