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June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.3k184
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62088
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.1k825
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.3k292
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.1k670
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k375
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k412
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k150
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k278
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h86197
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k240
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k179
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k234
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.3k298
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.4k447
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.2k717
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h87373
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.6k572
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.6k599
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.7k456
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k249
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.9k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k616
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52163
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13519
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31723
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1980
12/13/80
Scarlet Begonias
11:28
Fire on the Mountain
11:09
Playin' in the Band
11:29
Drums
13:45
Space
3:56
Jam
2:00
Not Fade Away
4:56
Black Peter
9:11
Sugar Magnolia
8:42
One More Saturday Night
4:40
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:36:12
SBD
Rating:
9.25 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1980-12-13.sbd.miller.91939.sbeok.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k) D
Lineage:
Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 ->
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master (shnid=88964) supplies: Minglewood Blues (5:42 - 6:44) Scarlet Begonias (0:00 - 4:46) Fire On The Mountain (9:16 - end of track) Black Peter (8:33 - 8:49) Notes: -- Encore moved to end of 1st Set to fit show onto 2 discs -- Encore can be re-joined with Set 2 seamlessly -- Drums/Space with Airto Moriera, Flora Purim and Greg Errico -- Patch source recorded By Joani Walker near the sbd area -- Thanks to Rob Eaton for lending me his Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Dave Usborne
2:38:55
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1980-12-13.136725.mtx.dusborne.flac16
Source:
3 source matrix by Dusborne;Soundboard (Shnid:91939) Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 ->Cool Edit Pro v2.0 -> FLAC; Audience 1 (Shnid:88964) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v9.12 -> FLAC/16; and Audience 2 (Shnid:124551) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes))
Lineage:
Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) >NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor
Taper Notes:
View NotesMatrix by dusborne 05-31-2016 ------------------------------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered.
Transferrer: Remastering Info: SHN > FLAC > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/16 (2 Discs Audio / 1 DVD FLAC) All Transfers and Mastering by Charlie Miller [email protected] May 25, 2025
2:38:07
Transferrer:
Remastering Info: SHN > FLAC > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/16 (2 Discs Audio / 1 DVD FLAC) All Transfers and Mastering by Charlie Miller [email protected] May 25, 2025
SHNID:
gd1980-12-13.171527.nak700.miller.flac1644
Source:
(FOB) Nakamichi CM700 > Cassette Master (Dolby B) > Reel > DAT
Lineage:
DAT (Sony PCM-R500) > Behringer UltraMatch SRC2000 > Dio 2448 > Samplitude v6.0 > Cool Edit Pro v1.2 > SHN
Taper Notes:
View NotesNotes: -- This is a remaster of shnid=13412 -- Drums/Space with Airto Moriera, Flora Purim and Greg Errico
Taper: Recorded by Ron Ellner with Bob Menke's gear
2:42:29
Taper:
Recorded by Ron Ellner with Bob Menke's gear
Transferrer:
Mastering Info: FLAC/24 > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16 (3 Discs Audio / 1 DVD FLAC) Patch Info: (FOB) Nakamichi CM700 > Cassette Master (Dolby B) > Reel > DAT supplies: Drums (13:42-13:48) Transferred by Bob Menke Mastered by Charlie Miller [email protected] May 25, 2025
SHNID:
gd1980-12-13.171526.nak700.ellner.menke.miller.flac1648
Source:
(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (FLAC 24-bit/96k)
Taper Notes:
View NotesNotes: -- Drums/Space with Airto Moriera, Flora Purim and Greg Errico
Taper: Recorded By Joani Walker near the sbd area
2:38:04
Taper:
Recorded By Joani Walker near the sbd area
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] May 25, 2025
SHNID:
gd1980-12-13.171525.nak300.walker.scotton.miller.flac1644
Source:
Nakamichi CM300/CP1 > Cassette Master (Sony TC-D5M/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) > Sound Devices 744T (24-bit/96k) > Samplitude Professional v9.12 > FLAC/16
Taper Notes:
View Notes Notes: -- This is a remaster of shnid=88964 -- Drums/Space with Airto Moriera, Flora Purim and Greg Errico -- Recorded By Joani Walker near the sbd area -- Thanks to Joani Walker and Paul Scotton for the tapes
Taper: Joani Walker
2:37:16
Rating:
9.80 / 11 ratings
Taper:
Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1980-12-13.nak300.walker-scotton.miller.88964.sbeok.flac16
Source:
Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
Taper Notes:
View NotesNotes: -- Encore moved to end of 1st Set to fit show onto 2 discs -- Encore can be re-joined with Set 2 seamlessly -- Drums/Space with Airto Moriera, Flora Purim and Greg Errico -- Recorded By Joani Walker near the sbd area -- Thanks to Joani Walker and Paul Scotton for the tapes Patch Info: (FOB) Nakamichi 700 -> Cassette Master -> Reel -> Dat (shnid=13412) supplies: Drums (10:45 - 10:52)
Taper: Scott Wiseman
2:35:41
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston
SHNID:
gd1980-12-13.157570.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the Nakamichi 700 source which supplies some crowd and first few notes of "To Lay Me Down" (0:12 total), some crowd and beginning of "Scarlet Begonias" (1:02 total), as well as a 0:24 patch in "Drums" - Pitch corrected - "Drums" with Airto Moriera and Flora Purim Mastered by Scott Clugston October 2021
Taper: Scott Wiseman
2:35:41
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston
SHNID:
gd1980-12-13.157569.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the Nakamichi 700 source which supplies some crowd and first few notes of "To Lay Me Down" (0:12 total), some crowd and beginning of "Scarlet Begonias" (1:02 total), as well as a 0:24 patch in "Drums" - Pitch corrected - "Drums" with Airto Moriera and Flora Purim Mastered by Scott Clugston October 2021
Taper: Mike Milliard
2:22:16
Taper:
Mike Milliard
Transferrer:
JEMS
SHNID:
gd1980-12-13.155955.akg451E.milliard.JEMS.vol127.flac16
Source:
AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder
Lineage:
Mike Millard First Generation Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 16/44.1 > Audacity > TLH > FLAC
Taper Notes:
View NotesSee info file for more details on the Mike Milliard tapes
Taper: Mason B. Taylor
2:41:59
Taper:
Mason B. Taylor
SHNID:
gd1980-12-13.128617.naks.mason.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View NotesDrums/Space with Airto Moriera, Flora Purim and Greg Errico "Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Ron Goldshine ;John Musgrave ;Mark the B-Man ;Mike Martin
2:31:59
Rating:
9.20 / 5 ratings
Taper:
Ron Goldshine ;John Musgrave ;Mark the B-Man ;Mike Martin
Transferrer:
Mike Martin
SHNID:
gd1980-12-13.124551.aud.goldshine.sennheiser-mkh406.flyingm.flac16
Source:
Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes)
Lineage:
Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave
Taper Notes:
View NotesClean Up notes: The pauses between songs are found on my cassette (I should have known better) Some editing was done to smooth these transitions out better Tape flips were spliced as needed, the amplitude was increased and DC offsett correction was applied The second set recording started late and the beginning of Scarlet Begonias is missing It was an unfortunate coincidence that with these edits the second set fits on 1 cd For historical reference only and not intended for resale or any commercial use. Enjoy -M- Flying M Productions - (May 2013) - This source is new to circulation (never shared previously from this recorder) Fan Recordings for Collectors Trade Freely But Please Do Not Sell
Source 12 of 13
2:36:25
Rating:
9.33 / 21 ratings
SHNID:
gd80-12-13.nak700.miller.13412.sbeok.shnf
Source:
Audience Recording: Nak 700
Lineage:
(FOB) Nak 700 -> Cm -> Reel -> Dat > shn
Taper Notes:
View NotesComplete; (FOB) Nak 700 -> Cm -> Reel -> Dat shn encoding Charlie Miller
Source 13 of 13
1:21:16
Rating:
8.00 / 1 rating
SHNID:
gd80-12-13.set2-sonyecm280.clugston-revell.1633.sbeok.shnf
Source:
Audience Recording: Sony ECM-280 mics
Lineage:
Sony ECM-280 mics > Sony D5> DAT > CDR
Taper Notes:
View Notesset 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell