In the Midnight Hour | 1986-03-24 | Grateful Dead

SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin

gd1986-03-24.148732.mtx.tobin.flac16

SBD + AUD Matrix 3 Source Mix (44/16)

gd1986-03-24.sbd.goetz.21920.sbeok.shnf

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 13-JAN-2020 - Trader Little Helper
- Tagged 13-JAM-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: MC>CDR>EAC>CDWAV>CD

SBD>??>MC

Recorded by Chris Hecht and Ross Lipton

View NotesThe El Paso fades out at the 4:19 point ("I see the smoke...") 
The final three songs of this performance are missing on this soundboard source.

Soundboard > ?? > MC > CDR performed by Joey Browning
CDR > EAC > CDWAV > CDR performed by Jim O?Brien
CDR > mkw > shn performed by Robert Goetz

Taper: Recorded by Chris Hecht and Ross Lipton

All Transfers and Mastering by Charlie Miller [email protected] December 20, 2020

gd1986-03-24.151214.km84i.hecht-lipton-fleck-scheuner.miller.flac1644

(FOB) Neumann KM84i > PCM Master (Sony PCM F1/SL2000) > PCM Clone

PCM Clone (Sony SL-HF860D) > Sony PCM-601ESD > Behringer Ultramatch Pro (16-bit/44.1k) > Tascam SS-CDR200 > Samplitude Pro X5 Suite > FLAC/16

Robert Bryant patched out of Oade Brothers - from the Gastwirt collection

View NotesTape supplied by Randy Fleck and Jason Scheuner

Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection

1:13:55

Taper:

Charlie Miller and Joe Noel

gd1986-03-24.139772.set2.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac1644

Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller

DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel

View Notes- DAT clone of Bryant's master.
- Adjust the volume knob accordingly, close the eyes & presto, this recording puts you there.
- Lost Sailor's final performance (my first)
- My first Morning Dew
- Philly, where they boo Santa Clause & the Grateful Dead, was a bit unruly.
- This chick has Bobby in her sights, drops trou & 1/2 Stepped her way to the stage.

Patch Info:
- source #103442 (Schoeps CMC-441)
- s2t07; 4:04 - 4:16
- s2t08; 0:35 - 0:47, 1:59 - 2:12 & 2:39 - 2:50

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel

2:02:48

Taper:

Kyle Holbrook

gd1986-03-24.156079.beyerm201-murtha.holbrook.flac2448

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH]

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel

View Notes*(deadbase lists this as final "Lost Sailor" as the GD)

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel

2:02:48

Taper:

Kyle Holbrook

gd1986-03-24.156078.beyerm201-murtha.holbrook.flac1644

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH]

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

View Notes*(deadbase lists this as final "Lost Sailor" as the GD)

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

gd1986-03-24.148734.5-1.tobin.flac1648

5.1 LPCM Surround Sound Mix (48k)

gd1986-03-24.127535.chasingwilma.flac24

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 13-JAN-2020 - Trader Little Helper
- Tagged 13-JAM-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: chasingwilma

source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: D5scott

gd1986-03-24.fob.beyerm160.d5scott.107413.flac16

source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's.

Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files

Taper: Tony Lochner

Jamie Waddell and Mike Grace

gd1986-03-24.fob.schoeps.lochner.gems.103442.flac16

Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 at 24/44.1 Editing-Mastering:on GEMS Edit Station. Weiss=Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither FLACLevel8

Jon Pasternak and Dave Mallick

View Notes- slight dropouts in first seconds of pcm tape in tuning, left as is
- tiny patch in Alabama
- Promised Land tease before GSET
- *Last version of Lost Sailor
- "just like a swiss watch " Saint
- only one song after space show in the 80's
- crowd Boos! for more music after the Encore..oh the Beast Coast!
- de-emphasized in Cambridge EQ in UAD1 via Wavelab 6.0

Taper: Jon Pasternak

gd1986-03-24.nak300.pasternak.102654.flac16

Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),

Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors

Taper: Greg Holtz

gd1986-03-24.nak100.holtz.jaz.102168.flac16

2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5

Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8

Taper: Danny Thompson

Adam Egert and Derek McCabe

gd1986-03-24.fob.thompson.motb-0073.92276.flac24

2 x AKG C460 CK61uls > Uher CR240 > MAC (FOB)

MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

Adam Egert and Derek McCabe

View NotesMastering Notes:
Edits done in Bias Peak w/ Nomad Factory AMT Multi MAx

Taper: Danny Thompson

gd1986-03-24.fob.thompson.motb-0073.92275.flac16

2 x AKG C460 CK61uls > Uher CR240 > Master Audience Cassette (FOB)

MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

Joe D'Amico ''aka'' Joebeacon

View NotesMastering Notes:
Edits done in Bias Peak w/ Nomad Factory AMT Multi MAx

Taper: Joe D'Amico ''aka'' Joebeacon

Joe D'Amico ''aka'' Joebeacon

gd1986-03-24.nak300.damico.87655.flac16

nak 300 mics w/ cp4 shotguns > sony d-5

nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend

Taper: Brian Mandel

gd1986-03-24.nak300.mandel.79610.shnf

Nakamichi 300 Shotguns CP4's & Sony TCD5M

Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn

Source 18 of 21

gd86-03-24.schoeps.nawrocki.17890.sbeok.shnf

gd86-03-24.naks.braverman.16746.sbeok.shnf

View NotesSource:
Schoeps CMC 4's/MK 4's > Sony D5 > DA-P1 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT
The between track crowd noise in the first set was edited out on the source discs. I used crossfades to make this as fluid as possible.
Thanks to Mark McCue for the source discs. EAC'd/Seeded by Doug Nawrocki

Source 19 of 21

Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHNThis is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman)

gd1986-03-24.nak300.porter.braverman.7480.shnf

View NotesAudience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN
This is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman)

Taper: Stephen Porter

Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN

View Notesmuch of the dead air between songs in the first set is cut
tape flip during space

Thanks to Stephen B. Porter, wherever he is these days, for the terrific recording.
Seeded by Peter Braverman, February 2002.

Taper: Tony Cirella

Paul B. and Greg Kerbel

gd1986-03-24.aud.cirella.kerbel.5570.shnf

AUD>Sony microphones>Nakamichi BX-300 deck>Maxell metal cassette

MAC>Nakamichi DR?10>Monster analog cables>Tascam CD-RW700 CD burner>CD>EAC>SHN