Sugar Magnolia | 1986-03-27 | Grateful Dead

183

Playback	Listens	Hours
48h	6	46m
7d	40	5
30d	183	21

3:08:48

13 tapes

12/30SBD

180

Playback	Listens	Hours
48h	56	6
7d	53	6
30d	180	20

2:59:23

19 tapes

12/28SBD

Playback	Listens	Hours
48h	37	4
7d	29	3
30d	87	10

2:19:49

20 tapes

12/27SBD

Oakland-Alameda County Coliseum

397

Playback	Listens	Hours
48h	59	6
7d	168	15
30d	397	38

2:14:54

18 tapes

12/17SBD

Oakland-Alameda County Coliseum

112

Playback	Listens	Hours
48h	23	3
7d	66	8
30d	112	13

2:59:59

25 tapes

12/16SBD

Oakland-Alameda County Coliseum

210

Playback	Listens	Hours
48h	33	4
7d	87	10
30d	210	24

2:56:06

19 tapes

12/15SBD

Alpine Valley Music Theatre

636

Playback	Listens	Hours
48h	8	35m
7d	109	13
30d	636	73

Playback	Listens	Hours
48h	1	5m
7d	67	5
30d	80	6

Playback	Listens	Hours
48h	1	9m
7d	43	5
30d	150	18

Playback	Listens	Hours
48h	10	1
7d	64	7
30d	228	26

Playback	Listens	Hours
48h	19	2
7d	52	5
30d	381	38

1:53:56

14 tapes

7/02SBD

Rubber Bowl, U. of Akron

Akron, OH, USA

185

Playback	Listens	Hours
48h	5	32m
7d	18	2
30d	185	19

2:12:05

16 tapes

6/30SBD

River Bend Music Center

Cincinnati, OH, USA

151

Playback	Listens	Hours
48h	9	1
7d	37	4
30d	151	17

2:15:00

13 tapes

6/29SBD

East Troy, WI, USA

316

Playback	Listens	Hours
48h	0	0m
7d	34	4
30d	316	33

2:11:07

10 tapes

6/28SBD

Alpine Valley Music Theatre

East Troy, WI, USA

474

Playback	Listens	Hours
48h	0	0m
7d	53	5
30d	474	52

2:05:06

13 tapes

6/26SBD

Hubert H. Humphrey Metrodome

Minneapolis, MN, USA

Playback	Listens	Hours
48h	10	1
7d	0	0m
30d	88	10

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	282	31

Playback	Listens	Hours
48h	12	1
7d	12	1
30d	266	29

Playback	Listens	Hours
48h	30	3
7d	40	5
30d	230	25

Playback	Listens	Hours
48h	45	5
7d	87	9
30d	441	48

Playback	Listens	Hours
48h	52	8
7d	141	18
30d	539	71

Playback	Listens	Hours
48h	8	56m
7d	35	4
30d	224	23

Playback	Listens	Hours
48h	1	3m
7d	47	6
30d	402	48

2:13:36

8 tapes

4/22SBD

212

Playback	Listens	Hours
48h	18	2
7d	69	8
30d	212	26

2:27:50

6 tapes

4/21SBD

162

Playback	Listens	Hours
48h	1	4m
7d	29	3
30d	162	20

2:25:24

6 tapes

4/19SBD

287

Playback	Listens	Hours
48h	57	7
7d	45	5
30d	287	36

2:06:15

7 tapes

4/18SBD

Cumberland County Civic Center

219

Playback	Listens	Hours
48h	53	6
7d	23	2
30d	219	24

Playback	Listens	Hours
48h	44	6
7d	20	3
30d	98	12

Playback	Listens	Hours
48h	39	5
7d	57	7
30d	120	14

2:22:35

6 tapes

4/04

Hartford Civic Center

Hartford, CT, USA

227

Playback	Listens	Hours
48h	29	3
7d	75	8
30d	227	23

2:19:57

16 tapes

4/03SBD

Hartford Civic Center

Hartford, CT, USA

296

Playback	Listens	Hours
48h	23	3
7d	116	14
30d	296	35

2:26:13

20 tapes

4/01SBD

Providence Civic Center

Providence, RI, USA

125

Playback	Listens	Hours
48h	0	0m
7d	24	3
30d	125	17

2:23:08

18 tapes

3/31SBD

Providence Civic Center

Providence, RI, USA

249

Playback	Listens	Hours
48h	0	0m
7d	116	14
30d	249	29

2:08:56

19 tapes

3/30SBD

Providence Civic Center

Providence, RI, USA

228

Playback	Listens	Hours
48h	4	26m
7d	31	3
30d	228	26

2:37:13

15 tapes

3/28SBD

Portland, ME, USA

251

Playback	Listens	Hours
48h	11	1
7d	80	9
30d	251	26

2:11:55

21 tapes

3/27SBD

Cumberland County Civic Center

Portland, ME, USA

231

Playback	Listens	Hours
48h	1	4m
7d	32	4
30d	231	27

Philadelphia, PA, USA

349

Playback	Listens	Hours
48h	6	44m
7d	36	4
30d	349	40

Philadelphia, PA, USA

368

Playback	Listens	Hours
48h	0	0m
7d	52	6
30d	368	38

Philadelphia, PA, USA

403

Playback	Listens	Hours
48h	15	2
7d	75	9
30d	403	48

Playback	Listens	Hours
48h	21	3
7d	135	17
30d	291	37

Playback	Listens	Hours
48h	22	3
7d	36	5
30d	274	34

