Bands
Featured
Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1981
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
2:40:15
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
SHNID:
gd1981-05-02.174714.sbd.healy.bradt.miller.phase.repair.flac1648
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > iZotope RX11 Advanced > FLAC/24
Taper Notes:
View NotesConverted and downsampled from 24bit/96kHz to 16bit/48kHz in Foobar2000 w/dBPoweramp/SSRC plugin by Tyler/MrCompletely Notes: -- I isolated the vocals and repaired the phase issue -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
SHNID:
gd1981-05-02.174687.sbd.healy.bradt.miller.phase.repair.flac2496
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > iZotope RX11 Advanced > FLAC/24
Taper Notes:
View NotesNotes: -- I isolated the vocals and repaired the phase issue -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2025
SHNID:
gd1981-05-02.174671.sbd.healy.bradt.miller.flac1648
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes-- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- The instruments are in-phase but the vocals are not -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2025
SHNID:
gd1981-05-02.174642.sbd.healy.bradt.miller.flac2496
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- The instruments are in-phase but the vocals are not -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Matrix by Dave Usborne
2:40:33
SBD
Rating:
8.40 / 5 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1981-05-02.135559.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne; Soundboard (shnid:30152) Recording Info: SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat; Transfer Info: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC,Transferred By Joe Samaritano,Patched and Edited By Charlie Miller; Audience (shnid:134759)Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder, Location: Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96],Recording,Editing & Processing by Jim Wise,Transfer by David Minches
Taper Notes:
View NotesMatrix by dusborne 04-27-2016 ------------------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-27-2016
Transferrer: Joe Samaritano & Charlie Miller
2:36:13
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Joe Samaritano & Charlie Miller
SHNID:
gd81-05-02.sbd.miller.30152.sbeok.flacf
Source:
Soundboard
Lineage:
SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat
Taper Notes:
View Notes<b>flac16</b>; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller
Source 7 of 13
2:38:44
SBD
Rating:
8.57 / 7 ratings
SHNID:
gd81-05-02.sbd.samaritano-miller.22310.sbeok.shnf
Source:
Soundboard
Lineage:
Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN. Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN
Taper Notes:
View NotesMain Lineage: Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN.<br /> Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN. Patch and patchwork provided by Charlie Miller. Soundboard seed and transfer by Joe Samaritano
Taper: Jim Wise
2:39:27
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-02.142848.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Mow and Alex Ford for the shnid28304 Nakamichi 300 source which supplies a 1:17 patch in the transition between "Terrapin Station" and "Drums" - Another fine capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
2:39:27
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-02.142847.senn421.wise.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to the Doug Mow and Alex Ford for the shnid28304 Nakamichi 300 source which supplies a 1:17 patch in "Drums" - Another nice capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
2:37:01
Rating:
7.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-05-02.134759.aud.wise.minches.flac24
Source:
Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing by Jim Wise
Taper: Doug Mow
2:40:50
Rating:
8.55 / 11 ratings
Taper:
Doug Mow
Transferrer:
Alex Ford
SHNID:
gd81-05-02.dmow.28304.sbeok.flacf
Source:
Audience Recording: 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies);
Lineage:
Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16
Taper Notes:
View Notes<b>flac16</b>; 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Taped, transferred: Doug Mow; CD> FLAC by Alex Ford
Taper: Jim Wise
2:37:31
Rating:
8.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd1981-05-02.wise.fink.15981.sbeok.shnf
Source:
FOB Senn 421 > Sony TC-D5M > MAC > DAT > CD
Lineage:
CD > EAC > SHN
Taper Notes:
View NotesExtraction, Retracking and SHN encoding by Alan J Fink ([email protected]) Thanks to Charlie Miller for the seeds
Taper: Jim Wise
2:32:32
Rating:
8.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Willy
SHNID:
gd1981-05-02.senn421.willy.7463.shnf
Source:
(FOB) Senn 421> Cm> Dat> CD
Lineage:
CD > EAC > SHN
Taper Notes:
View NotesNasty cut in the middle of d1t02 (Sugaree, 5:48)