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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h859122
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h51573
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h5.2k697
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k339
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.7k884
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.8k362
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k365
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k149
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k261
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h85094
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.9k221
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.2k158
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k174
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k219
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k290
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h4.9k558
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k172
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.5k336
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.4k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.1k570
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h75865
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.2k543
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k625
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k433
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k229
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.4k977
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.6k445
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h42250
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29922
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h432
7d1066
30d56034
2 shows
2 tapes
1986
3/31/86
tuning
0:41
Mississippi Half Step Uptown Toodeloo
7:39
(I'm A) Roadrunner ->
4:02
West L.A. Fadeaway
7:57
My Brother Esau
5:05
Brown Eyed Women
6:03
Desolation Row
9:44
Might as Well
4:33
tuning
0:30
Feel Like a Stranger ->
9:18
Ship of Fools
8:10
Willie & The Hand Jive ->
6:08
Goin' Down The Road Feelin' Bad ->
6:34
Jam ->
10:22
Drums ->
10:07
Space ->
9:50
Comes A Time ->
7:17
Truckin' ->
6:30
Johnny B. Goode
4:45
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:07:26
SBD
Rating:
6.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-03-31.142429.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Brown Eyed Women, Desolation Row and Might As Well are MP3 sourced from the GD Vault -- No encore because someone threw a bottle at the drummers during Comes A Time -- Thanks to Rob Eaton for the Dats -- Thanks to the Oade Brothers for the patch source -- I had a blast at this show and this mix really brings me back
Taper: Paul Scotton and Joani Walker
1:48:28
SBD
Rating:
6.00 / 4 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1986-03-31.sbd.walker-scotton.miller.106111.flac16
Source:
SBD -> ? -> 2nd Gen Cassette
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Missing part of Set 1 -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Michael Hessberg
2:05:15
Rating:
6.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-31.141051.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - Second & final (I'm A) Roadrunner - A local & a bottle prevented an encore. - I was just behind the stage, Jerry's side when, during Comes a Time I heard a loud crack. I remember this very well cause my touring parter & everyones favorite jokester looked at me & said my name in a way that implicated me with a question mark. I never saw the incident but I heard it. What I did watch was a pissed off Kreutzman exit the stage. He prowled behind the stage looking up into the seats for the perpetrator. He returned to his "busted kit" midway through Truckin'. The band did their best to keep it together, but there was no way they were gonna come back out, so they swung into JGB & that was all she wrote. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Patch Info: - source # 122001 (Pasternak) supplies - s1t07; last ten seconds - s1t08; first two seconds - s2t05; 5:40 - 6:20
Taper: Michael Hessberg
2:05:16
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - Second & final (I'm A) Roadrunner - A local & a bottle prevented an encore. - I was just behind the stage, Jerry's side when, during Comes a Time I heard a loud crack. I remember this very well cause my touring parter & everyones favorite jokester looked at me & said my name in a way that implicated me with a question mark. I never saw the incident but I heard it. What I did watch was a pissed off Kreutzman exit the stage. He prowled behind the stage looking up into the seats for the perpetrator. He returned to his "busted kit" midway through Truckin'. The band did their best to keep it together, but there was no way they were gonna come back out, so they swung into JGB & that was all she wrote.