Playback	Listens	Hours
48h	21	2
7d	35	3
30d	286	30

2:30:35

25 tapes

2/14SBD

348

Playback	Listens	Hours
48h	7	51m
7d	52	6
30d	348	40

4:31:43

12 tapes

2/12SBD

298

Playback	Listens	Hours
48h	9	1
7d	11	1
30d	298	38

2:54:33

10 tapes

2/11SBD

328

Playback	Listens	Hours
48h	0	0m
7d	27	3
30d	328	38

2:17:07

14 tapes

2/09SBD

183

Playback	Listens	Hours
48h	16	2
7d	27	3
30d	183	19

2:01:34

9 tapes

2/08SBD

471

Playback	Listens	Hours
48h	40	4
7d	87	9
30d	471	48

2:27:10

7 tapes

Sources

Transferrer: All Transfers and Mastering by Charlie Miller [email protected] April 5, 2024

58:25

SBD

All Transfers and Mastering by Charlie Miller [email protected] April 5, 2024

gd1986-03-27.168437.Portland.ME.set1.sbd.cm.miller.flac1648

SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B)

Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24

Transferrer: All Transfers and Mastering by Charlie Miller [email protected] April 5, 2024

All Transfers and Mastering by Charlie Miller [email protected] April 5, 2024

gd1986-03-27.167593.set1.sbd.miller.flac2496

SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B)

Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24

gd1986-03-27.121600.sbd.miller.flac16

View NotesNotes:
-- DDi Codec was used to adjust the Dolby decoding level

Transferrer: Charlie Miller

SBD -> Cassette Master -> Reel -> Dat -> ? -> Dat -> CD

CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC

gd86-03-27.sbd.miller.26347.sbeok.shnf

View NotesNotes:
-- Disc change is seamless
-- This is a remaster of shnid=26347
-- Thanks to Joe B. Jones for his help with the pitch correction

Source 4 of 22

SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN with aud patches by Charlie Miller

View NotesSBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller

Transferrer: Unknown

4:08:26

SBD

gd1986-03-27.sbd.furthernet.95808.shnf

S:D>C>D>CDR

Set two could have a extra analog generation.

Taper: Doug Lamarre

Scott Clugston, Charlie Miller

gd1986-03-27.167372.senn441.lamarre.miller.clugston.flac2496

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Doug Lamarre for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Drums"
- Only performance of "Revolutionary Hamstrung Blues"
- Pitch corrected

Mastered by Scott Clugston
December 2023

Taper: Doug Lamarre

gd1986-03-27.167371.senn441.lamarre.miller.clugston.flac1648

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to Doug Lamarre for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Drums"
- Only performance of "Revolutionary Hamstrung Blues"
- Pitch corrected

Mastered by Scott Clugston
December 2023

Taper: Michael Hessberg

gd1986-03-27.141048.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Charlie Miller and Joe Noel

View NotesNotes:
- Tape pauses & flips; cross faded.
* Only performance of Revolutionary Hamstrung Blues.
- One of the best first sets I ever shook my bones to.
- Second sets no slouch, try to keep up.
- Parting words from the Weir "It takes a heap o homin' to make a pigeon toed.  ba-dum-ch.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Patch Info:
- source #139324 (Oade/Bryant)
- s2t02; 05:07 - 05:15
- s2t05; 08:54 - 09:14

Taper: Michael Hessberg

gd1986-03-27.139468.FOB.SennME80.Hessberg.Miller.Noel.t-flac24

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

Oade, Bryant, Rick Castwirk

View NotesNotes:
- Tape pauses & flips; cross faded.
* Only performance of Revolutionary Hamstrung Blues.
- One of the best first sets I ever shook my bones to.
- Second sets no slouch, try to keep up.
- Parting words from the Weir "It takes a heap o homin' to make a pigeon toed.  ba-dum-ch.

