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Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1986
3/27/86
tuning
1:25
Jack Straw ->
5:28
Peggy-O
6:34
New Minglewood Blues
9:01
Revolutionary Hamstrung Blues
4:19
Bertha
5:52
Wang Dang Doodle
5:58
Big Railroad Blues
5:43
Supplication Jam ->
4:20
The Promised Land
4:28
China Cat Sunflower ->
6:44
I Know You Rider
5:34
Estimated Prophet ->
10:26
Eyes of the World ->
14:27
Drums ->
5:52
Space ->
11:49
Spanish Jam ->
2:05
Truckin' ->
6:43
Wharf Rat ->
8:38
Sugar Magnolia
8:21
Keep Your Day Job
4:25
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] April 5, 2024
58:25
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 5, 2024
SHNID:
gd1986-03-27.168437.Portland.ME.set1.sbd.cm.miller.flac1648
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] April 5, 2024
58:25
SBD
Rating:
10.00 / 1 rating
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 5, 2024
SHNID:
gd1986-03-27.167593.set1.sbd.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- DDi Codec was used to adjust the Dolby decoding level
Transferrer: Charlie Miller
2:22:19
SBD
Rating:
7.33 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-03-27.121600.sbd.miller.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat -> ? -> Dat -> CD
Lineage:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- This is a remaster of shnid=26347 -- Thanks to Joe B. Jones for his help with the pitch correction
Source 4 of 22
2:17:44
SBD
Rating:
7.50 / 8 ratings
SHNID:
gd86-03-27.sbd.miller.26347.sbeok.shnf
Source:
SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN with aud patches by Charlie Miller
Taper Notes:
View NotesSBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller
Transferrer: Unknown
4:08:26
SBD
SHNID:
gd1986-03-27.sbd.furthernet.95808.shnf
Source:
S:D>C>D>CDR
Lineage:
Set two could have a extra analog generation.
Taper: Doug Lamarre
2:21:48
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-27.167372.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Drums" - Only performance of "Revolutionary Hamstrung Blues" - Pitch corrected Mastered by Scott Clugston December 2023
Taper: Doug Lamarre
2:21:48
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-27.167371.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Drums" - Only performance of "Revolutionary Hamstrung Blues" - Pitch corrected Mastered by Scott Clugston December 2023
Taper: Michael Hessberg
2:21:14
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-27.141048.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. * Only performance of Revolutionary Hamstrung Blues. - One of the best first sets I ever shook my bones to. - Second sets no slouch, try to keep up. - Parting words from the Weir "It takes a heap o homin' to make a pigeon toed. ba-dum-ch. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Patch Info: - source #139324 (Oade/Bryant) - s2t02; 05:07 - 05:15 - s2t05; 08:54 - 09:14
Taper: Michael Hessberg
2:21:14
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-27.139468.FOB.SennME80.Hessberg.Miller.Noel.t-flac24
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. * Only performance of Revolutionary Hamstrung Blues. - One of the best first sets I ever shook my bones to. - Second sets no slouch, try to keep up. - Parting words from the Weir "It takes a heap o homin' to make a pigeon toed. ba-dum-ch.
Taper: Oade, Bryant, Rick Castwirk
2:24:59
Taper:
Oade, Bryant, Rick Castwirk
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-27.139324.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
Source:
Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller
Lineage:
Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notes* only performance of Revolutionary Hamstrung Blues. - Once you hear your first Spanish Jam, you never go back. - With two BP's in the books on this tour Jerry shifts into the tale of August West - Parting words from the Weir "It takes a heap o homin' to make a pigeon toed. ba-dum-ch. - One of the best 1st sets I ever shook my bones to.
Taper: Richard Chamberlain
2:24:03
Taper:
Richard Chamberlain
Transferrer:
Win Chamberlain
SHNID:
gd1986-03-27.177015.RealisticPressureZone.Chamberlain.Chamberlain.flac2448
Source:
Microphones/Realistic Pressure Zone. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. Auto leveling used.
Lineage:
Sony EV-S700u 8bit PCM 31.5 kHz/Sonar X2 24bit 48kHz/Sonar X2 24bit 48kHz
Taper Notes:
View Notes"I recorded each set on the same tape using traks 1-4, so the tape would be rewound to the head after each set was over and the next trak would be selected. So the crease at around the 8 min mark affected the whole tape thus affecting each trak. Also the head of Jack Straw was clipped because the show started before I was ready. Plus I was new to recording and panicked over the levels peaking, that's when I set input levels to auto for the rest of both shows. I used Realistic pressure zone mics directly centered about 40ft behind the sound board. Almost dead center. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. That is why ambient noise is strong. However, when played loud these recordings (in my biased opinion ;) sound pretty good, and unique. They have good base and mid range. So I recorded these in 1986, and my brother Winthrop Chamberlain, made the transfers last week."
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens
2:22:36
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-27.156131.akgc422.davis-holbrook.flac2448
Source:
speed corrected 1.75% Microphones: set 1 Beyer m201 (hypercardioid) XY 90º set 2 AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesComments + Missed start; borrowed 3:24 seconds from: Pinney Beyerm88 1st gen # before they play, Bob says: "We'd like to leave you with this thought- that is, it takes a heap of homing to make a pigeon toed" (h/t Walt Kelly, the comic strip POGO) Only Grateful Dead version of "Revolutionary Hamstrung Blues" Black Peter tease before Wharf Rat
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens
2:22:51
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-27.156130.akgc422.davis-holbrook.flac1644
Source:
speed corrected 1.75% Microphones: set 1 Beyer m201 (hypercardioid) XY 90º set 2 AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesComments + Missed start; borrowed 3:24 seconds from: Pinney Beyerm88 1st gen # before they play, Bob says: "We'd like to leave you with this thought- that is, it takes a heap of homing to make a pigeon toed" (h/t Walt Kelly, the comic strip POGO) Only Grateful Dead version of "Revolutionary Hamstrung Blues" Black Peter tease before Wharf Rat
Taper: chasingwilma
2:19:44
Rating:
6.00 / 2 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-27.127543.chasingwilma.flac24
Source:
source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Tom Pinney
2:19:20
Taper:
Tom Pinney
Transferrer:
Russ Cansler
SHNID:
gd1986-03-27.beyerm88.pinney.russjcan.107068.flac16
Source:
Beyer M-88's XY 90w/D5 40 feet away,5 feet high,center
Lineage:
Mac>NakCR-3A>AudigySE>Audacity>CDwave>TLH
Taper: Bob Morris
2:18:12
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1986-03-27.nak300.morris.crazyfingers.106565.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) .
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Joe D'Amico
2:22:06
Rating:
8.67 / 4 ratings
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-03-27.nak300.damico.87700.flac16
Source:
nak 300 mics w/cp4 shotguns > sony d-5 > mac
Lineage:
mac > nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend
Taper: Tim Alexander
2:22:04
Rating:
8.00 / 3 ratings
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1986-03-27.aud.alexander.tetzeli.79187.flac24
Source:
MAC (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) > MAC
Lineage:
MAC > Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
Taper Notes:
View NotesKnown flaw: tape flip during drums
Taper: Tim Alexander
2:22:02
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1986-03-27.aud.alexander.tetzeli.79067.flac16
Source:
(Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) > MAC
Lineage:
MAC > Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
Taper Notes:
View NotesKnown flaw: tape flip at 9:05 during drums
Taper: Bill Koucky
2:24:24
Taper:
Bill Koucky
Transferrer:
Chris Ladner
SHNID:
gd1986-03-27.nak700.koucky.gmb.35289.flac16
Source:
FOB Nakamichi 700s > Sony D6 > Maxell MX90 metal master audience cassettes
Lineage:
MAC playback on Nakamichi DR-2 > Presonus Firebox (preamp and A/D) > firewire/P4/XP Pro > recorded as 24 bit/96 KHz WAV (Wavelab 5) > rendered to 16 bit/44.1 KHz WAV (Waves L3 Multimaximizer, hi res CD settings) > tracking (CDWAV 1.9) > FLAC, level 8 encoding
Taper Notes:
View NotesOnly performance of "Revolutionary Hamstrung Blues".
Source 21 of 22
2:15:25
Rating:
8.33 / 18 ratings
SHNID:
gd86-03-27.neumann-hogan.fixed.24029.sbeok.shnf
Source:
FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording. Note: Original seed (shnid#5003) was TAO. Someone fixed it and uploaded it to TOL in 3/03.
Taper Notes:
View NotesSource: FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording. Note: Original seed (shnid#5003) was TAO. Someone fixed it and uploaded it to TOL in 3/03.
Taper: Paul Hogan
2:15:55
Rating:
5.00 / 2 ratings
Taper:
Paul Hogan
SHNID:
gd1986-03-27.neumann.hogan.5003.sbeok.shnf
Source:
FOB(CENTER)>AUD>MC>CDR
Lineage:
CDR > EACH > SHN