Taper: Jon Pasternak
2:07:27
Rating:
7.00 / 3 ratings
Taper:
Jon Pasternak
Transferrer:
Charlie Miller
SHNID:
gd1986-03-31.122001.schoeps.pasternak.miller.flac16
Source:
(FOB) Schoeps -> PCM -> Dat
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 ->SHN -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- This is an upgrade to shnid=25527 -- The mic stand wasn't completely raised for the 1st minute of the show -- This was one of the many shows I lost a job over :)
Source 6 of 18
2:07:31
Rating:
6.00 / 3 ratings
SHNID:
gd86-03-31.fob-schoeps-pasternak.miller.25527.sbeok.shnf
Source:
Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller
Taper Notes:
View NotesRecording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:07:14
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-31.156189.akgc422.davis-murtha-holbrook.flac2448
Source:
Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesComments ++ missed on master: borrowed entire track from: https://archive.org/details/gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 // tape flips There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise". This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:07:15
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-31.156188.akgc422.davis-murtha-holbrook.flac1644
Source:
Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesComments ++ missed on master: borrowed entire track from: https://archive.org/details/gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 // tape flips There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise". This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
Taper: chasingwilma
2:01:01
Rating:
10.00 / 2 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-31.127568.chasingwilma.nak300-441.flac24
Source:
source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc;conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: chasingwilma
2:01:35
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-31.127552.chasingwilma.flac24
Source:
source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:00:25
Rating:
10.00 / 1 rating
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1986-03-31.nak300.morris.crazyfingers.106556.flac16
Source:
Nakamichi Cm-300 X2 > Cassette Master (sony Tcd5m/maxell Mx 90)
Lineage:
Cassette Master (nakamichi Dr-1) > Korg Mr-1000 (1-bit/5.6mhz) > Audiogate (1-bit/5.6mhz > 16-bit/44.1khz) > Cdwav (edits); Recorded from Taper section 8, Row F, Seat 2
Taper: Jon Pasternak
2:03:19
Rating:
7.00 / 2 ratings
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1986-03-31.nak300.pasternak.mallick.102337.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),
Lineage:
Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Joe D'Amico
2:05:03
Rating:
8.00 / 1 rating
Taper:
Joe D'Amico
SHNID:
gd1986-03-31.nak300.damico.88001.flac16
Source:
nak 300 mics w/cp4 shot guns > sony d-5
Taper: D. Thompson
2:02:49
Taper:
D. Thompson
Transferrer:
A. Egert and SIRMick
SHNID:
gd1986-03-31.fob.thompson.motb.83475.flac24
Source:
AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav
Taper Notes:
View NotesMastering notes: s1t01 - low levels for first 1:12 , boosted by 5 decibels patches: s1t03 - subsecond patch at 2:03 s1t05 - last 6 seconds s1t06 - first 5 seconds s1t07 - first 5 seconds s2t05 - 2 seconds starting from 7:08 s2t06 - 17 seconds starting from 4:47 s2t10 - 13 seconds starting from 4:18 mastered with Adobe Audition, Soundforge and Wavelab (using iZotope Ozone, TC Works Native Dex and Waves Xnoise tracked with CD Wave & flacs made with Mike Wren's Flac Frontend
Taper: D. Thompson
2:02:49
Taper:
D. Thompson
Transferrer:
A. Egert and SIRMick
SHNID:
gd1986-03-31.fob.thompson.motb.83186.flac16
Source:
AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav
Taper Notes:
View NotesMastering notes: d1t01 - low levels for first 1:12 , boosted by 5 decibels patches: d1t03 - subsecond patch at 2:03 d1t05 - last 6 seconds d1t06 - first 5 seconds d1t07 - first 5 seconds d2t05 - 2 seconds starting from 7:08 d2t06 - 17 seconds starting from 4:47 d2t10 - 13 seconds starting from 4:18 mastered with Adobe Audition, Soundforge and Wavelab (using iZotope Ozone, TC Works Native Dex and Waves Xnoise downsampled & dithered with iZotope Ozone (Mbit+) tracked with CD Wave & flacs made with Mike Wren's Flac Frontend
Taper: Tony Suraci
2:05:05
Rating:
10.00 / 1 rating
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-03-31.nakcm304.suraci.sbeok.79912.flac16
Source:
Nak CM304's>Sony D5
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes# the bulk of drums continued on side B of tape 2. * Recorded from front right corner of SBD. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Joe D'Amico
2:04:38
Taper:
Joe D'Amico
Transferrer:
Brian Mandel
SHNID:
gd1986-03-31.nak300.damico.25294.shnf
Source:
Nakamichi 300 Shotguns CP4's > Sony TCD5M > MAC
Lineage:
MAC > Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Source 18 of 18
2:07:33
Rating:
8.17 / 12 ratings
SHNID:
gd86-03-31.aud.eD.13463.sbeok.shnf
Source:
AUD>MC>CDR
Taper Notes:
View NotesAUD>MC>CDR; via Mr.Benson; seedeD