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June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.4k190
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h60185
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6k806
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.2k278
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h4.9k638
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k369
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k404
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k145
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k280
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h84695
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k238
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k187
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.3k178
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k237
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.2k290
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k181
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.5k460
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.3k728
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h86472
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.5k566
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.5k591
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.6k446
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k248
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.6k978
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.5k607
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52564
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13620
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h32124
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1980
10/31/80
Tuning
2:52
Heaven Help The Fool
8:18
Sage And Spirit
2:52
Little Sadie
3:20
Monkey And The Engineer
3:19
It Must Have Been The Roses
7:23
Cassidy
7:33
Bird Song ->
9:28
Ripple
4:38
Tuning
1:58
Jack Straw
6:06
Cold Rain And Snow
7:25
Me And My Uncle ->
3:02
Mexicali Blues
5:45
Ramble On Rose ->
7:52
Little Red Rooster
10:52
Brown Eyed Women ->
5:12
Looks Like Rain ->
6:49
Deal
6:31
Tuning
0:31
Don't Ease Me In ->
3:37
Lost Sailor ->
6:06
Saint Of Circumstance ->
6:31
Franklin's Tower ->
9:06
Drums ->
12:18
Space ->
4:44
Fire On The Mountain ->
9:30
Not Fade Away ->
6:21
Stella Blue ->
9:39
Goin' Down The Road Feeling Bad ->
6:13
Good Lovin'
7:49
Uncle John's Band
8:41
FIN
View on archive.org
Sources
Taper: Tim Dalton
3:21:06
SBD
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-10-31.141354.sbd.pcm.dalton.miller.clugston.flac1644
Source:
Source Info: Satellite Feed > (McIntosh) 10" Master Reels @ 7.5 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid140416 mono soundboard source which supplies the first 0:27 of "Heaven Help The Fool", a 0:10 patch in "Monkey & The Engineer", the first 0:02.4 of "Ripple", a 0:57 patch in "Ripple", a 0:29 patch in "Little Red Rooster", the first 0:03 of "Franklin's Tower", a 0:13 patch in "Drums", a 0:16 patch in "Fire On The Mountain", a patch in the transition and first few notes of "Going Down The Road Feeling Bad" (0:07 total), the final 3:42 of "Good Lovin', as well as the "Encore Break" and "Uncle John's Band" in their entireties Mastered by Scott Clugston March 13, 2018
Taper: Alan Bershaw
4:41:59
SBD
Rating:
8.00 / 1 rating
Taper:
Alan Bershaw
Transferrer:
Alan Bershaw
SHNID:
gd1980-10-31.140416.sbd.bershaw.flac16
Source:
Source: 10” 1/4 track SBD Feed Master Reels @ 7.5ips;
Lineage:
10” 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (October 2009) and mastering (December 2017) by Alan Bershaw
Taper Notes:
View NotesThis is a previously uncirculated soundboard direct recording of this show. All three sets and some of the break material were recorded in mono onto three 10" 1/4 track reels at 7.5ips. All three sets run seamlessly with nothing missing. This was recorded surreptitiously from a monitoring feed in one of the executive offices at RCMH. All of the music was captured on the 10" reels except for the complete encore, where the 3rd reel ran out at 1:45 into "Uncle John's Band." Cassettes existed for the rest of the same feed, but were recorded on TDK D-60s without Dolby and sound vastly inferior to the reels. To keep this entire recording from a single source, the cassette transfers seamlessly patch the remainder of ÒUncle JohnÕs BandÓ to the end of the recording. Ditto for tracks 30 to 34 during break 1 and tracks 51 to 58 during break 2 which were not recorded on the 10" reels. Other than the patch to complete UJB, every second of all 3 sets is sourced from the 10" reels which do not suffer from any notable flaws. I don't think anything this complete has circulated before. Even after all these years, the backstage segments with bandmembers and the Jerry's Kids telethon material is still relatively funny and sure to bring back memories for those of us who were there. And as I can testify, a whole lot we forgot about - like Bob Weir or Al Franken joking about underage girls in ways that don't sound funny anymore (if they ever did). Almost all of it is custom-tailored humor for Deadheads circa 1980, so if you take Franken & Davis in context, you may enjoy much of the previously uncirculated break material. I've wanted to share this recording for a long time, but officially released material prevented me from doing so - despite all of this music being a significantly different mix than anything commercially available. If you enjoyed the previous night from this same source, you'll find this recording equally enjoyable. Happy New Year! Alan
Taper: HappyJack
1:40:02
SBD
Taper:
HappyJack
Transferrer:
SIRMick
SHNID:
gd1980-10-31.137840.partial.sbd.happyjack.sirmick.sbeok.flac24
Source:
Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend;
Lineage:
Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; transferred, edited and mastered SIRMick
Taper Notes:
View NotesComments: - Unfortunately the master was stolen some years ago. Notes: - DC offset removed. - A substantial number of pops removed, these were caused by a loose jack plug. - Quite a few small dropouts have been repaired. - All tracks have been pitch corrected. - Some level adjustments have been made - Some noise reduction has been applied The following patches have been made using Jim Wise's recording shnid 132278. - Brown Eyed Women - first 38.7 seconds - Deal - 3:31-3:32 - Franklin's Tower - 5:35-5:49, 6:25-6:29 - Drums - 2:43-end - Space - start-4:00 - Fire On The Mountain - 1:19-1:19.5 - GDTRFB - 1:31-1:35 - Good Lovin' - 2:25-2:56
Taper: HappyJack
1:40:02
SBD
Taper:
HappyJack
Transferrer:
SIRMick
SHNID:
gd1980-10-31.137839.partial.sbd.happyjack.sirmick.sbeok.flac16
Source:
Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend;
Lineage:
Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; transferred, edited and mastered SIRMick
Taper Notes:
View NotesComments: - Unfortunately the master was stolen some years ago. Notes: - DC offset removed. - A substantial number of pops removed, these were caused by a loose jack plug. - Quite a few small dropouts have been repaired. - All tracks have been pitch corrected. - Some level adjustments have been made - Some noise reduction has been applied The following patches have been made using Jim Wise's recording shnid 132278. - Brown Eyed Women - first 38.7 seconds - Deal - 3:31-3:32 - Franklin's Tower - 5:35-5:49, 6:25-6:29 - Drums - 2:43-end - Space - start-4:00 - Fire On The Mountain - 1:19-1:19.5 - GDTRFB - 1:31-1:35 - Good Lovin' - 2:25-2:56
Transferrer: Happy Jack
1:25:56
SBD
Transferrer:
Happy Jack
SHNID:
gd1980-10-31.137449.sbd.happyjack.flac16
Source:
Updated source Info: SBD Recording [This is A 2nd Generation];
Lineage:
mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 12/27/2016; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; Converting Sample Rate: Adobe Audition 3.0 was also used to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE; the original seed of this source was marked as an AUD
Transferrer: Happy Jack
1:25:56
SBD
Transferrer:
Happy Jack
SHNID:
gd1980-10-31.137448.sbd.happyjack.flac24
Source:
Updated source Info: Source: SBD Recording [This is A 2nd Generation];
Lineage:
mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck [Sony UCX90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; CD Wave Editor To Split Tracks & converted to Flac24 [Level 6]; the original seed of this source was marked as an AUD
Transferrer: Cousinit
3:07:04
SBD
Rating:
7.73 / 23 ratings
Transferrer:
Cousinit
SHNID:
gd80-10-31.sbd-preFM.cousinit.20377.sbeok.shnf
Source:
Soundboard
Lineage:
PreFM> MSR> R> C> DAT> WAV> SHN and MSR> R> C> DAT> WAV> SHN
Taper Notes:
View NotesSource: Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN Electric: MSR>R>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd 10/03
Taper: Jim Wise
3:16:55
Rating:
9.50 / 5 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-10-31.fob.sonyecm280.wise.miller.101428.flac16
Source:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Recorded By Jim Wise (mics laid on shelf under rail @ center lodge) -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Steve Rolfe
3:20:09
Taper:
Steve Rolfe
Transferrer:
Charlie Miller
SHNID:
gd1980-10-31.nak700.rolfe.miller.94270.sbeok.flac16
Source:
Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B)
Lineage:
Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Source: Sony ECM-280 -> Master Cassette -> PCM -> CD (shnid=1955) supplies: Tuning (complete track) Heaven Help The Fool (0:00 - 6:07) Notes: -- All disc changes are seamless -- Recorded front row balcony -- Thanks to Steve Rolfe for lending me his masters
