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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1980
12/13/80
Tuning
5:14
Feel Like A Stranger >
6:57
Sugaree >
11:15
C.C. Rider
8:37
To Lay Me Down >
9:43
New Minglewod Blues
7:29
Ramble On Rose
7:42
Lost Sailor >
6:12
Saint Of Circumstance >
6:42
Deal
7:00
Tuning
1:03
Scarlet Begonias >
11:21
Fire On The Mountain
12:45
Playing In The Band >
11:45
Drums >
15:01
Space >
3:55
Not Fade Away >
6:51
Black Peter >
9:24
Sugar Magnolia
8:51
One More Saturday Night
4:42
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:36:12
SBD
Rating:
9.25 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1980-12-13.sbd.miller.91939.sbeok.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k) D
Lineage:
Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 ->
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master (shnid=88964) supplies: Minglewood Blues (5:42 - 6:44) Scarlet Begonias (0:00 - 4:46) Fire On The Mountain (9:16 - end of track) Black Peter (8:33 - 8:49) Notes: -- Encore moved to end of 1st Set to fit show onto 2 discs -- Encore can be re-joined with Set 2 seamlessly -- Drums/Space with Airto Moriera, Flora Purim and Greg Errico -- Patch source recorded By Joani Walker near the sbd area -- Thanks to Rob Eaton for lending me his Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Dave Usborne
2:38:55
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1980-12-13.136725.mtx.dusborne.flac16
Source:
3 source matrix by Dusborne;Soundboard (Shnid:91939) Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 ->Cool Edit Pro v2.0 -> FLAC; Audience 1 (Shnid:88964) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v9.12 -> FLAC/16; and Audience 2 (Shnid:124551) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes))
Lineage:
Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) >NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor
Taper Notes:
View NotesMatrix by dusborne 05-31-2016 ------------------------------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered.
Taper: Scott Wiseman
2:35:41
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston
SHNID:
gd1980-12-13.157570.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the Nakamichi 700 source which supplies some crowd and first few notes of "To Lay Me Down" (0:12 total), some crowd and beginning of "Scarlet Begonias" (1:02 total), as well as a 0:24 patch in "Drums" - Pitch corrected - "Drums" with Airto Moriera and Flora Purim Mastered by Scott Clugston October 2021
Taper: Scott Wiseman
2:35:41
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston
SHNID:
gd1980-12-13.157569.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the Nakamichi 700 source which supplies some crowd and first few notes of "To Lay Me Down" (0:12 total), some crowd and beginning of "Scarlet Begonias" (1:02 total), as well as a 0:24 patch in "Drums" - Pitch corrected - "Drums" with Airto Moriera and Flora Purim Mastered by Scott Clugston October 2021
Taper: Mason B. Taylor
2:41:59
Taper:
Mason B. Taylor
SHNID:
gd1980-12-13.128617.naks.mason.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View NotesDrums/Space with Airto Moriera, Flora Purim and Greg Errico "Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Ron Goldshine ;John Musgrave ;Mark the B-Man ;Mike Martin
2:31:59
Rating:
9.20 / 5 ratings
Taper:
Ron Goldshine ;John Musgrave ;Mark the B-Man ;Mike Martin
Transferrer:
Mike Martin
SHNID:
gd1980-12-13.124551.aud.goldshine.sennheiser-mkh406.flyingm.flac16
Source:
Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes)
Lineage:
Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave
Taper Notes:
View NotesClean Up notes: The pauses between songs are found on my cassette (I should have known better) Some editing was done to smooth these transitions out better Tape flips were spliced as needed, the amplitude was increased and DC offsett correction was applied The second set recording started late and the beginning of Scarlet Begonias is missing It was an unfortunate coincidence that with these edits the second set fits on 1 cd For historical reference only and not intended for resale or any commercial use. Enjoy -M- Flying M Productions - (May 2013) - This source is new to circulation (never shared previously from this recorder) Fan Recordings for Collectors Trade Freely But Please Do Not Sell