RELISTENTOTHE Grateful Dead
Re
1986
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Grateful Dead
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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1986
3/28/86
tuning
1:45
Iko Iko
9:07
Beat It On Down The Line
3:03
Loser
6:41
Good Time Blues
7:36
Me and My Uncle ->
2:59
Mexicali Blues
4:47
Althea
7:31
Box of Rain
1:20
tuning
5:05
Playin' in the Band ->
2:59
Franklin's Tower ->
8:15
I Need A Miracle ->
7:04
Playin' in the Jam ->
4:43
Drums ->
7:54
Space ->
7:03
The Wheel ->
8:59
Dear Mr. Fantasy ->
4:04
Playin' in the Band reprise ->
5:33
Around & Around ->
2:35
Good Lovin'
3:42
encore break
6:57
It's All Over Now Baby
1:06
It's All Over Now Baby
6:54
FIN
View on archive.org
Sources
Taper: Michael Hessberg
2:07:42
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-28.141049.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source # - s1t08 - last two seconds - s1t09 - first thirty nine seconds - s2t07 - 7:33 - 7:48 Notes: - Tape pauses & flips; cross faded. - Check out Weir takin' a verse in Iko. Gets Jerry talkin' bout Hey Now! - Twenty count intro for BIODTL - "we want Phil" chant before BoR. "Here I is folk." -Phil - Nary a ticket for these two shows, scored em both in trades. - Lets just say while having some fun the boys paced themselves. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Michael Hessberg
2:07:42
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-28.139469.FOB.SennME80.Hessberg.Miller.Noel.t-flac24
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - Check out Weir takin' a verse in Iko. Gets Jerry talkin' bout Hey Now! - Twenty count intro for BIODTL - "we want Phil" chant before BoR. "Here I is folk." -Phil - Nary a ticket for these two shows, scored em both in trades. - Lets just say while having some fun the boys paced themselves.
Taper: Oade, Bryant, Rich Castwirk
2:10:15
Taper:
Oade, Bryant, Rich Castwirk
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-28.139325.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
Source:
Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller
Lineage:
Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notes- Water damage caused digi static & tape breaks throughout this beautiful recording. - Each patch was either or normalized, eq'd & leveled. In some cases all of the above. - Some digi static remains but only between song. - Check out Weir takin' a verse in Iko. Gets Jerry talkin' bout Hey Now! - Twenty count intro for BIODTL - "we want Phil" chant before BoR. "Here I is folk." -Phil - Nary a ticket for these two shows, scored em both in trades. - Lets just say while having some fun the boys paced themselves.
Taper: Richard Chamberlain
2:11:55
Taper:
Richard Chamberlain
Transferrer:
Win Chamberlain
SHNID:
gd1986-03-28.177020.RealisticPressureZone.Chamberlain.Chamberlain.flac2448
Source:
Microphones/Realistic Pressure Zone. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. Auto leveling used.
Lineage:
Sony EV-S700u 8bit PCM 31.5 kHz/Sonar X2 24bit 48kHz/Sonar X2 24bit 48kHz
Taper Notes:
View Notes"I recorded each set on the same tape using traks 1-4, so the tape would be rewound to the head after each set was over and the next trak would be selected. So the crease at around the 8 min mark affected the whole tape thus affecting each trak. I used Realistic pressure zone mics directly centered about 40ft behind the sound board. Almost dead center. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. That is why ambient noise is strong. However, when played loud these recordings (in my biased opinion ;) sound pretty good, and unique. They have good base and mid range. So I recorded these in 1986, and my brother Winthrop Chamberlain, made the transfers last week."
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:04:16
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-28.156133.akgc422.davis-holbrook.flac2448
Source:
Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC
Lineage:
Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesRecording Information: // tape flips low frequency distortion throughout whole set. speed corrected 1.75% bass distortion from overloaded pre-amps/low 9v batteries at several points in recording There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:04:16
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-28.156132.akgc422.davis-holbrook.flac1644
Source:
Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC
Lineage:
Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesRecording Information: // tape flips low frequency distortion throughout whole set. speed corrected 1.75% bass distortion from overloaded pre-amps/low 9v batteries at several points in recording There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".