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Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h57778
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.9k242
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.4k308
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h1.6k208
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h2.9k417
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.9k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k294
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k125
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.9k217
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h69279
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k181
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h5k584
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k157
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k133
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.7k216
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h2.7k311
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.4k200
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k241
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h17.3k2.3k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h10.6k1.5k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h33435
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h4.1k552
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h9.7k1.3k
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2k258
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k192
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.8k194
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.1k174
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h73792
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9715
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h40826
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h664
7d1076
30d59434
2 shows
2 tapes
1980
10/25/80
Tuning
1:36
Deep Elem Blues
5:11
The Race Is On
2:48
I've Been All Around This World
4:57
Monkey And The Engineer
2:38
To Lay Me Down ->
9:08
El Paso
5:03
Bird Song
9:16
Heaven Help The Fool
7:33
Dire Wolf ->
3:29
Ripple
4:55
Tuning
1:31
Mississippi Half-Step Uptown Toodeloo ->
7:05
Franklin's Tower
8:14
Me And My Uncle ->
3:03
Big River
5:55
High Time
9:02
New Minglewood Blues
7:58
Ramble On Rose ->
6:58
Looks Like Rain
7:23
Deal
6:47
Tuning
1:31
Cold Rain And Snow ->
6:27
Lost Sailor ->
6:46
Saint Of Circumstance
8:04
Uncle John's Band ->
6:26
Playing In The Band ->
9:59
Drums ->
9:32
Space ->
3:51
The Other One ->
4:54
Black Peter ->
10:13
Around And Around ->
3:57
One More Saturday Night
4:51
U.S. Blues
5:09
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
18:30
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
SHNID:
gd1980-10-25.157769.ToLayMeDown.t.flac1644
Source:
SBD > (16-track) Reel Master > Cassette
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24
Taper Notes:
View NotesNotes: -- Two different mixes of To Lay Me Down made for Reckoning on February 20, 1981 -- This is 150759 2469 > 1644
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
18:30
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
SHNID:
gd1980-10-25.150759.sbd.miller.flac2496
Source:
SBD > (16-track) Reel Master > Cassette
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24
Taper Notes:
View NotesNotes: -- Two different mixes of To Lay Me Down made for Reckoning
Taper: Jim Wise
3:22:10
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-10-25.fob.sonyecm280.wise.miller.102405.flac16
Source:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Steve Rolfe
3:27:14
Rating:
8.00 / 2 ratings
Taper:
Steve Rolfe
Transferrer:
Charlie Miller
SHNID:
gd1980-10-25.nak700.rolfe.miller.93804.sbeok.flac16
Source:
Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B)
Lineage:
Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: Audience Recording (shnid=8726) supplies: Very short patch at end of Black Peter (forgot to note the times) Notes: -- All disc changes are seamless -- Recorded front row balcony -- Thanks to Steve Rolfe for lending me his masters
Taper: Keith Gatto & Pete Jaeger
3:17:38
Rating:
8.00 / 2 ratings
Taper:
Keith Gatto & Pete Jaeger
Transferrer:
Flac by Michael Turi, eq by Dan McDonald
SHNID:
gd1980-10-25.120163.fob-nak700.gatto-jaeger.dan.flac16
Source:
Nak 700's > Sony D-5 > AMC; Recorded Dead front center loge by Keith Gatto & Pete Jaeger; AMC > DAT > CDR > EAC > FLac (EAC > Flac by Michael Turi); Equalization: Used a multifilter with the following order: 20-band EQ with linear increases from 0-500 Hz. One subharmonic synthesizer set at 125 Hz. Two expanders (dynamic noise in expander mode) to increase the dynamic range. May, 2012-Dan McDonald
Taper Notes:
View NotesThis recording, like the other Gatto-Jaeger recordings of this run, has excellent high-end energy, but was lacking a bit in the lower frequencies. The recorder was paused between most non-sequential songs creating abrupt tansitions, most noticable in the first set. The second set contained several sonic anomalies scattered throughout. Several songs were not ideally tracked with a couple of songs in the third set combined into one track. I asked Dan if he could boost the base without affecting the mid-range and high-end and clean up the transitions and anomalies. Dan's Change Log: 101- OK 102- Cross-faded about 2 seconds 103- Cross-faded about 3 seconds 104- Cross faded about 2 seconds; Quasi-fadeout (-12.42dB) for track 4 105- cross-fade to track 6 106- Trimmed about 1/4 sec. of silence from end 107- Trimmed 1/4 sec. of silence from end 107; crossfaded 3 secs 108- faded out 107 and let 108 start as it was because music was already cut for beginning of track 108 109- clapping at first note of Dire Wolf so faded out HHTH applause for about 3 sec then a fast fade in to DW. 110- Did a slightly faster fadeout 201- faded in; anomaly at 5:28 Interpolated so it's not noticeable now. 202- anomalies at 8:02 & 8:10 (8:02 has a funny sound; fixed the tape start, but not the odd sound; fixed by cutting out about 1/4 second and interpolating the two pieces; 8:10 fixed the same way) 203- OK 204- anomalies at 5:54, 6:16, 6:29, & 6:52 Interpolated 205- anomalies at 8:55 & 9:04 (crossfaded the first, cut the second out) 206- anomalies at 7:55, 8:51 & 9:03 interpolated 207- OK 208- OK 209- abrupt ending faded out 301- There were two level changes, and a gradual increase in level, so I added 2dB to the second change, 4 dB to the first change, and then added a linear increase from 3 to 0dB for the first few seconds. Still starts abruptly, but the music sounds about right after it starts. 302/303- blank space cut out; cut to two tracks 304- Crossfade 305- OK 306- anomaly or cut at 8:39 looks like digi-mess from the transfer. Blocky spots and blank spaces. Only option was to cut it out or paste over from another spot. About 1 second removed. 307/308- Split into 2 tracks 309- Ok 310- OK 311- Redid fade 312- faded in; cut a small section of blank space at the end of song. Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. B. Proctor 5-18-12
Taper: Tim Friend;Joe Morrone
3:21:08
Taper:
Tim Friend;Joe Morrone
Transferrer:
AndrewF
SHNID:
gd1980-10-25.nak300.morrone.friend.116768.flac2448
Source:
AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2011
Taper Notes:
View NotesNotes: Big mic-bumps near the start of Deep Elem and Ripple. ID-93804 patch in Deep Elem 0:00 > 0:07, ID-102405 patch in Drums 2:40 > 3:57.
Source 7 of 8
3:25:12
Rating:
8.50 / 5 ratings
SHNID:
gd80-10-25.aud.wiley.8726.sbefail.shnf
Source:
Audience Recording
Lineage:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR; Seeded to etree by Tim W
Taper: Tim Friend;Joe Morrone
3:21:09
Taper:
Tim Friend;Joe Morrone
Transferrer:
AndrewF
SHNID:
gd1980-10-25.nak300.morrone.friend.116769.1644
Source:
AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011
Taper Notes:
View NotesNotes: Big mic-bumps near the start of Deep Elem and Ripple. ID-93804 patch Deep Elem 0:00 > 0:07, ID-102405 patch Drums 2:40 > 3:57. CDRs layout: D1 s1t01 > s2t03, D2 s2t04 > s3t04, D3 s3t05 > s3t14.