Taper: Jim Wise
3:13:40
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1980-10-31.132278.aud.sony.ecm-280.flac24
Source:
Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
Taper: Jim Wise
3:13:40
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1980-10-31.132277.aud.sony.ecm-280.flac16
Source:
<b>flac16/48kHz</b>; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
Taper: Richie Stankiewicz
2:25:42
Taper:
Richie Stankiewicz
Transferrer:
Richie Stankiewicz
SHNID:
gd1980-10-31.131907.stankiewicz.flac2496
Source:
Partial Show; Beyer M-88>Sony TCD-5M 4th row right center; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered By Richie stankiewicz
Taper Notes:
View NotesSpecial Thanks to Jim Wise for the patch material on Dont Ease Me In, Drums and Space
Transferrer: matrix by dusborne
3:22:21
Rating:
9.00 / 3 ratings
Transferrer:
matrix by dusborne
SHNID:
gd1980-10-31.122543.mtx.dusborne.flac16
Source:
3 Source Matrix: Soundboard (shnid=83158): Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Audience (shnid=94270): Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Audience (shnid=120839): Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger
Taper Notes:
View Notes---------------------------------------------------------------------------------------- ---Thank You Steve Rolfe,Jim Wise,Keith Gatto and Pete Jaeger for recording the show. ---Thank You Charlie Miller for your work on Jim and Steve's recordings. ---Thank You Michael Turi For extracting the files from your personal cd's. ---Thank You Cousinit and Bill Tetzeli for your work on the SBD. ---Thanks to germain for everything;seeding,encouragement,advice and tutelage. Matrix by dusborne using Adobe Audition CS6 and Audacity 2.0 10-23-2012 ---------------------------------------------------------------------------------------- --------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 10-23-2012
Source 14 of 16
3:16:13
SHNID:
gd1980-10-31.120839.fob.nak700.gatto-jaeger.dusborne.flac16
Source:
Loge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-20-2012
Taper Notes:
View Notes---Thank You Keith Gatto and Pete Jaeger for recording the show. ---Thank You Michael Turi For extracting the files from your personal cd's. ---Thanks to germain for everything;seeding,encouragement,advice and tutelage. -------------------------------------------------------------------------------- --------------------------------------------------------------------------------------- Notes ---This source ran fast, I pitch corrected by -0.3% ---There are no patches, the entire show was recorded. ---Smoothed cuts with fades ---many mic bumps smoothed out as best as could be done without hurting music ---241 cuts fixed during Drums! ---------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 06-20-2012
Transferrer: Bill Tetzeli
3:18:45
Rating:
9.60 / 6 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1980-10-31.prefm.cousinit-edited.patched.83158.sbeok.flac16
Source:
Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN
Lineage:
SHNs > WAV > Cool Edit 2000/Cool Edit Pro > shntool > FLAC
Taper Notes:
View NotesPatch fix of shnid 20377 C>SHN Conversion by Cousinit Patch Source: Master AUD (Sony ECM-280/D-5) Cass> PCM> ZA2> CD > EAC > SHN(shnid 1955) except for part of drums (see below), which was patched with the AUD audio source from the circulating DVD (no source info given). The following corrections were made: - all tracks put back in phase by reinverting left channel in CE 2K - multiple dropouts, splices, etc. patched - first three tracks of second electric set put at end of CD 2 to allow CD3 to fit on one disc. Disc change between CDs 2 and 3 is seamless. - SBD from 1:32 of GDTRFB to end of the show is higher-pitched; this was corrected in CE Pro (stretched 100.383%) so speed and pitch matched the rest of the show. It sounds like it was either patched in from an alternate SBD or played back on a different deck. Many thanks to Charlie Miller for his advice on determining which channel to reinvert. Thanks to Cousinit for the SBD source and his flaw notes, also mcole, Charles Weir, drgseeds and Deadhead for their SBD source comments and Charles (?) for his AUD source comment on the drums track. Last but not least thanks to Jim Wise for his excellent audience patch source, as well as to (?) for circulating the DVD of this show, which provided part of drums. Edited and seeded by Bill Tetzeli ([email protected]) 3/8/2007
Taper: Jim Wise
3:15:34
Rating:
9.27 / 11 ratings
Taper:
Jim Wise
SHNID:
gd80-10-31.wise.larson.1955.sbeok.shnf
Source:
Audience Recording: Sony ECM-280/D-5
Lineage:
Master AUD (Sony ECM-280/D-5) Cass> PCM> ZA2> CD
Taper Notes:
View NotesMaster AUD (Wise Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd