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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1k146
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h66595
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.6k881
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k355
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.1k806
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k397
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k425
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k162
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k304
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h922103
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k248
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k182
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k186
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.9k240
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k322
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.8k674
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k199
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3k402
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.1k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5k689
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h81267
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k597
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k659
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k475
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k265
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.5k603
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h50961
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10216
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31622
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1980
12/12/80
Tuning
1:21
Alabama Getaway ->
4:14
Greatest Story Ever Told
5:41
Friend of the Devil
11:16
Mama Tried ->
2:29
Mexicali Blues
5:53
Althea ->
8:28
Little Red Rooster
9:27
Peggy-O
6:56
Looks Like Rain ->
7:58
Tennessee Jed ->
8:09
The Promised Land
4:14
Tuning
1:07
China Cat Sunflower ->
7:03
I Know You Rider ->
5:12
Estimated Prophet ->
10:51
He's Gone ->
11:38
Eyes of the World ->
9:57
Drums ->
10:44
Space ->
9:55
Truckin' ->
8:30
Wharf Rat ->
9:39
Around & Around ->
4:06
Good Lovin'
8:30
Don't Ease Me In
3:23
FIN
View on archive.org
Sources
Transferrer: Neil Sturtevant and Charlie Miller
2:53:34
SBD
Rating:
8.00 / 10 ratings
Transferrer:
Neil Sturtevant and Charlie Miller
SHNID:
gd80-12-12.sbd.miller.31509.sbeok.flacf
Source:
Soundboard
Lineage:
SBD > Cassette Master > ? > Cassette > Nak CR7A > Sony R500 DAT (SBM "on") > Sony TCD-D8 > Sharp MV10 > Samplitude Professional v8.01 > FLAC16
Taper Notes:
View NotesPatches at end of Rooster, start of Peggy-O, start of China Cat and part of Truckin' supplied by Cassette AUD's pulled from archive.org. The Tuning before Don't Ease Me In supplied by David Minches (AUD>Cm>VHS HiFi>Dat>CD). -- Seamless transition between Discs 2 and 3. -- Thanks to Mike Shoun for supplying the SBD Cassettes.
Transferrer: Matrix by Dave Usborne
2:56:41
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1980-12-12.136722.mtx.dusborne.flac16
Source:
3 source matrix by Dusborne; Soundboard(Shnid:31509) Recording Info: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On); Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Audience 1(Shnid:89134) Analog
Lineage:
2 x Nakamichi CM-700 => Sony TC-D5M >> MAC,Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] =>Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Ron Ellner; Audience 2(Shnid:124542) Recorded by: Ron Goldshine and John Musgrave 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters:Sony D5M (w/ Dolby, Bias @ 70us) > AkaiiGX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor
Taper Notes:
View NotesMatrix by dusborne 05-26-2016 ------------------------------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 05-26-2016
Source 3 of 10
2:52:43
SBDREMASTER
SHNID:
gd1980-12-12.175120.sbd.miller.remaster.31509.flac1644
Taper: Ron Ellner
2:53:24
Taper:
Ron Ellner
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1980-12-12.175907.nak700.ellner.menke.miller.clugston.flac2496
Source:
Ron Ellner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Nakamichi 550 (TDK MA C-90) through the tape flip in "Good Lovin'" Ron Ellner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Nakamichi 550 > Bob Menke's 1st generation reels @ 3 3/4 ips supplies the balance of "Good Lovin', as well as the "Don't Ease Me In" encore
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (32-bit/96k) > Adobe Audition CC 2025 (24-bit/96k .wav)(DDi codec) > TLH flac2496 1st generation reel (Technincs RS-1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6 MHz) > KORG AudioGate (32-bit/96k) > Adobe Audition 2025 > (24-bit/96k .wav)(DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ron Ellner for the master cassette recording (using Bob's Nakamichi 700 mics and Ron's Nakamichi 550 deck) - Thanks to Bob Menke for the master cassettes and 1st generation reel recordings and transfers - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Goldshine, John Musgrave and friends for the Sennheiser MKH406 source which supplies a 0:12 patch in "Drums", as well as a 0:38 patch in "Good Lovin'" - MOTB 0059 cuts during "Good Lovin'", is missing the "Don't Ease Me In" encore, as well as leaving the tape flip in "Drums" unpatched. Thanks to Bob Menke's back up reels and Ron Goldshine and John Musgrave's Sennheiser MKH406 source we now have the complete show - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston July 2025
Taper: Ron Ellner
2:53:24
Taper:
Ron Ellner
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1980-12-12.175906.nak700.ellner.menke.miller.clugston.flac1648
Source:
Ron Ellner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Nakamichi 550 (TDK MA C-90) through the tape flip in "Good Lovin'" Ron Ellner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Nakamichi 550 > Bob Menke's 1st generation reels @ 3 3/4 ips supplies the balance of "Good Lovin', as well as the "Don't Ease Me In" encore
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (32-bit/96k) > Adobe Audition CC 2025 (24-bit/96k .wav)(DDi codec) > TLH flac2496 1st generation reel (Technincs RS-1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6 MHz) > KORG AudioGate (32-bit/96k) > Adobe Audition 2025 > (24-bit/96k .wav)(DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ron Ellner for the master cassette recording (using Bob's Nakamichi 700 mics and Ron's Nakamichi 550 deck) - Thanks to Bob Menke for the master cassettes and 1st generation reel recordings and transfers - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Goldshine, John Musgrave and friends for the Sennheiser MKH406 source which supplies a 0:12 patch in "Drums", as well as a 0:38 patch in "Good Lovin'" - MOTB 0059 cuts during "Good Lovin'", is missing the "Don't Ease Me In" encore, as well as leaving the tape flip in "Drums" unpatched. Thanks to Bob Menke's back up reels and Ron Goldshine and John Musgrave's Sennheiser MKH406 source we now have the complete show - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston July 2025
Taper: Ron Goldshine and John Musgrave with help from Mark the B-Man and Mike Martin (guarding the mic stands)
2:50:07
Rating:
9.65 / 18 ratings
Taper:
Ron Goldshine and John Musgrave with help from Mark the B-Man and Mike Martin (guarding the mic stands)
Transferrer:
Mike Martin
SHNID:
gd1980-12-12.124542.aud.goldshine.sennheiser-mkh406-flyingm.flac16
Source:
Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes);
Lineage:
Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave
Taper Notes:
View NotesMemories: The San Bernardino Swing Auditorium was about 1-½ hours east of Los Angeles. It was a somber drive as John Lennon had been murdered only 4 days earlier and everyone was still in shock. The San Bernardino Swing Auditorium was a real sweatbox and some of my favorite concerts were seen here. A narrow rectangle, with the stage in the middle of one of the longer sides. We were sitting dead center and about 5 rows into the risers (distance might have been around 75-100 feet from the stage?) Tonight we were using 2 ten foot microphone stands. For the first time I wouldn’t have to hold my hand above my head for the 3+ hour show. Our equipment included the new Sony D-5M portable cassette recorder along with two new Sennheiser MKH-406-TUD microphones. We were ready! The band took off roaring. Jerry’s voice was in great shape, his guitar leading the way for Bobby and Brent. Phil’s bass was weaving in and out, while the two drummers in the back were holding it all together. The first set was almost a continuous medley, peaking in a truly spectacular “Tennessee Jed”, and ending up in a rocking out version of Chuck Berry’s “the Promised Land”. We could almost see the energy pouring out at us, and we all wondered what the second set would bring. After the required hour break the Band came back out and opened up with the beautiful pairing of “China Cat Sunflower” and “I Know You Rider”, which then slipped right into “Estimated Prophet”, “He’s Gone”, and then “Eyes Of The World”. The audience was in awe and one couldn't help but associate some of these lyrics with John Lennon. It has been reported that Jerry had tears running down his cheeks during "He's Gone" (I think I did too) At this point the Rhythm Devils took over, the rest of the band exiting the stage for the next 15 minutes, then slowly returning to perform the magic “Space Jam”. “Trucking” was the center piece moving into “Warf Rat” and another Chuck Berry original “Around And Around” then finishing off with "Good Loving". The encore was the newly reborn “Don’t Ease Me In”. For historical reference only and not intended for resale or any commercial use. Enjoy -M- Flying M Productions - (May 2013) - This source is new to circulation (never shared previously from this recorder)
Taper: Barry Glassberg
2:46:23
Rating:
9.67 / 6 ratings
Taper:
Barry Glassberg
Transferrer:
A. Egert and SIRMick
SHNID:
gd1980-12-12.fob.ellner.motb.89347.flac24
Source:
2 x Nakamichi CM-700 => Nakamichi 550 >> MAC
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3[Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]]
Taper Notes:
View NotesMastering Notes -- Software used - Adobe Audition, Sound Forge, Wavelave and iZotope Ozone. -- Right channel gain reduced by 1-1.5 decibels. -- A number of small dropouts have been repaired and clicks removed. -- The tape was paused between several tracks, crossfades have been put in. -- s2t07 - Tape flip in "Drums" was crossfaded; no patch was used. -- s2t12 - No patch was applied for the cut at the end of "Good Lovin'". Notes -- s2t02 - At about 5:48 of "China Cat Sunflower" there is a tease of Donovan's "There Is A Mountain". -- s2t12 - End of "Good Lovin'" is missing starting at 4:35. -- All of the encore "Don't Ease Me In" is missing. -- This was the first show the Dead played after John Lennon was murdered four days prior. According to accounts Jerry was in tears during "He's Gone" (s2t05). -- This recording was captured on Ron's Nakamichi 550, while the Nakamichi CM-700 pair was on loan from Bob Menke. -- These masters were in safe keeping with Barry Glassberg. --- MOTB dedicates this release to the memory of John Lennon for his immeasurable gift to music ---
Taper: Ron Ellner
2:46:22
Rating:
9.50 / 4 ratings
Taper:
Ron Ellner
Transferrer:
A. Egert and SIRMick
SHNID:
gd1980-12-12.fob.glassberg.motb.89134.sbeok.flac16
Source:
2 x Nakamichi CM-700 => Nak550 >> MAC
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesMastering Notes -- Software used - Adobe Audition, Sound Forge, Wavelave, iZotope Ozone and Voxengo r8brain. -- Downsampled from 24/96 to 16/44.1 using r8brain. -- Right channel gain reduced by 1-1.5 decibels. -- A number of small dropouts have been repaired and clicks removed. -- The tape was paused between several tracks, crossfades have been put in. -- d2t07 - Tape flip in "Drums" was crossfaded; no patch was used. -- Seamless change between Discs 2 and 3. -- d3t05 - No patch was applied for the cut at the end of "Good Lovin'". Notes -- d2t02 - At about 5:48 of "China Cat Sunflower" there is a tease of Donovan's "There Is A Mountain". -- d3t05 - End of "Good Lovin'" is missing starting at 4:35. -- All of the encore "Don't Ease Me In" is missing. -- This was the first show the Dead played after John Lennon was murdered four days prior. According to accounts Jerry was in tears during "He's Gone" (d2t05). -- All equipment used for this recording was on loan from Bob Menke. -- These masters were in safe keeping with Barry Glassberg. --- MOTB dedicates this release to the memory of John Lennon for his immeasurable gift to music ---
Source 9 of 10
1:07:04
Rating:
9.20 / 5 ratings
SHNID:
gd80-12-12.set1-aud.vernon.16906.sbeok.shnf
Source:
Audience Recording
Source 10 of 10
1:30:03
Rating:
8.86 / 7 ratings
SHNID:
gd80-12-12.set2-aud.munder.13192.sbeok.shnf
Source:
Audience Recording
Lineage:
AUD>MC>DAT>CDR
Taper Notes:
View Notes2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy