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Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h45061
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h2.1k337
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k308
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.7k362
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.8k369
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.8k371
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k351
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k166
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.5k932
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h931105
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.3k276
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5k585
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k164
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k197
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k233
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.5k1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.5k211
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k255
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.6k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h10.8k1.5k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41241
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.9k486
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h4.9k643
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.8k362
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k191
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.8k214
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k234
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h77094
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h8312
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22617
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h342
7d1037
30d62737
2 shows
2 tapes
1986
3/28/86
iko-iko
10:12
beat it on down the line
3:04
loser
6:46
never trust a woman
7:52
Me & My Uncle >
3:01
mexicali blues
4:13
althea
8:19
box of rain
5:37
playing in the band >
11:53
franklins tower >
7:07
i need a miracle >
4:34
playing in the band >
8:08
drums >
7:11
space >
8:16
the wheel >
4:13
dear mr. fantasy >
5:38
playing in the band >
2:33
around & around >
3:43
good lovin'
8:06
it's all over now , baby blue
7:36
FIN
View on archive.org
Sources
Source 1 of 21
1:14:39
SBD
SHNID:
gd1986-03-28.sbd-set2.browning.31603.flac16
Source:
SBD (Tascam322 to Marantz CDR500) > CDR
Lineage:
CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend
Taper Notes:
View NotesThe SBD tape was missing aprx 1:17 of Space and the very beginning of The Wheel. I grabbed the MAC source from the archive and used Soundforge to patch-in the missing part with cross-fades. Also used Soundforge to repair the pitch on the sbd source, and made fades for the start and end. I also retracked everything with CD-Wave, checked SBE-OK and made checksums with TLH. There's some minor hiss and cassette tape noise, but not bad at all. Nov 2005 - ENJOY!
Taper: Doug Lamarre
2:06:11
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-28.167374.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Space" - Pitch corrected Mastered by Scott Clugston December 2023
Taper: Doug Lamarre
2:06:11
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-28.167373.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Space" - Pitch corrected Mastered by Scott Clugston December 2023
Taper: Jim Vita
2:06:30
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-28.166964.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps source which supplies a 0:21 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Michael Hessberg
2:06:30
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-28.166963.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps source which supplies a 0:21 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Michael Hessberg
2:07:42
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-28.141049.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source # - s1t08 - last two seconds - s1t09 - first thirty nine seconds - s2t07 - 7:33 - 7:48 Notes: - Tape pauses & flips; cross faded. - Check out Weir takin' a verse in Iko. Gets Jerry talkin' bout Hey Now! - Twenty count intro for BIODTL - "we want Phil" chant before BoR. "Here I is folk." -Phil - Nary a ticket for these two shows, scored em both in trades. - Lets just say while having some fun the boys paced themselves. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Michael Hessberg
2:07:42
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-28.139469.FOB.SennME80.Hessberg.Miller.Noel.t-flac24
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - Check out Weir takin' a verse in Iko. Gets Jerry talkin' bout Hey Now! - Twenty count intro for BIODTL - "we want Phil" chant before BoR. "Here I is folk." -Phil - Nary a ticket for these two shows, scored em both in trades. - Lets just say while having some fun the boys paced themselves.
Taper: Oade, Bryant, Rich Castwirk
2:10:15
Taper:
Oade, Bryant, Rich Castwirk
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-28.139325.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
Source:
Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller
Lineage:
Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notes- Water damage caused digi static & tape breaks throughout this beautiful recording. - Each patch was either or normalized, eq'd & leveled. In some cases all of the above. - Some digi static remains but only between song. - Check out Weir takin' a verse in Iko. Gets Jerry talkin' bout Hey Now! - Twenty count intro for BIODTL - "we want Phil" chant before BoR. "Here I is folk." -Phil - Nary a ticket for these two shows, scored em both in trades. - Lets just say while having some fun the boys paced themselves.
Taper: Richard Chamberlain
2:11:55
Taper:
Richard Chamberlain
Transferrer:
Win Chamberlain
SHNID:
gd1986-03-28.177020.RealisticPressureZone.Chamberlain.Chamberlain.flac2448
Source:
Microphones/Realistic Pressure Zone. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. Auto leveling used.
