Bands
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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h56675
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h801110
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.3k454
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.6k608
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.7k844
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.3k429
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h2.9k360
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k133
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.3k481
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h997112
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k205
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.4k402
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k177
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.2k152
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h4.9k577
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k230
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.8k255
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.6k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.6k2.8k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h24627
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.3k444
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6.1k851
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.3k295
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k173
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k167
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k177
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42856
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13217
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40128
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1986
Sources
Transferrer: Charlie Miller
2:24:21
SBD
Transferrer:
Charlie Miller
SHNID:
gd1986-04-03.142712.sbd.miller.flac1644
Source:
PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk)
Lineage:
Reel > Pro Tools (24-bit/96k) > WAVMastering Info:WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a patched version of shnid=142690 (New Minglewood Blues) -- Both sources needed to be pitch corrected -- Rob transferred the PCM > Reel at The Power Station in NYC -- This file set is 16 bit at 44.1
Transferrer: Charlie Miller
2:24:21
SBD
Transferrer:
Charlie Miller
SHNID:
gd1986-04-03.142699.sbd.miller.patched.flac2496
Source:
PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk)
Lineage:
Reel > Pro Tools (24-bit/96k) > WAVMastering Info:WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a patched version of shnid=142690 (New Minglewood Blues) -- Both sources needed to be pitch corrected -- Rob transferred the PCM > Reel at The Power Station in NYC
Transferrer: Charlie Miller
2:24:21
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1986-04-03.142690.sbd.miller.flac2496
Source:
PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk)
Lineage:
Reel > Pro Tools (24-bit/96k) > WAVMastering Info:WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Both sources needed to be pitch corrected -- Rob transferred the PCM > Reel at The Power Station in NYC
Source 4 of 20
2:24:45
SBD
Rating:
6.67 / 15 ratings
SHNID:
gd86-04-03.sbd.samaritano.18509.sbeok.shnf
Source:
Vault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN.DAT seed provided by Michael P. WeitzmanTransfer and SHN by Joe Samaritano
Taper Notes:
View NotesVault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano
Transferrer: Jeff M.
2:26:08
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Jeff M.
SHNID:
gd1986-04-03.sbd.jeffm.2789.sbeok.shnf
Source:
SBD>Master Cassette>DAT>CDR>EAC>SHN
Taper: Doug Lamarre
2:22:24
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-04-03.176417.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:09 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Doug Lamarre
2:22:24
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-04-03.176416.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:09 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Michael Hessberg
2:22:47
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-04-03.167520.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:54 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2024
Taper: Michael Hessberg
2:22:47
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-04-03.167519.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:54 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2024
Taper: Chris Hecht
2:23:49
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-04-03.148582.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 5:05 patch in "Drums" - Beginning of Iko Iko muffled (0:30 or so) - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
2:23:49
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-04-03.148581.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 5:05 patch in "Drums" - Beginning of Iko Iko muffled (0:30 or so) - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:23:16
Rating:
10.00 / 1 rating
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-04-03.156236.akg-c422.davis-murtha-holbrook.flac2448
Source:
Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesThis AKG c422 recording dedicated to our brother Kenny Davis / tape paused between tracks // tape flips ** Jerry not onstage
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:23:16
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-04-03.156235.akg-c422.davis-murtha-holbrook.flac1644
Source:
Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesThis AKG c422 recording dedicated to our brother Kenny Davis / tape paused between tracks // tape flips ** Jerry not onstage
Taper: chasingwilma
2:19:12
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-04-03.127695.chasingwilma.flac24
Source:
source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
1:35:10
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1986-04-03.nak300.morris.crazyfingers.106553.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Dave Barfield and David Lane
2:18:03
Taper:
Dave Barfield and David Lane
Transferrer:
Dave Barfield
SHNID:
gd1986-04-03.nak300.barfield-lane.103357.flac24
Source:
nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
Lineage:
master cassette > tcd5m (orig recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24)
Taper: Joe D'Amico
2:21:05
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-04-03.nak300.damico.88022.flac16
Source:
nak 300 mics w/cp4 shotguns > sony d-5
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
Taper: Brian Mandel
2:19:01
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1986-04-03.nak300.mandel.86824.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Taper: Tony Suraci
2:18:47
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-04-03.nak304.suraci.77346.flac16
Source:
Nakamichi CM304's(pointed)>Sony D5M(Maxell MX)
Lineage:
Sony D5Pro>Lunatec V3(analog out)>722@24/96>Adobe Aud. 2.0>16Bit>cdwav>flac16
Taper: Oades
2:26:13
Rating:
8.50 / 4 ratings
Taper:
Oades
Transferrer:
Rich Gastwirt and GEMS
SHNID:
gd1986-04-03.schoeps.oade.gems.76097.flac16
Source:
FOB/TS - Schoeps CMC 44 Cardioids > Sony PCM F1, FOB > Sony PCM 601 > Sony /2000ES DAT > PC
Lineage:
Adobe Audition 1.5 > Shntool > flac lvl8
Taper Notes:
View NotesIf I remember correctly, GDTS screwed up and put part of the taping section IN FRONT of the soundboard at these shows and this was from that part of the section, so it's FOB.