Taper: Oade, Bryant, Rick Castwirk

2:24:59

Taper:

Charlie Miller and Joe Noel

gd1986-03-27.139324.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16

Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller

Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT

gd1986-03-27.177015.RealisticPressureZone.Chamberlain.Chamberlain.flac2448

View Notes* only performance of Revolutionary Hamstrung Blues.
- Once you hear your first Spanish Jam, you never go back.
- With two BP's in the books on this tour Jerry shifts into the tale of August West
- Parting words from the Weir "It takes a heap o homin' to make a pigeon toed.  ba-dum-ch.
- One of the best 1st sets I ever shook my bones to.

Taper: Richard Chamberlain

Microphones/Realistic Pressure Zone. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. Auto leveling used.

Sony EV-S700u 8bit PCM 31.5 kHz/Sonar X2 24bit 48kHz/Sonar X2 24bit 48kHz

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens

View Notes"I recorded each set on the same tape using traks 1-4, so the tape would be rewound to the head after each set was over and the next trak would be selected. So the crease at around the 8 min mark affected the whole tape thus affecting each trak.
Also the head of Jack Straw was clipped because the show started before I was ready.
Plus I was new to recording and panicked over the levels peaking,  that's when I set input levels to auto for the rest of both shows.
I used Realistic pressure zone mics directly centered about 40ft behind the sound board. Almost dead center. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. That is why ambient noise is strong. However, when played loud these recordings (in my biased opinion ;) sound pretty good, and unique. They have good base and mid range. So I recorded these in 1986, and my brother Winthrop Chamberlain, made the transfers last week."

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens

2:22:36

Taper:

Kyle Holbrook

gd1986-03-27.156131.akgc422.davis-holbrook.flac2448

speed corrected 1.75% Microphones: set 1 Beyer m201 (hypercardioid) XY 90º set 2 AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH]

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens

View NotesComments
+ Missed start; borrowed 3:24 seconds from: Pinney Beyerm88 1st gen
# before they play, Bob says: "We'd like to leave you with this thought- that is, it takes a heap of homing to make a pigeon toed" (h/t Walt Kelly, the comic strip POGO)
Only Grateful Dead version of "Revolutionary Hamstrung Blues"
Black Peter tease before Wharf Rat

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens

2:22:51

Taper:

Kyle Holbrook

gd1986-03-27.156130.akgc422.davis-holbrook.flac1644

gd1986-03-27.127543.chasingwilma.flac24

View NotesComments
+ Missed start; borrowed 3:24 seconds from: Pinney Beyerm88 1st gen
# before they play, Bob says: "We'd like to leave you with this thought- that is, it takes a heap of homing to make a pigeon toed" (h/t Walt Kelly, the comic strip POGO)
Only Grateful Dead version of "Revolutionary Hamstrung Blues"
Black Peter tease before Wharf Rat

Taper: chasingwilma

source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Tom Pinney

gd1986-03-27.beyerm88.pinney.russjcan.107068.flac16

Beyer M-88's XY 90w/D5 40 feet away,5 feet high,center

Mac>NakCR-3A>AudigySE>Audacity>CDwave>TLH

Taper: Bob Morris

gd1986-03-27.nak300.morris.crazyfingers.106565.flac16

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) .

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Joe D'Amico

gd1986-03-27.nak300.damico.87700.flac16

nak 300 mics w/cp4 shotguns > sony d-5 > mac

mac > nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend

Taper: Tim Alexander

gd1986-03-27.aud.alexander.tetzeli.79187.flac24

MAC (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) > MAC

MAC > Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC

gd1986-03-27.aud.alexander.tetzeli.79067.flac16

View NotesKnown flaw: tape flip during drums

Taper: Tim Alexander

(Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) > MAC

MAC > Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC

gd1986-03-27.nak700.koucky.gmb.35289.flac16

View NotesKnown flaw: tape flip at 9:05 during drums

Taper: Bill Koucky

FOB Nakamichi 700s > Sony D6 > Maxell MX90 metal master audience cassettes

MAC playback on Nakamichi DR-2 > Presonus Firebox (preamp and A/D) > firewire/P4/XP Pro > recorded as 24 bit/96 KHz WAV (Wavelab 5) > rendered to 16 bit/44.1 KHz WAV (Waves L3 Multimaximizer, hi res CD settings) > tracking (CDWAV 1.9) > FLAC, level 8 encoding

gd86-03-27.neumann-hogan.fixed.24029.sbeok.shnf

View NotesOnly performance of "Revolutionary Hamstrung Blues".

Source 21 of 22

FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording. Note: Original seed (shnid#5003) was TAO. Someone fixed it and uploaded it to TOL in 3/03.

gd1986-03-27.neumann.hogan.5003.sbeok.shnf

View NotesSource: FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording.  Note: Original seed (shnid#5003) was TAO.  Someone fixed it and uploaded it to TOL in 3/03.

Taper: Paul Hogan

FOB(CENTER)>AUD>MC>CDR