Bands
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Bands
Grateful Dead
Today In History
June 8th
Years
1995
29.8k
PlaybackListensHours
48h54672
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k138
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k298
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k267
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.8k812
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h5.8k722
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.6k328
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.2k134
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k191
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h78487
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k163
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h1k130
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k188
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k191
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.8k233
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8.2k877
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.4k201
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k227
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h21.9k3.1k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.9k391
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h87284
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h6.9k889
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.7k483
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k318
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k167
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.6k461
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k383
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h65190
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12517
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h18913
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h432
7d845
30d56133
2 shows
2 tapes
1981
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
2:40:15
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
SHNID:
gd1981-05-02.174714.sbd.healy.bradt.miller.phase.repair.flac1648
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > iZotope RX11 Advanced > FLAC/24
Taper Notes:
View NotesConverted and downsampled from 24bit/96kHz to 16bit/48kHz in Foobar2000 w/dBPoweramp/SSRC plugin by Tyler/MrCompletely Notes: -- I isolated the vocals and repaired the phase issue -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
SHNID:
gd1981-05-02.174687.sbd.healy.bradt.miller.phase.repair.flac2496
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > iZotope RX11 Advanced > FLAC/24
Taper Notes:
View NotesNotes: -- I isolated the vocals and repaired the phase issue -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2025
SHNID:
gd1981-05-02.174671.sbd.healy.bradt.miller.flac1648
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes-- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- The instruments are in-phase but the vocals are not -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2025
SHNID:
gd1981-05-02.174642.sbd.healy.bradt.miller.flac2496
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- The instruments are in-phase but the vocals are not -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Matrix by Dave Usborne
2:40:33
SBD
Rating:
8.40 / 5 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1981-05-02.135559.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne; Soundboard (shnid:30152) Recording Info: SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat; Transfer Info: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC,Transferred By Joe Samaritano,Patched and Edited By Charlie Miller; Audience (shnid:134759)Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder, Location: Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96],Recording,Editing & Processing by Jim Wise,Transfer by David Minches
Taper Notes:
View NotesMatrix by dusborne 04-27-2016 ------------------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-27-2016
Transferrer: Joe Samaritano & Charlie Miller
2:36:13
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Joe Samaritano & Charlie Miller
SHNID:
gd81-05-02.sbd.miller.30152.sbeok.flacf
Source:
Soundboard
Lineage:
SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat
Taper Notes:
View Notes<b>flac16</b>; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller
Source 7 of 13
2:38:44
SBD
Rating:
8.57 / 7 ratings
SHNID:
gd81-05-02.sbd.samaritano-miller.22310.sbeok.shnf
Source:
Soundboard
Lineage:
Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN. Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN
Taper Notes:
View NotesMain Lineage: Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN.<br /> Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN. Patch and patchwork provided by Charlie Miller. Soundboard seed and transfer by Joe Samaritano
Taper: Jim Wise
2:39:27
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-02.142848.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Mow and Alex Ford for the shnid28304 Nakamichi 300 source which supplies a 1:17 patch in the transition between "Terrapin Station" and "Drums" - Another fine capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
2:39:27
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-02.142847.senn421.wise.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to the Doug Mow and Alex Ford for the shnid28304 Nakamichi 300 source which supplies a 1:17 patch in "Drums" - Another nice capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
2:37:01
Rating:
7.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-05-02.134759.aud.wise.minches.flac24
Source:
Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing by Jim Wise
Taper: Doug Mow
2:40:50
Rating:
8.55 / 11 ratings
Taper:
Doug Mow
Transferrer:
Alex Ford
SHNID:
gd81-05-02.dmow.28304.sbeok.flacf
Source:
Audience Recording: 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies);
Lineage:
Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16
Taper Notes:
View Notes<b>flac16</b>; 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Taped, transferred: Doug Mow; CD> FLAC by Alex Ford
Taper: Jim Wise
2:37:31
Rating:
8.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd1981-05-02.wise.fink.15981.sbeok.shnf
Source:
FOB Senn 421 > Sony TC-D5M > MAC > DAT > CD
Lineage:
CD > EAC > SHN
Taper Notes:
View NotesExtraction, Retracking and SHN encoding by Alan J Fink ([email protected]) Thanks to Charlie Miller for the seeds
Taper: Jim Wise
2:32:32
Rating:
8.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Willy
SHNID:
gd1981-05-02.senn421.willy.7463.shnf
Source:
(FOB) Senn 421> Cm> Dat> CD
Lineage:
CD > EAC > SHN
Taper Notes:
View NotesNasty cut in the middle of d1t02 (Sugaree, 5:48)