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June 10th
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1986
3/24/86
Alabama Getaway->
5:22
Greatest Story Ever Told
4:08
Dire Wolf->
3:08
Little Red Rooster
8:15
Brown Eyed Women
5:23
My Brother Esau
5:33
Ramble On Rose
7:05
El Paso
5:38
Box Of Rain
5:25
Mississippi Half Step->
8:39
Women Are Smarter
7:31
High Time
8:23
Lost Sailor->
6:35
Saint Of Circumstance->
6:53
Drums->
13:19
Morning Dew
11:37
Midnight Hour
6:29
FIN
View on archive.org
Sources
Source 1 of 21
1:58:13
SBD
Rating:
6.33 / 7 ratings
SHNID:
gd86-03-24.sbd.miller.22783.sbeok.shnf
Source:
Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHNPatch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHNPatched and Edited By Charlie Miller
Taper Notes:
View NotesSource Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller
Transferrer: SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin
2:04:02
SBD
Transferrer:
SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1986-03-24.148732.mtx.tobin.flac16
Source:
SBD + AUD Matrix 3 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 13-JAN-2020 - Trader Little Helper - Tagged 13-JAM-2020 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: MC>CDR>EAC>CDWAV>CD
1:28:39
SBD
Rating:
9.00 / 2 ratings
Taper:
MC>CDR>EAC>CDWAV>CD
Transferrer:
Robert Goetz
SHNID:
gd1986-03-24.sbd.goetz.21920.sbeok.shnf
Lineage:
SBD>??>MC
Taper Notes:
View NotesThe El Paso fades out at the 4:19 point ("I see the smoke...") The final three songs of this performance are missing on this soundboard source. Soundboard > ?? > MC > CDR performed by Joey Browning CDR > EAC > CDWAV > CDR performed by Jim O?Brien CDR > mkw > shn performed by Robert Goetz
Taper: Recorded by Chris Hecht and Ross Lipton
2:07:33
Rating:
10.00 / 1 rating
Taper:
Recorded by Chris Hecht and Ross Lipton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 20, 2020
SHNID:
gd1986-03-24.151214.km84i.hecht-lipton-fleck-scheuner.miller.flac1644
Source:
(FOB) Neumann KM84i > PCM Master (Sony PCM F1/SL2000) > PCM Clone
Lineage:
PCM Clone (Sony SL-HF860D) > Sony PCM-601ESD > Behringer Ultramatch Pro (16-bit/44.1k) > Tascam SS-CDR200 > Samplitude Pro X5 Suite > FLAC/16
Taper Notes:
View NotesTape supplied by Randy Fleck and Jason Scheuner
Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
1:13:55
Taper:
Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-24.139772.set2.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac1644
Source:
Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller
Lineage:
DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notes- DAT clone of Bryant's master. - Adjust the volume knob accordingly, close the eyes & presto, this recording puts you there. - Lost Sailor's final performance (my first) - My first Morning Dew - Philly, where they boo Santa Clause & the Grateful Dead, was a bit unruly. - This chick has Bobby in her sights, drops trou & 1/2 Stepped her way to the stage. Patch Info: - source #103442 (Schoeps CMC-441) - s2t07; 4:04 - 4:16 - s2t08; 0:35 - 0:47, 1:59 - 2:12 & 2:39 - 2:50
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel
2:02:48
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-24.156079.beyerm201-murtha.holbrook.flac2448
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes*(deadbase lists this as final "Lost Sailor" as the GD)
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel
2:02:48
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-24.156078.beyerm201-murtha.holbrook.flac1644
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes*(deadbase lists this as final "Lost Sailor" as the GD)
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:04:01
Rating:
10.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1986-03-24.148734.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 13-JAN-2020 - Trader Little Helper - Tagged 13-JAM-2020 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: chasingwilma
1:59:05
Rating:
8.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-24.127535.chasingwilma.flac24
Source:
source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: D5scott
2:00:34
Rating:
8.40 / 5 ratings
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1986-03-24.fob.beyerm160.d5scott.107413.flac16
Source:
source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's.
Lineage:
Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files
Taper: Tony Lochner
2:10:05
Rating:
8.40 / 5 ratings
Taper:
Tony Lochner
Transferrer:
Jamie Waddell and Mike Grace
SHNID:
gd1986-03-24.fob.schoeps.lochner.gems.103442.flac16
Lineage:
Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 at 24/44.1 Editing-Mastering:on GEMS Edit Station. Weiss=Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither FLACLevel8
Taper Notes:
View Notes- slight dropouts in first seconds of pcm tape in tuning, left as is - tiny patch in Alabama - Promised Land tease before GSET - *Last version of Lost Sailor - "just like a swiss watch " Saint - only one song after space show in the 80's - crowd Boos! for more music after the Encore..oh the Beast Coast! - de-emphasized in Cambridge EQ in UAD1 via Wavelab 6.0
Taper: Jon Pasternak
2:03:09
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1986-03-24.nak300.pasternak.102654.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),
Lineage:
Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Greg Holtz
1:59:23
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1986-03-24.nak100.holtz.jaz.102168.flac16
Source:
2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5
Lineage:
Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
Taper: Danny Thompson
2:00:01
Taper:
Danny Thompson
Transferrer:
Adam Egert and Derek McCabe
SHNID:
gd1986-03-24.fob.thompson.motb-0073.92276.flac24
Source:
2 x AKG C460 CK61uls > Uher CR240 > MAC (FOB)
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesMastering Notes: Edits done in Bias Peak w/ Nomad Factory AMT Multi MAx
Taper: Danny Thompson
2:00:01
Rating:
8.00 / 2 ratings
Taper:
Danny Thompson
Transferrer:
Adam Egert and Derek McCabe
SHNID:
gd1986-03-24.fob.thompson.motb-0073.92275.flac16
Source:
2 x AKG C460 CK61uls > Uher CR240 > Master Audience Cassette (FOB)
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesMastering Notes: Edits done in Bias Peak w/ Nomad Factory AMT Multi MAx
Taper: Joe D'Amico ''aka'' Joebeacon
2:02:15
Rating:
8.80 / 5 ratings
Taper:
Joe D'Amico ''aka'' Joebeacon
Transferrer:
Joe D'Amico ''aka'' Joebeacon
SHNID:
gd1986-03-24.nak300.damico.87655.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5
Lineage:
nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Brian Mandel
2:01:36
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1986-03-24.nak300.mandel.79610.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Source 18 of 21
1:57:04
Rating:
7.00 / 3 ratings
SHNID:
gd86-03-24.schoeps.nawrocki.17890.sbeok.shnf
Taper Notes:
View NotesSource: Schoeps CMC 4's/MK 4's > Sony D5 > DA-P1 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT The between track crowd noise in the first set was edited out on the source discs. I used crossfades to make this as fluid as possible. Thanks to Mark McCue for the source discs. EAC'd/Seeded by Doug Nawrocki
Source 19 of 21
1:52:38
Rating:
8.18 / 12 ratings
SHNID:
gd86-03-24.naks.braverman.16746.sbeok.shnf
Source:
Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHNThis is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman)
Taper Notes:
View NotesAudience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN This is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman)
Taper: Stephen Porter
3:45:14
Taper:
Stephen Porter
Transferrer:
Peter Braverman
SHNID:
gd1986-03-24.nak300.porter.braverman.7480.shnf
Source:
Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN
Taper Notes:
View Notesmuch of the dead air between songs in the first set is cut tape flip during space Thanks to Stephen B. Porter, wherever he is these days, for the terrific recording. Seeded by Peter Braverman, February 2002.
Taper: Tony Cirella
2:00:53
Taper:
Tony Cirella
Transferrer:
Paul B. and Greg Kerbel
SHNID:
gd1986-03-24.aud.cirella.kerbel.5570.shnf
Source:
AUD>Sony microphones>Nakamichi BX-300 deck>Maxell metal cassette
Lineage:
MAC>Nakamichi DR?10>Monster analog cables>Tascam CD-RW700 CD burner>CD>EAC>SHN
Taper Notes:
View Notesin Space (d2t05), splice at 1:48 - master tape flip