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Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h66289
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k228
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.3k405
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.4k306
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k470
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.6k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k306
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k143
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k206
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h76285
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k179
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3k359
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k163
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k146
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k180
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.8k548
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k238
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k257
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20.9k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.4k927
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h43046
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.3k964
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.4k819
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.4k308
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k195
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.9k215
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.7k280
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h957129
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13418
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29117
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h453
7d1076
30d59434
2 shows
2 tapes
1986
3/30/86
hell in a bucket
8:35
sugaree
9:55
el paso
4:56
cumberland blues
5:07
tons of steel
4:56
c.c. rider
7:34
duprees diamond blues
8:41
tom thumb blues
5:39
deal
7:36
touch of grey
6:30
samson & delilah
6:53
terrapin station
11:54
women are smarter
8:13
drums
8:58
space
8:36
why don't we do it in the road
5:13
stella blue
6:57
throwing stones
8:14
not fade away
11:03
mighty quinn
4:42
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:27:26
SBD
Transferrer:
Charlie Miller
SHNID:
gd1986-03-30.142406.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dats -- Thanks to the Oade Brothers for the patch source -- There were a lot of level changes I had to deal with
Taper: Paul Scotton and Joani Walker
2:28:25
SBD
Rating:
7.00 / 2 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1986-03-30.sbd.walker-scotton.miller.106110.flac16
Source:
SBD -> ? -> 2nd Gen Cassette
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Doug Lamarre
2:31:15
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-30.176409.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:13 patch in "Space", as well as a 0:07 patch in the "Not Fade Away Chant" - Pitch corrected Mastered by Scott Clugston July 2024
Taper: Doug Lamarre
2:31:15
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-30.176408.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:13 patch in "Space", as well as a 0:07 patch in the "Not Fade Away Chant" - Pitch corrected Mastered by Scott Clugston July 2024
Taper: Michael Hessberg
2:29:14
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-30.141050.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - There's an apropos Gimme Some Lovin' tease before WDWDIITR. - It's Easter Sunday so, "Why Don't We Do It In The Road" (seventh & final). - The fun meter ran in the red all night. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Patch Info: - source #25526 (Schoeps) supplies - s1t07; 7:26 - 7:44 - s2t07; 4:55 - 5:22 - s2t12; 0:49 - 1:30 - s2t13; 0:00 - 0:20
Taper: Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt
2:37:13
Taper:
Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1986-03-30.139523.FOB.Schoeps-cmc4-mk41.oade.bryant.miller.sirmick.flac16
Source:
Source: FOB recording > Schoeps cmc4 mk41 > pcm > dat (44.1k) - recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 10/07/2017
Taper Notes:
View Notes- There were a number of small dropouts, most of which occured in Set I. These were probably caused by water damage. They have been been patched with (FOB) Schoeps > PCM > Dat shnid 25526.
Taper: Michael Hessberg
2:29:13
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-30.139470.FOB.SennME80.Hessberg.Miller.Noel.t-flac24
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - There's an apropos Gimme Some Lovin' tease before WDWDIITR. - It's Easter Sunday so, "Why Don't We Do It In The Road" (seventh & final). - The fun meter ran in the red all night.
Source 8 of 15
2:33:04
Rating:
8.57 / 7 ratings
SHNID:
gd86-03-30.fob-schoeps.miller.25526.sbeok.shnf
Source:
Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
Taper Notes:
View NotesRecording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:27:18
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-30.156187.akgc422.davis-murtha-holbrook.flac2448
Source:
Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesComments Final Grateful Dead version of "Why Don't We Do It In The Road" ++ Major microphone pre-amp/battery distortion most of song ** missed start due to poor tape flip // tape flips There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise". This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:27:18
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-30.156186.akgc422.davis-murtha-holbrook.flac1644
Source:
Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesComments Final Grateful Dead version of "Why Don't We Do It In The Road" ++ Major microphone pre-amp/battery distortion most of song ** missed start due to poor tape flip // tape flips There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise". This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
Taper: chasingwilma
2:24:57
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-30.127545.chasingwilma.flac24
Source:
source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:25:06
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1986-03-30.nak300.morris.crazyfingers.106566.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Jon Pasternak
2:24:38
Rating:
8.00 / 2 ratings
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1986-03-30.nak300.pasternak.mallick.103229.flac16
Source:
Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),
Lineage:
Master Cassette > Nak DR-2>Tascam CDRW2000>CD >xACT 1.69 (cdparanoia)>WAV>FLAC
Taper Notes:
View NotesNotes: - Encore placed at the end of disc 1.
Taper: Joe D'Amico
2:30:12
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-03-30.nak300.damico.87741.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
Taper Notes:
View Notes2nd set was running long so i switched back to 1st set tape . there is a slight cut in the crowd clapping and singing not fade away . the band was off the stage and it was just the crowd having at it . so no music is cut at all .if you know this show the band went off for the encore and the crowd keep on going with the not fade away then when the band came back on they started the encore with the ending of not fade away and then right into mighty quinn . i started the 3rd disc where i flipped the tape ....so that all for the info on this one lol.
Source 15 of 15
2:23:06
Rating:
6.00 / 1 rating
SHNID:
gd86-03-30.nak300.braverman.10076.sbeok.shnf
Source:
Nak 300/Sony D5> Nakamichi BX-300> CD
Taper Notes:
View NotesNak 300/Sony D5> Nakamichi BX-300> CD; via Stephen B. Porter; Seeded to etree by Peter Braverman