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Today In History
June 5th
5 shows
26 tapes
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1986
3/28/86
Playin' in the Band >
8:23
Franklin's Tower >
7:10
I Need a Miracle >
4:27
Playin' Jam >
8:15
Drums >
10:20
Space >
5:38
The Wheel >
4:11
Dear Mr Fantasy >
5:37
Playin' Reprise >
2:39
Around & Around >
3:43
Good Lovin'
7:17
Encore: Baby Blue
6:59
FIN
View on archive.org
Sources
Source 1 of 21
1:14:39
SBD
SHNID:
gd1986-03-28.sbd-set2.browning.31603.flac16
Source:
SBD (Tascam322 to Marantz CDR500) > CDR
Lineage:
CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend
Taper Notes:
View NotesThe SBD tape was missing aprx 1:17 of Space and the very beginning of The Wheel. I grabbed the MAC source from the archive and used Soundforge to patch-in the missing part with cross-fades. Also used Soundforge to repair the pitch on the sbd source, and made fades for the start and end. I also retracked everything with CD-Wave, checked SBE-OK and made checksums with TLH. There's some minor hiss and cassette tape noise, but not bad at all. Nov 2005 - ENJOY!
Taper: Doug Lamarre
2:06:11
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-28.167374.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Space" - Pitch corrected Mastered by Scott Clugston December 2023
Taper: Doug Lamarre
2:06:11
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-28.167373.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Space" - Pitch corrected Mastered by Scott Clugston December 2023
Taper: Jim Vita
2:06:30
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-28.166964.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps source which supplies a 0:21 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Michael Hessberg
2:06:30
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-28.166963.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps source which supplies a 0:21 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Michael Hessberg
2:07:42
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-28.141049.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source # - s1t08 - last two seconds - s1t09 - first thirty nine seconds - s2t07 - 7:33 - 7:48 Notes: - Tape pauses & flips; cross faded. - Check out Weir takin' a verse in Iko. Gets Jerry talkin' bout Hey Now! - Twenty count intro for BIODTL - "we want Phil" chant before BoR. "Here I is folk." -Phil - Nary a ticket for these two shows, scored em both in trades. - Lets just say while having some fun the boys paced themselves. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Michael Hessberg
2:07:42
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-28.139469.FOB.SennME80.Hessberg.Miller.Noel.t-flac24
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - Check out Weir takin' a verse in Iko. Gets Jerry talkin' bout Hey Now! - Twenty count intro for BIODTL - "we want Phil" chant before BoR. "Here I is folk." -Phil - Nary a ticket for these two shows, scored em both in trades. - Lets just say while having some fun the boys paced themselves.
Taper: Oade, Bryant, Rich Castwirk
2:10:15
Taper:
Oade, Bryant, Rich Castwirk
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-28.139325.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
Source:
Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller
Lineage:
Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notes- Water damage caused digi static & tape breaks throughout this beautiful recording. - Each patch was either or normalized, eq'd & leveled. In some cases all of the above. - Some digi static remains but only between song. - Check out Weir takin' a verse in Iko. Gets Jerry talkin' bout Hey Now! - Twenty count intro for BIODTL - "we want Phil" chant before BoR. "Here I is folk." -Phil - Nary a ticket for these two shows, scored em both in trades. - Lets just say while having some fun the boys paced themselves.
Taper: Richard Chamberlain
2:11:55
Taper:
Richard Chamberlain
Transferrer:
Win Chamberlain
SHNID:
gd1986-03-28.177020.RealisticPressureZone.Chamberlain.Chamberlain.flac2448
Source:
Microphones/Realistic Pressure Zone. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. Auto leveling used.
Lineage:
Sony EV-S700u 8bit PCM 31.5 kHz/Sonar X2 24bit 48kHz/Sonar X2 24bit 48kHz
Taper Notes:
View Notes"I recorded each set on the same tape using traks 1-4, so the tape would be rewound to the head after each set was over and the next trak would be selected. So the crease at around the 8 min mark affected the whole tape thus affecting each trak. I used Realistic pressure zone mics directly centered about 40ft behind the sound board. Almost dead center. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. That is why ambient noise is strong. However, when played loud these recordings (in my biased opinion ;) sound pretty good, and unique. They have good base and mid range. So I recorded these in 1986, and my brother Winthrop Chamberlain, made the transfers last week."
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:04:16
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-28.156133.akgc422.davis-holbrook.flac2448
Source:
Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC
Lineage:
Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesRecording Information: // tape flips low frequency distortion throughout whole set. speed corrected 1.75% bass distortion from overloaded pre-amps/low 9v batteries at several points in recording There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:04:16
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-28.156132.akgc422.davis-holbrook.flac1644
Source:
Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC
Lineage:
Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesRecording Information: // tape flips low frequency distortion throughout whole set. speed corrected 1.75% bass distortion from overloaded pre-amps/low 9v batteries at several points in recording There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Taper: chasingwilma
2:05:59
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-28.127544.chasingwilma.flac24
Source:
source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:01:13
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1986-03-28.nak300.morris.crazyfingers.106564.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Transferrer: Chris Chappell
1:19:06
Rating:
8.22 / 9 ratings
Transferrer:
Chris Chappell
SHNID:
gd1986-03-28.mtx.chappell.sb28.95598.flac16
Source:
Matrix (See Notes)
Taper: D. Thompson
2:03:02
Taper:
D. Thompson
Transferrer:
A. Egert and D. McCabe
SHNID:
gd1986-03-28.fob.thompson.motb.88953.flac24
Source:
2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC (Denon HD8 90)
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96]
Taper: D. Thompson
2:03:02
Rating:
8.00 / 1 rating
Taper:
D. Thompson
Transferrer:
A. Egert and D. McCabe
SHNID:
gd1986-03-28.fob.thompson.motb.88950.flac16
Source:
2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC (Denon MD8 90)
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] > ? WAV 16 > FLAC
Taper: Joe D'Amico
2:08:02
Rating:
8.00 / 3 ratings
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-03-28.nak300.damico.87706.flac16
Source:
nak 300 mics w/cp4 shotguns > sony d-5 > mac
Lineage:
mac > nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend
Taper: Tim Alexander
2:07:32
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1986-03-28.aud.alexander.tetzeli.79328.flac24
Source:
(2 Sennheiser 421s + 2 Nakamichi 300 shotguns > Yamaha mixer > Sony D5) > MAC
Lineage:
MAC > Nakamichi DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
Taper: Tim Alexander
2:07:35
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1986-03-28.aud.alexander.tetzeli.79289.flac16
Source:
Sennheiser 421s + Nakamichi 300s > Yamaha mixer > Sony D5 (Dolby B) > MAC
Lineage:
MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
Taper: Bill Koucky
2:08:52
Rating:
8.00 / 1 rating
Taper:
Bill Koucky
Transferrer:
Bill Koucky and Chris Ladner
SHNID:
gd1986-03-28.senn.koucky.gmb.32520.flac16
Source:
FOB Sennheiser ME88 > D5 > Maxell Metal Cassette master
Lineage:
Nakamichi BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > Wavelab 5 (crossfades to smooth flips, minimal Waves L3 (-1 dB threshold)) > CDWAV 1.9 > FLAC
Taper Notes:
View NotesClean edits from Cassette master source. FOB recording in small arena during taper section days, but at this General Admission show tapers could set up in front of board.
Source 21 of 21
1:56:05
Rating:
8.00 / 11 ratings
SHNID:
gd86-03-28.neumann-hogan.hogan.5004.sbeok.shnf
Source:
FOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500
Taper Notes:
View NotesFOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan Recording; EAC/SHN by Charles Hogan