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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h57877
7d1.5k202
30d30.2k4.2k
49 shows
341 tapes
1994
10.8k
PlaybackListensHours
48h739107
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.3k457
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.1k678
7d5.6k725
30d39.9k5.3k
57 shows
538 tapes
1991
39.2k
PlaybackListensHours
48h7k878
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.9k385
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3k367
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k146
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h4.8k545
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k114
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k218
7d4.2k488
30d22.9k2.7k
73 shows
1,356 tapes
1984
21.2k
PlaybackListensHours
48h3.5k411
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k189
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k154
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k248
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h5.6k673
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k243
7d3.9k557
30d21.7k3k
79 shows
600 tapes
1978
46.1k
PlaybackListensHours
48h1.9k265
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
418 tapes
1976
71.6k
PlaybackListensHours
48h22.4k2.9k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h26729
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k477
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.8k787
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k308
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.8k195
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k178
7d7.8k819
30d45k4.8k
101 shows
375 tapes
1969
27.4k
PlaybackListensHours
48h1.4k174
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43155
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14819
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41930
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h212
7d1268
30d63237
2 shows
2 tapes
1980
12/12/80
Tuning
0:44
Alabama Getaway >
4:14
Greatest Story Ever Told
5:31
Friend Of The Devil
11:13
Mama Tried >
2:30
Mexicali Blues
5:53
Althea >
8:29
Little Red Rooster
9:08
Peggy-O ->
7:12
Looks Like Rain >
7:59
Tennessee Jed >
8:05
Promised Land
4:10
China Cat Sunflower >
6:23
I Know You Rider >
5:48
Estimated Prophet >
10:24
He's Gone >
11:29
Eyes Of The World >
9:57
Drums >
10:38
Space >
9:48
Truckin' >
8:24
Wharf Rat >
9:35
Around And Around >
4:03
Good Lovin'
7:45
Don't Ease Me In
3:21
FIN
View on archive.org
Sources
Transferrer: Neil Sturtevant and Charlie Miller
2:53:34
SBD
Rating:
8.00 / 10 ratings
Transferrer:
Neil Sturtevant and Charlie Miller
SHNID:
gd80-12-12.sbd.miller.31509.sbeok.flacf
Source:
Soundboard
Lineage:
SBD > Cassette Master > ? > Cassette > Nak CR7A > Sony R500 DAT (SBM "on") > Sony TCD-D8 > Sharp MV10 > Samplitude Professional v8.01 > FLAC16
Taper Notes:
View NotesPatches at end of Rooster, start of Peggy-O, start of China Cat and part of Truckin' supplied by Cassette AUD's pulled from archive.org. The Tuning before Don't Ease Me In supplied by David Minches (AUD>Cm>VHS HiFi>Dat>CD). -- Seamless transition between Discs 2 and 3. -- Thanks to Mike Shoun for supplying the SBD Cassettes.
Transferrer: Matrix by Dave Usborne
2:56:41
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1980-12-12.136722.mtx.dusborne.flac16
Source:
3 source matrix by Dusborne; Soundboard(Shnid:31509) Recording Info: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On); Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Audience 1(Shnid:89134) Analog
Lineage:
2 x Nakamichi CM-700 => Sony TC-D5M >> MAC,Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] =>Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Ron Ellner; Audience 2(Shnid:124542) Recorded by: Ron Goldshine and John Musgrave 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters:Sony D5M (w/ Dolby, Bias @ 70us) > AkaiiGX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor
Taper Notes:
View NotesMatrix by dusborne 05-26-2016 ------------------------------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 05-26-2016
Source 3 of 10
2:52:43
SBDREMASTER
SHNID:
gd1980-12-12.175120.sbd.miller.remaster.31509.flac1644
Taper: Ron Ellner
2:53:24
Taper:
Ron Ellner
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1980-12-12.175907.nak700.ellner.menke.miller.clugston.flac2496
Source:
Ron Ellner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Nakamichi 550 (TDK MA C-90) through the tape flip in "Good Lovin'" Ron Ellner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Nakamichi 550 > Bob Menke's 1st generation reels @ 3 3/4 ips supplies the balance of "Good Lovin', as well as the "Don't Ease Me In" encore
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (32-bit/96k) > Adobe Audition CC 2025 (24-bit/96k .wav)(DDi codec) > TLH flac2496 1st generation reel (Technincs RS-1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6 MHz) > KORG AudioGate (32-bit/96k) > Adobe Audition 2025 > (24-bit/96k .wav)(DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ron Ellner for the master cassette recording (using Bob's Nakamichi 700 mics and Ron's Nakamichi 550 deck) - Thanks to Bob Menke for the master cassettes and 1st generation reel recordings and transfers - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Goldshine, John Musgrave and friends for the Sennheiser MKH406 source which supplies a 0:12 patch in "Drums", as well as a 0:38 patch in "Good Lovin'" - MOTB 0059 cuts during "Good Lovin'", is missing the "Don't Ease Me In" encore, as well as leaving the tape flip in "Drums" unpatched. Thanks to Bob Menke's back up reels and Ron Goldshine and John Musgrave's Sennheiser MKH406 source we now have the complete show - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston July 2025
Taper: Ron Ellner
2:53:24
Taper:
Ron Ellner
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1980-12-12.175906.nak700.ellner.menke.miller.clugston.flac1648
Source:
Ron Ellner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Nakamichi 550 (TDK MA C-90) through the tape flip in "Good Lovin'" Ron Ellner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Nakamichi 550 > Bob Menke's 1st generation reels @ 3 3/4 ips supplies the balance of "Good Lovin', as well as the "Don't Ease Me In" encore
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (32-bit/96k) > Adobe Audition CC 2025 (24-bit/96k .wav)(DDi codec) > TLH flac2496 1st generation reel (Technincs RS-1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6 MHz) > KORG AudioGate (32-bit/96k) > Adobe Audition 2025 > (24-bit/96k .wav)(DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ron Ellner for the master cassette recording (using Bob's Nakamichi 700 mics and Ron's Nakamichi 550 deck) - Thanks to Bob Menke for the master cassettes and 1st generation reel recordings and transfers - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Goldshine, John Musgrave and friends for the Sennheiser MKH406 source which supplies a 0:12 patch in "Drums", as well as a 0:38 patch in "Good Lovin'" - MOTB 0059 cuts during "Good Lovin'", is missing the "Don't Ease Me In" encore, as well as leaving the tape flip in "Drums" unpatched. Thanks to Bob Menke's back up reels and Ron Goldshine and John Musgrave's Sennheiser MKH406 source we now have the complete show - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston July 2025
Taper: Ron Goldshine and John Musgrave with help from Mark the B-Man and Mike Martin (guarding the mic stands)
2:50:07
Rating:
9.65 / 18 ratings
Taper:
Ron Goldshine and John Musgrave with help from Mark the B-Man and Mike Martin (guarding the mic stands)
Transferrer:
Mike Martin
SHNID:
gd1980-12-12.124542.aud.goldshine.sennheiser-mkh406-flyingm.flac16
Source:
Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes);
Lineage:
Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave
Taper Notes:
View NotesMemories: The San Bernardino Swing Auditorium was about 1-½ hours east of Los Angeles. It was a somber drive as John Lennon had been murdered only 4 days earlier and everyone was still in shock. The San Bernardino Swing Auditorium was a real sweatbox and some of my favorite concerts were seen here. A narrow rectangle, with the stage in the middle of one of the longer sides. We were sitting dead center and about 5 rows into the risers (distance might have been around 75-100 feet from the stage?) Tonight we were using 2 ten foot microphone stands. For the first time I wouldn’t have to hold my hand above my head for the 3+ hour show. Our equipment included the new Sony D-5M portable cassette recorder along with two new Sennheiser MKH-406-TUD microphones. We were ready! The band took off roaring. Jerry’s voice was in great shape, his guitar leading the way for Bobby and Brent. Phil’s bass was weaving in and out, while the two drummers in the back were holding it all together. The first set was almost a continuous medley, peaking in a truly spectacular “Tennessee Jed”, and ending up in a rocking out version of Chuck Berry’s “the Promised Land”. We could almost see the energy pouring out at us, and we all wondered what the second set would bring. After the required hour break the Band came back out and opened up with the beautiful pairing of “China Cat Sunflower” and “I Know You Rider”, which then slipped right into “Estimated Prophet”, “He’s Gone”, and then “Eyes Of The World”. The audience was in awe and one couldn't help but associate some of these lyrics with John Lennon. It has been reported that Jerry had tears running down his cheeks during "He's Gone" (I think I did too) At this point the Rhythm Devils took over, the rest of the band exiting the stage for the next 15 minutes, then slowly returning to perform the magic “Space Jam”. “Trucking” was the center piece moving into “Warf Rat” and another Chuck Berry original “Around And Around” then finishing off with "Good Loving". The encore was the newly reborn “Don’t Ease Me In”. For historical reference only and not intended for resale or any commercial use. Enjoy -M- Flying M Productions - (May 2013) - This source is new to circulation (never shared previously from this recorder)
Taper: Barry Glassberg
2:46:23
Rating:
9.67 / 6 ratings
Taper:
Barry Glassberg
Transferrer:
A. Egert and SIRMick
SHNID:
gd1980-12-12.fob.ellner.motb.89347.flac24
Source:
2 x Nakamichi CM-700 => Nakamichi 550 >> MAC
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3[Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]]
Taper Notes:
View NotesMastering Notes -- Software used - Adobe Audition, Sound Forge, Wavelave and iZotope Ozone. -- Right channel gain reduced by 1-1.5 decibels. -- A number of small dropouts have been repaired and clicks removed. -- The tape was paused between several tracks, crossfades have been put in. -- s2t07 - Tape flip in "Drums" was crossfaded; no patch was used. -- s2t12 - No patch was applied for the cut at the end of "Good Lovin'". Notes -- s2t02 - At about 5:48 of "China Cat Sunflower" there is a tease of Donovan's "There Is A Mountain". -- s2t12 - End of "Good Lovin'" is missing starting at 4:35. -- All of the encore "Don't Ease Me In" is missing. -- This was the first show the Dead played after John Lennon was murdered four days prior. According to accounts Jerry was in tears during "He's Gone" (s2t05). -- This recording was captured on Ron's Nakamichi 550, while the Nakamichi CM-700 pair was on loan from Bob Menke. -- These masters were in safe keeping with Barry Glassberg. --- MOTB dedicates this release to the memory of John Lennon for his immeasurable gift to music ---
Taper: Ron Ellner
2:46:22
Rating:
9.50 / 4 ratings
Taper:
Ron Ellner
Transferrer:
A. Egert and SIRMick
SHNID:
gd1980-12-12.fob.glassberg.motb.89134.sbeok.flac16
Source:
2 x Nakamichi CM-700 => Nak550 >> MAC
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesMastering Notes -- Software used - Adobe Audition, Sound Forge, Wavelave, iZotope Ozone and Voxengo r8brain. -- Downsampled from 24/96 to 16/44.1 using r8brain. -- Right channel gain reduced by 1-1.5 decibels. -- A number of small dropouts have been repaired and clicks removed. -- The tape was paused between several tracks, crossfades have been put in. -- d2t07 - Tape flip in "Drums" was crossfaded; no patch was used. -- Seamless change between Discs 2 and 3. -- d3t05 - No patch was applied for the cut at the end of "Good Lovin'". Notes -- d2t02 - At about 5:48 of "China Cat Sunflower" there is a tease of Donovan's "There Is A Mountain". -- d3t05 - End of "Good Lovin'" is missing starting at 4:35. -- All of the encore "Don't Ease Me In" is missing. -- This was the first show the Dead played after John Lennon was murdered four days prior. According to accounts Jerry was in tears during "He's Gone" (d2t05). -- All equipment used for this recording was on loan from Bob Menke. -- These masters were in safe keeping with Barry Glassberg. --- MOTB dedicates this release to the memory of John Lennon for his immeasurable gift to music ---
Source 9 of 10
1:07:04
Rating:
9.20 / 5 ratings
SHNID:
gd80-12-12.set1-aud.vernon.16906.sbeok.shnf
Source:
Audience Recording
Source 10 of 10
1:30:03
Rating:
8.86 / 7 ratings
SHNID:
gd80-12-12.set2-aud.munder.13192.sbeok.shnf
Source:
Audience Recording
Lineage:
AUD>MC>DAT>CDR
Taper Notes:
View Notes2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy