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June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.3k184
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62088
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.1k825
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.3k292
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.1k670
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k375
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k412
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k150
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k278
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h86197
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k240
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k179
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k234
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.3k298
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.4k447
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.2k717
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h87373
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.6k572
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.6k599
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.7k456
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k249
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.9k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k616
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52163
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13519
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31723
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1986
3/23/86
tuning
1:10
Gimme Some Lovin' >
5:01
Deal
8:14
Willie And The Hand Jive
5:00
equipment break
1:05
Candyman
6:43
Cassidy
5:36
West L.A. Fadeaway //
8:13
Mama Tried >
2:41
Big River
4:52
Might As Well
4:41
tuning
0:28
Shakedown Street >
11:54
Samson And Delilah
7:28
He's Gone >
11:21
Spoonful >
6:11
Drums
5:40
Space >
4:02
The Other One >
5:21
Comes A Time >
7:28
Good Lovin'
8:20
Encore.Keep Your Day Job
5:15
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:15:42
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-03-23.142392.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dats -- Thanks to the Oade Brothers for the patch source
Transferrer: Andrew F. and Andrew F
35:33
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Andrew F. and Andrew F
SHNID:
gd1986-03-23.133940.sbd.set2partial.andrewf.flac1644
Source:
Partial Set 2 Source: SBD > ? > Cassette.
Lineage:
Hitachi ME-Metal > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Andrew F. 08/2015
Taper Notes:
View NotesNote: This was found on an unmarked tape that contained a compilation of various 1986 soundboard material. Hopefully the rest will surface...
Taper: Stephen Thomas
2:17:06
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-23.172448.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the Oade brothers Schoeps CMC4 MK41 source which supplies a 0:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2024
Taper: Stephen Thomas
2:17:06
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-23.172447.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the Oade brothers Schoeps CMC4 MK41 source which supplies a 0:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2024
Taper: Michael Hessberg
2:18:47
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-23.156623.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2020
Taper: Michael Hessberg
2:18:47
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-23.156622.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2020
Taper: Ted Mattes
2:18:33
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-23.148873.senn441.mattes.miller.clugston.flac2496
Source:
Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes and Robby Hunt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in the "Drums > Space" transition - Debut Of "Desolation Row" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Oade Brothers
2:22:26
Rating:
9.00 / 2 ratings
Taper:
Oade Brothers
Transferrer:
Scott Clugston and Charlie Miller and Jim Wise
SHNID:
gd1986-03-23.141998.fob.oade.schoeps.cmc4.mk41.wise.miller.clugston.flac1644
Source:
Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to the Oade brothers and crew for their master recording(s), as well as a proper transfer to hard disk - Thanks to Jim Wise for the hard disk - Thanks to Charlie Miller for coordinating this effort - Thanks to Tony Suraci for the shnid79879 Nakamichi 304 source which supplies a 0:01.2 patch at the end of "Mama Tried" - Other One space included in "The Other One" - Another fine Oade capture Mastered by Scott Clugston May 17, 2018
Taper: Jon Pasternak
2:11:57
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1986-03-23.159373.OTS-Nak300.pasterrnak.vernon.flac2448
Source:
OTS Nak CM300/CP-4/Marantz PMD 420/TDK MA 90
Lineage:
All transfers made from Nakamchii DR-3 to SD 722 at 24/48
Taper Notes:
View NotesTracking by Matt Vernon - vol adjustments at beginning of Gimmie Some Lovin - tape flip in space This is a 24 bit 48khx fileset
Taper: Jon Pasternak
2:11:57
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1986-03-23.159372.OTS-Nak300.pasterrnak.vernon.flac1648
Source:
OTS Nak CM300/CP-4/Marantz PMD 420/TDK MA 90
Lineage:
All transfers made from Nakamchii DR-3 to SD 722 at 24/48
Taper Notes:
View NotesTracking by Matt Vernon - vol adjustments at beginning of Gimmie Some Lovin - tape flip in space This is a 16 bit 48khz fileset
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
2:06:44
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-23.156077.beyerm201-murtha.holbrook.flac2448
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master]
Lineage:
Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes##- not on the master tapes; replaced with SHN ID:111956; https://archive.org/details/gd1986-03-23.111956.beyer-senn.daweez.d5scott.flac16 Comments: First known Grateful Dead version of "Willie & The Hand Jive" There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
2:06:44
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-23.156076.beyerm201-murtha.holbrook.flac1644
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master]
Lineage:
Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes##- not on the master tapes; replaced with SHN ID:111956; https://archive.org/details/gd1986-03-23.111956.beyer-senn.daweez.d5scott.flac16 Comments: First known Grateful Dead version of "Willie & The Hand Jive" There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Taper: Ted Mattes
2:18:33
Taper:
Ted Mattes
SHNID:
gd1986-03-23.148872.senn441.mattes.miller.clugston.flac1648
Source:
Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes and Robby Hunt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in the "Drums > Space" transition - Debut Of "Desolation Row" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Unknown
2:18:38
Transferrer:
Mark Lynn, Datbrad;
SHNID:
gd1986-03-23.133873.cmc34-fob.deemph.flac16
Source:
FOB Schoeps CMC3s/MK4s>PCM>DAT;
Taper Notes:
View Notes*de-emphasis version of SHNID 132708* July 26, 2015 - the FLACs sounded way too bright with a high noise floor Applied deemphasis musing xACT 2.34 by chillwig #ripbrent
Taper: Unknown
2:18:38
Transferrer:
mark lynn and datbrad
SHNID:
gd1986-03-23.132708.fob-schoeps.datbrad.flac16
Source:
FOB Schoeps CMC3s/MK4s>PCM>DAT;
Taper: chasingwilma
2:12:47
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-23.127536.chasingwilma.flac24
Source:
source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:16:39
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1986-03-23.111956.beyer-senn.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M (dolby off) - master analog cassettes;
Lineage:
Sony TC-D5M (original record deck-dolby off) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Greg Holtz
2:14:43
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1986-03-23.nak100.holtz.jaz.102167.flac16
Source:
Nakamichi cm 100's w/shotguns -> Sony TC-D5
Lineage:
Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
Taper: Joe D'Amico
2:16:47
Rating:
10.00 / 1 rating
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-03-23.nak300.damico.87649.flac16
Source:
nak 300 mics w/cp4 shotguns > sony d-5
Lineage:
nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Tony Suraci
2:13:41
Rating:
9.00 / 2 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-03-23.nakcm304.suraci.sbeok.79879.flac16
Source:
Nak CM304's>SonyD5
Lineage:
Nak CR5A>Lunatec V3>Sd722
Taper Notes:
View Notes* Recorded from directly behind SBD, very close to center. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Brian Mandel
2:16:21
Rating:
6.00 / 2 ratings
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1986-03-23.nak300.mandel.79565.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Source 22 of 23
2:19:20
Source:
MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's)
Lineage:
MAC > wav > shn
Source 23 of 23
2:19:20
Rating:
8.57 / 7 ratings
Source:
MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn
Taper Notes:
View NotesMAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn