RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h54273
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.7k282
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k356
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.1k554
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.9k502
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k410
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k381
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k177
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.4k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k126
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k218
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.9k673
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k193
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k206
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k237
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.3k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k256
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k277
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.1k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.3k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41043
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.1k517
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.5k732
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k390
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k204
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k230
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k222
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h57972
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13719
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33025
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1986
3/31/86
mississippi half step uptown toodeloo
7:20
road runner
4:09
west l.a. fadeaway
6:55
brother esau
5:34
brown eyed women
5:52
desolation row
9:55
might as well
4:13
feel like a stranger>
9:45
ship of fools>
7:40
hand jive>
6:34
goin down the road>
18:11
drums>
4:06
space>
13:08
comes a time>
7:11
truckin>
6:14
johnnie b. goode
4:14
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:07:26
SBD
Rating:
6.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-03-31.142429.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Brown Eyed Women, Desolation Row and Might As Well are MP3 sourced from the GD Vault -- No encore because someone threw a bottle at the drummers during Comes A Time -- Thanks to Rob Eaton for the Dats -- Thanks to the Oade Brothers for the patch source -- I had a blast at this show and this mix really brings me back
Taper: Paul Scotton and Joani Walker
1:48:28
SBD
Rating:
6.00 / 4 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1986-03-31.sbd.walker-scotton.miller.106111.flac16
Source:
SBD -> ? -> 2nd Gen Cassette
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Missing part of Set 1 -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Source 3 of 19
2:08:56
SBD
SHNID:
gd1986-03-31.177724.sbd.eaton.miller.repatch.flac1648
Taper: Michael Hessberg
2:05:15
Rating:
6.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-31.141051.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - Second & final (I'm A) Roadrunner - A local & a bottle prevented an encore. - I was just behind the stage, Jerry's side when, during Comes a Time I heard a loud crack. I remember this very well cause my touring parter & everyones favorite jokester looked at me & said my name in a way that implicated me with a question mark. I never saw the incident but I heard it. What I did watch was a pissed off Kreutzman exit the stage. He prowled behind the stage looking up into the seats for the perpetrator. He returned to his "busted kit" midway through Truckin'. The band did their best to keep it together, but there was no way they were gonna come back out, so they swung into JGB & that was all she wrote. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Patch Info: - source # 122001 (Pasternak) supplies - s1t07; last ten seconds - s1t08; first two seconds - s2t05; 5:40 - 6:20
Taper: Michael Hessberg
2:05:16
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - Second & final (I'm A) Roadrunner - A local & a bottle prevented an encore. - I was just behind the stage, Jerry's side when, during Comes a Time I heard a loud crack. I remember this very well cause my touring parter & everyones favorite jokester looked at me & said my name in a way that implicated me with a question mark. I never saw the incident but I heard it. What I did watch was a pissed off Kreutzman exit the stage. He prowled behind the stage looking up into the seats for the perpetrator. He returned to his "busted kit" midway through Truckin'. The band did their best to keep it together, but there was no way they were gonna come back out, so they swung into JGB & that was all she wrote.
