Bands
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Bands
Grateful Dead
Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1981
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
2:40:15
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
SHNID:
gd1981-05-02.174714.sbd.healy.bradt.miller.phase.repair.flac1648
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > iZotope RX11 Advanced > FLAC/24
Taper Notes:
View NotesConverted and downsampled from 24bit/96kHz to 16bit/48kHz in Foobar2000 w/dBPoweramp/SSRC plugin by Tyler/MrCompletely Notes: -- I isolated the vocals and repaired the phase issue -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
SHNID:
gd1981-05-02.174687.sbd.healy.bradt.miller.phase.repair.flac2496
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > iZotope RX11 Advanced > FLAC/24
Taper Notes:
View NotesNotes: -- I isolated the vocals and repaired the phase issue -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2025
SHNID:
gd1981-05-02.174671.sbd.healy.bradt.miller.flac1648
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes-- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- The instruments are in-phase but the vocals are not -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2025
SHNID:
gd1981-05-02.174642.sbd.healy.bradt.miller.flac2496
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- The instruments are in-phase but the vocals are not -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Matrix by Dave Usborne
2:40:33
SBD
Rating:
8.40 / 5 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1981-05-02.135559.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne; Soundboard (shnid:30152) Recording Info: SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat; Transfer Info: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC,Transferred By Joe Samaritano,Patched and Edited By Charlie Miller; Audience (shnid:134759)Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder, Location: Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96],Recording,Editing & Processing by Jim Wise,Transfer by David Minches
Taper Notes:
View NotesMatrix by dusborne 04-27-2016 ------------------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-27-2016
Transferrer: Joe Samaritano & Charlie Miller
2:36:13
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Joe Samaritano & Charlie Miller
SHNID:
gd81-05-02.sbd.miller.30152.sbeok.flacf
Source:
Soundboard
Lineage:
SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat
Taper Notes:
View Notes<b>flac16</b>; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller
Source 7 of 13
2:38:44
SBD
Rating:
8.57 / 7 ratings
SHNID:
gd81-05-02.sbd.samaritano-miller.22310.sbeok.shnf
Source:
Soundboard
Lineage:
Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN. Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN
Taper Notes:
View NotesMain Lineage: Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN.<br /> Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN. Patch and patchwork provided by Charlie Miller. Soundboard seed and transfer by Joe Samaritano
Taper: Jim Wise
2:39:27
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-02.142848.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Mow and Alex Ford for the shnid28304 Nakamichi 300 source which supplies a 1:17 patch in the transition between "Terrapin Station" and "Drums" - Another fine capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
2:39:27
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-02.142847.senn421.wise.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to the Doug Mow and Alex Ford for the shnid28304 Nakamichi 300 source which supplies a 1:17 patch in "Drums" - Another nice capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
2:37:01
Rating:
7.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-05-02.134759.aud.wise.minches.flac24
Source:
Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing by Jim Wise
Taper: Doug Mow
2:40:50
Rating:
8.55 / 11 ratings
Taper:
Doug Mow
Transferrer:
Alex Ford
SHNID:
gd81-05-02.dmow.28304.sbeok.flacf
Source:
Audience Recording: 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies);
Lineage:
Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16
Taper Notes:
View Notes<b>flac16</b>; 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Taped, transferred: Doug Mow; CD> FLAC by Alex Ford
Taper: Jim Wise
2:37:31
Rating:
8.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd1981-05-02.wise.fink.15981.sbeok.shnf
Source:
FOB Senn 421 > Sony TC-D5M > MAC > DAT > CD
Lineage:
CD > EAC > SHN
Taper Notes:
View NotesExtraction, Retracking and SHN encoding by Alan J Fink ([email protected]) Thanks to Charlie Miller for the seeds
Taper: Jim Wise
2:32:32
Rating:
8.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Willy
SHNID:
gd1981-05-02.senn421.willy.7463.shnf
Source:
(FOB) Senn 421> Cm> Dat> CD
Lineage:
CD > EAC > SHN
Taper Notes:
View NotesNasty cut in the middle of d1t02 (Sugaree, 5:48)