Lineage:
Sony EV-S700u 8bit PCM 31.5 kHz/Sonar X2 24bit 48kHz/Sonar X2 24bit 48kHz
Taper Notes:
View Notes"I recorded each set on the same tape using traks 1-4, so the tape would be rewound to the head after each set was over and the next trak would be selected. So the crease at around the 8 min mark affected the whole tape thus affecting each trak. I used Realistic pressure zone mics directly centered about 40ft behind the sound board. Almost dead center. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. That is why ambient noise is strong. However, when played loud these recordings (in my biased opinion ;) sound pretty good, and unique. They have good base and mid range. So I recorded these in 1986, and my brother Winthrop Chamberlain, made the transfers last week."
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:04:16
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-28.156133.akgc422.davis-holbrook.flac2448
Source:
Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC
Lineage:
Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesRecording Information: // tape flips low frequency distortion throughout whole set. speed corrected 1.75% bass distortion from overloaded pre-amps/low 9v batteries at several points in recording There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:04:16
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-28.156132.akgc422.davis-holbrook.flac1644
Source:
Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC
Lineage:
Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesRecording Information: // tape flips low frequency distortion throughout whole set. speed corrected 1.75% bass distortion from overloaded pre-amps/low 9v batteries at several points in recording There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Taper: chasingwilma
2:05:59
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-28.127544.chasingwilma.flac24
Source:
source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:01:13
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1986-03-28.nak300.morris.crazyfingers.106564.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Transferrer: Chris Chappell
1:19:06
Rating:
8.22 / 9 ratings
Transferrer:
Chris Chappell
SHNID:
gd1986-03-28.mtx.chappell.sb28.95598.flac16
Source:
Matrix (See Notes)
Taper: D. Thompson
2:03:02
Taper:
D. Thompson
Transferrer:
A. Egert and D. McCabe
SHNID:
gd1986-03-28.fob.thompson.motb.88953.flac24
Source:
2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC (Denon HD8 90)
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96]
Taper: D. Thompson
2:03:02
Rating:
8.00 / 1 rating
Taper:
D. Thompson
Transferrer:
A. Egert and D. McCabe
SHNID:
gd1986-03-28.fob.thompson.motb.88950.flac16
Source:
2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC (Denon MD8 90)
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] > ? WAV 16 > FLAC
Taper: Joe D'Amico
2:08:02
Rating:
8.00 / 3 ratings
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-03-28.nak300.damico.87706.flac16
Source:
nak 300 mics w/cp4 shotguns > sony d-5 > mac
Lineage:
mac > nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend
Taper: Tim Alexander
2:07:32
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1986-03-28.aud.alexander.tetzeli.79328.flac24
Source:
(2 Sennheiser 421s + 2 Nakamichi 300 shotguns > Yamaha mixer > Sony D5) > MAC
Lineage:
MAC > Nakamichi DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
Taper: Tim Alexander
2:07:35
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1986-03-28.aud.alexander.tetzeli.79289.flac16
Source:
Sennheiser 421s + Nakamichi 300s > Yamaha mixer > Sony D5 (Dolby B) > MAC
Lineage:
MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
Taper: Bill Koucky
2:08:52
Rating:
8.00 / 1 rating
Taper:
Bill Koucky
Transferrer:
Bill Koucky and Chris Ladner
SHNID:
gd1986-03-28.senn.koucky.gmb.32520.flac16
Source:
FOB Sennheiser ME88 > D5 > Maxell Metal Cassette master
Lineage:
Nakamichi BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > Wavelab 5 (crossfades to smooth flips, minimal Waves L3 (-1 dB threshold)) > CDWAV 1.9 > FLAC
Taper Notes:
View NotesClean edits from Cassette master source. FOB recording in small arena during taper section days, but at this General Admission show tapers could set up in front of board.
Source 21 of 21
1:56:05
Rating:
8.00 / 11 ratings
SHNID:
gd86-03-28.neumann-hogan.hogan.5004.sbeok.shnf
Source:
FOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500
Taper Notes:
View NotesFOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan Recording; EAC/SHN by Charles Hogan