RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h56675
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h801110
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.3k454
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.6k608
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.7k844
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.3k429
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h2.9k360
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k133
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.3k481
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h997112
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k205
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.4k402
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k177
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.2k152
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h4.9k577
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k230
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.8k255
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.6k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.6k2.8k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h24627
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.3k444
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6.1k851
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.3k295
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k173
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k167
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k177
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42856
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13217
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40128
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1986
3/27/86
Tuning
1:35
Jack Straw >
5:30
Peggy-O
6:11
New Minglewood Blues
8:57
Revolutionary Hamstrung Blues >
4:22
Bertha
5:59
Wang Dang Doodle
5:55
Big Railroad Blues
5:53
Supplication Jam >
4:40
Promised Land
4:07
China Cat Sunflower >
4:53
I Know You Rider
7:52
Estimated Prophet >
10:23
Eyes Of The World >
14:37
Drums >
12:13
Space >
7:45
Spanish Jam >
2:43
Truckin' >
6:39
Wharf Rat >
8:48
Sugar Magnolia
8:39
Day Job
4:23
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] April 5, 2024
58:25
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 5, 2024
SHNID:
gd1986-03-27.168437.Portland.ME.set1.sbd.cm.miller.flac1648
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] April 5, 2024
58:25
SBD
Rating:
10.00 / 1 rating
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 5, 2024
SHNID:
gd1986-03-27.167593.set1.sbd.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- DDi Codec was used to adjust the Dolby decoding level
Transferrer: Charlie Miller
2:22:19
SBD
Rating:
7.33 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-03-27.121600.sbd.miller.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat -> ? -> Dat -> CD
Lineage:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- This is a remaster of shnid=26347 -- Thanks to Joe B. Jones for his help with the pitch correction
Source 4 of 22
2:17:44
SBD
Rating:
7.50 / 8 ratings
SHNID:
gd86-03-27.sbd.miller.26347.sbeok.shnf
Source:
SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN with aud patches by Charlie Miller
Taper Notes:
View NotesSBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller
Transferrer: Unknown
4:08:26
SBD
SHNID:
gd1986-03-27.sbd.furthernet.95808.shnf
Source:
S:D>C>D>CDR
Lineage:
Set two could have a extra analog generation.
Taper: Doug Lamarre
2:21:48
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-27.167372.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Drums" - Only performance of "Revolutionary Hamstrung Blues" - Pitch corrected Mastered by Scott Clugston December 2023
Taper: Doug Lamarre
2:21:48
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-27.167371.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Drums" - Only performance of "Revolutionary Hamstrung Blues" - Pitch corrected Mastered by Scott Clugston December 2023
Taper: Michael Hessberg
2:21:14
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-27.141048.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. * Only performance of Revolutionary Hamstrung Blues. - One of the best first sets I ever shook my bones to. - Second sets no slouch, try to keep up. - Parting words from the Weir "It takes a heap o homin' to make a pigeon toed. ba-dum-ch. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Patch Info: - source #139324 (Oade/Bryant) - s2t02; 05:07 - 05:15 - s2t05; 08:54 - 09:14
Taper: Michael Hessberg
2:21:14
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-27.139468.FOB.SennME80.Hessberg.Miller.Noel.t-flac24
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. * Only performance of Revolutionary Hamstrung Blues. - One of the best first sets I ever shook my bones to. - Second sets no slouch, try to keep up. - Parting words from the Weir "It takes a heap o homin' to make a pigeon toed. ba-dum-ch.
Taper: Oade, Bryant, Rick Castwirk
2:24:59
Taper:
Oade, Bryant, Rick Castwirk
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-27.139324.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
Source:
Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller
Lineage:
Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notes* only performance of Revolutionary Hamstrung Blues. - Once you hear your first Spanish Jam, you never go back. - With two BP's in the books on this tour Jerry shifts into the tale of August West - Parting words from the Weir "It takes a heap o homin' to make a pigeon toed. ba-dum-ch. - One of the best 1st sets I ever shook my bones to.
Taper: Richard Chamberlain
2:24:03
Taper:
Richard Chamberlain
Transferrer:
Win Chamberlain
SHNID:
gd1986-03-27.177015.RealisticPressureZone.Chamberlain.Chamberlain.flac2448
Source:
Microphones/Realistic Pressure Zone. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. Auto leveling used.
Lineage:
Sony EV-S700u 8bit PCM 31.5 kHz/Sonar X2 24bit 48kHz/Sonar X2 24bit 48kHz
Taper Notes:
View Notes"I recorded each set on the same tape using traks 1-4, so the tape would be rewound to the head after each set was over and the next trak would be selected. So the crease at around the 8 min mark affected the whole tape thus affecting each trak. Also the head of Jack Straw was clipped because the show started before I was ready. Plus I was new to recording and panicked over the levels peaking, that's when I set input levels to auto for the rest of both shows. I used Realistic pressure zone mics directly centered about 40ft behind the sound board. Almost dead center. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. That is why ambient noise is strong. However, when played loud these recordings (in my biased opinion ;) sound pretty good, and unique. They have good base and mid range. So I recorded these in 1986, and my brother Winthrop Chamberlain, made the transfers last week."
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens
2:22:36
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-27.156131.akgc422.davis-holbrook.flac2448
Source:
speed corrected 1.75% Microphones: set 1 Beyer m201 (hypercardioid) XY 90º set 2 AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesComments + Missed start; borrowed 3:24 seconds from: Pinney Beyerm88 1st gen # before they play, Bob says: "We'd like to leave you with this thought- that is, it takes a heap of homing to make a pigeon toed" (h/t Walt Kelly, the comic strip POGO) Only Grateful Dead version of "Revolutionary Hamstrung Blues" Black Peter tease before Wharf Rat
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens
2:22:51
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-27.156130.akgc422.davis-holbrook.flac1644
Source:
speed corrected 1.75% Microphones: set 1 Beyer m201 (hypercardioid) XY 90º set 2 AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesComments + Missed start; borrowed 3:24 seconds from: Pinney Beyerm88 1st gen # before they play, Bob says: "We'd like to leave you with this thought- that is, it takes a heap of homing to make a pigeon toed" (h/t Walt Kelly, the comic strip POGO) Only Grateful Dead version of "Revolutionary Hamstrung Blues" Black Peter tease before Wharf Rat
Taper: chasingwilma
2:19:44
Rating:
6.00 / 2 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-27.127543.chasingwilma.flac24
Source:
source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Tom Pinney
2:19:20
Taper:
Tom Pinney
Transferrer:
Russ Cansler
SHNID:
gd1986-03-27.beyerm88.pinney.russjcan.107068.flac16
Source:
Beyer M-88's XY 90w/D5 40 feet away,5 feet high,center
Lineage:
Mac>NakCR-3A>AudigySE>Audacity>CDwave>TLH
Taper: Bob Morris
2:18:12
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1986-03-27.nak300.morris.crazyfingers.106565.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) .
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Joe D'Amico
2:22:06
Rating:
8.67 / 4 ratings
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-03-27.nak300.damico.87700.flac16
Source:
nak 300 mics w/cp4 shotguns > sony d-5 > mac
Lineage:
mac > nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend
Taper: Tim Alexander
2:22:04
Rating:
8.00 / 3 ratings
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1986-03-27.aud.alexander.tetzeli.79187.flac24
Source:
MAC (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) > MAC
Lineage:
MAC > Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
Taper Notes:
View NotesKnown flaw: tape flip during drums
Taper: Tim Alexander
2:22:02
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1986-03-27.aud.alexander.tetzeli.79067.flac16
Source:
(Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) > MAC
Lineage:
MAC > Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
Taper Notes:
View NotesKnown flaw: tape flip at 9:05 during drums
Taper: Bill Koucky
2:24:24
Taper:
Bill Koucky
Transferrer:
Chris Ladner
SHNID:
gd1986-03-27.nak700.koucky.gmb.35289.flac16
Source:
FOB Nakamichi 700s > Sony D6 > Maxell MX90 metal master audience cassettes
Lineage:
MAC playback on Nakamichi DR-2 > Presonus Firebox (preamp and A/D) > firewire/P4/XP Pro > recorded as 24 bit/96 KHz WAV (Wavelab 5) > rendered to 16 bit/44.1 KHz WAV (Waves L3 Multimaximizer, hi res CD settings) > tracking (CDWAV 1.9) > FLAC, level 8 encoding
Taper Notes:
View NotesOnly performance of "Revolutionary Hamstrung Blues".
Source 21 of 22
2:15:25
Rating:
8.33 / 18 ratings
SHNID:
gd86-03-27.neumann-hogan.fixed.24029.sbeok.shnf
Source:
FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording. Note: Original seed (shnid#5003) was TAO. Someone fixed it and uploaded it to TOL in 3/03.
Taper Notes:
View NotesSource: FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording. Note: Original seed (shnid#5003) was TAO. Someone fixed it and uploaded it to TOL in 3/03.
Taper: Paul Hogan
2:15:55
Rating:
5.00 / 2 ratings
Taper:
Paul Hogan
SHNID:
gd1986-03-27.neumann.hogan.5003.sbeok.shnf
Source:
FOB(CENTER)>AUD>MC>CDR
Lineage:
CDR > EACH > SHN