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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1986
3/31/86
Crowd Not Fade Away chant
1:35
Mississippi Half-Step Uptown Toodleloo
7:45
Road Runner
4:05
West L.A. Fadeaway
6:56
Crowd Noise
2:07
My Brother Esau
5:29
Brown Eyed Women
5:25
Desolation Row
9:53
Might As Well
4:29
Feel Like a Stranger
9:34
Ship of Fools
9:07
Willie and the Hand Jive
6:00
Goin' Down the Road Feeling Bad
6:41
Jam
10:25
Drums
9:50
Space
8:56
Comes a Time
8:25
Truckin'
6:26
Johnny B. Goode
4:25
FIN
View on archive.org
Sources
Taper: Michael Hessberg
2:05:15
Rating:
6.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-31.141051.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - Second & final (I'm A) Roadrunner - A local & a bottle prevented an encore. - I was just behind the stage, Jerry's side when, during Comes a Time I heard a loud crack. I remember this very well cause my touring parter & everyones favorite jokester looked at me & said my name in a way that implicated me with a question mark. I never saw the incident but I heard it. What I did watch was a pissed off Kreutzman exit the stage. He prowled behind the stage looking up into the seats for the perpetrator. He returned to his "busted kit" midway through Truckin'. The band did their best to keep it together, but there was no way they were gonna come back out, so they swung into JGB & that was all she wrote. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Patch Info: - source # 122001 (Pasternak) supplies - s1t07; last ten seconds - s1t08; first two seconds - s2t05; 5:40 - 6:20
Taper: Michael Hessberg
2:05:16
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - Second & final (I'm A) Roadrunner - A local & a bottle prevented an encore. - I was just behind the stage, Jerry's side when, during Comes a Time I heard a loud crack. I remember this very well cause my touring parter & everyones favorite jokester looked at me & said my name in a way that implicated me with a question mark. I never saw the incident but I heard it. What I did watch was a pissed off Kreutzman exit the stage. He prowled behind the stage looking up into the seats for the perpetrator. He returned to his "busted kit" midway through Truckin'. The band did their best to keep it together, but there was no way they were gonna come back out, so they swung into JGB & that was all she wrote.
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:07:14
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-31.156189.akgc422.davis-murtha-holbrook.flac2448
Source:
Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesComments ++ missed on master: borrowed entire track from: https://archive.org/details/gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 // tape flips There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise". This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:07:15
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-31.156188.akgc422.davis-murtha-holbrook.flac1644
Source:
Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesComments ++ missed on master: borrowed entire track from: https://archive.org/details/gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 // tape flips There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise". This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
Taper: D. Thompson
2:02:49
Taper:
D. Thompson
Transferrer:
A. Egert and SIRMick
SHNID:
gd1986-03-31.fob.thompson.motb.83186.flac16
Source:
AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav
Taper Notes:
View NotesMastering notes: d1t01 - low levels for first 1:12 , boosted by 5 decibels patches: d1t03 - subsecond patch at 2:03 d1t05 - last 6 seconds d1t06 - first 5 seconds d1t07 - first 5 seconds d2t05 - 2 seconds starting from 7:08 d2t06 - 17 seconds starting from 4:47 d2t10 - 13 seconds starting from 4:18 mastered with Adobe Audition, Soundforge and Wavelab (using iZotope Ozone, TC Works Native Dex and Waves Xnoise downsampled & dithered with iZotope Ozone (Mbit+) tracked with CD Wave & flacs made with Mike Wren's Flac Frontend