Taper: Jon Pasternak
2:07:27
Rating:
7.00 / 3 ratings
Taper:
Jon Pasternak
Transferrer:
Charlie Miller
SHNID:
gd1986-03-31.122001.schoeps.pasternak.miller.flac16
Source:
(FOB) Schoeps -> PCM -> Dat
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 ->SHN -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- This is an upgrade to shnid=25527 -- The mic stand wasn't completely raised for the 1st minute of the show -- This was one of the many shows I lost a job over :)
Source 7 of 19
2:07:31
Rating:
6.00 / 3 ratings
SHNID:
gd86-03-31.fob-schoeps-pasternak.miller.25527.sbeok.shnf
Source:
Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller
Taper Notes:
View NotesRecording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:07:14
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-31.156189.akgc422.davis-murtha-holbrook.flac2448
Source:
Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesComments ++ missed on master: borrowed entire track from: https://archive.org/details/gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 // tape flips There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise". This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:07:15
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-31.156188.akgc422.davis-murtha-holbrook.flac1644
Source:
Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesComments ++ missed on master: borrowed entire track from: https://archive.org/details/gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 // tape flips There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise". This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
Taper: chasingwilma
2:01:01
Rating:
10.00 / 2 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-31.127568.chasingwilma.nak300-441.flac24
Source:
source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc;conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: chasingwilma
2:01:35
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-31.127552.chasingwilma.flac24
Source:
source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:00:25
Rating:
10.00 / 1 rating
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1986-03-31.nak300.morris.crazyfingers.106556.flac16
Source:
Nakamichi Cm-300 X2 > Cassette Master (sony Tcd5m/maxell Mx 90)
Lineage:
Cassette Master (nakamichi Dr-1) > Korg Mr-1000 (1-bit/5.6mhz) > Audiogate (1-bit/5.6mhz > 16-bit/44.1khz) > Cdwav (edits); Recorded from Taper section 8, Row F, Seat 2
Taper: Jon Pasternak
2:03:19
Rating:
7.00 / 2 ratings
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1986-03-31.nak300.pasternak.mallick.102337.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),
Lineage:
Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Joe D'Amico
2:05:03
Rating:
8.00 / 1 rating
Taper:
Joe D'Amico
SHNID:
gd1986-03-31.nak300.damico.88001.flac16
Source:
nak 300 mics w/cp4 shot guns > sony d-5
Taper: D. Thompson
2:02:49
Taper:
D. Thompson
Transferrer:
A. Egert and SIRMick
SHNID:
gd1986-03-31.fob.thompson.motb.83475.flac24
Source:
AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav
Taper Notes:
View NotesMastering notes: s1t01 - low levels for first 1:12 , boosted by 5 decibels patches: s1t03 - subsecond patch at 2:03 s1t05 - last 6 seconds s1t06 - first 5 seconds s1t07 - first 5 seconds s2t05 - 2 seconds starting from 7:08 s2t06 - 17 seconds starting from 4:47 s2t10 - 13 seconds starting from 4:18 mastered with Adobe Audition, Soundforge and Wavelab (using iZotope Ozone, TC Works Native Dex and Waves Xnoise tracked with CD Wave & flacs made with Mike Wren's Flac Frontend
Taper: D. Thompson
2:02:49
Taper:
D. Thompson
Transferrer:
A. Egert and SIRMick
SHNID:
gd1986-03-31.fob.thompson.motb.83186.flac16
Source:
AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav
Taper Notes:
View NotesMastering notes: d1t01 - low levels for first 1:12 , boosted by 5 decibels patches: d1t03 - subsecond patch at 2:03 d1t05 - last 6 seconds d1t06 - first 5 seconds d1t07 - first 5 seconds d2t05 - 2 seconds starting from 7:08 d2t06 - 17 seconds starting from 4:47 d2t10 - 13 seconds starting from 4:18 mastered with Adobe Audition, Soundforge and Wavelab (using iZotope Ozone, TC Works Native Dex and Waves Xnoise downsampled & dithered with iZotope Ozone (Mbit+) tracked with CD Wave & flacs made with Mike Wren's Flac Frontend
Taper: Tony Suraci
2:05:05
Rating:
10.00 / 1 rating
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-03-31.nakcm304.suraci.sbeok.79912.flac16
Source:
Nak CM304's>Sony D5
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes# the bulk of drums continued on side B of tape 2. * Recorded from front right corner of SBD. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Joe D'Amico
2:04:38
Taper:
Joe D'Amico
Transferrer:
Brian Mandel
SHNID:
gd1986-03-31.nak300.damico.25294.shnf
Source:
Nakamichi 300 Shotguns CP4's > Sony TCD5M > MAC
Lineage:
MAC > Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Source 19 of 19
2:07:33
Rating:
8.17 / 12 ratings
SHNID:
gd86-03-31.aud.eD.13463.sbeok.shnf
Source:
AUD>MC>CDR
Taper Notes:
View NotesAUD>MC>CDR; via Mr.Benson; seedeD