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Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h770107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h64391
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h3.9k518
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.9k359
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.2k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k342
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k374
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k157
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.3k253
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h920102
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k212
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k147
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.6k206
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k223
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k303
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6.1k652
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k289
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.4k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.6k502
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h74876
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.6k595
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k230
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k364
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h43052
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10514
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23618
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1980
10/25/80
Deep Elem Blues
6:01
The Race Is On
3:13
I've Been All Around This World
5:01
Monkey & the Engineer
2:50
To Lay Me Down
9:02
El Paso
5:07
Birdsong
8:56
Heaven Help the Fool
7:08
Dire Wolf
3:27
Ripple
4:46
crowd & tuning
0:47
Mississippi Half Step >
7:07
Franklin's Tower
8:06
Me & My Uncle >
3:00
Big River
6:08
High Time
9:10
Minglewood Blues
8:14
Ramble on Rose >
6:47
Looks Like Rain
7:30
Deal
6:45
crowd & tuning
1:38
Cold Rain & Snow
6:25
Lost Sailor >
6:42
Saint of Circumstance
6:38
crowd & tuning
1:32
Uncle John's Band >
6:21
Playin' in the Band >
9:59
Drums >
9:13
Space >
5:21
The Other One >
3:52
Black Peter >
10:09
Around & Around >
3:55
One More Saturday Night
4:42
Encore: U.S. Blues
5:36
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
18:30
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
SHNID:
gd1980-10-25.157769.ToLayMeDown.t.flac1644
Source:
SBD > (16-track) Reel Master > Cassette
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24
Taper Notes:
View NotesNotes: -- Two different mixes of To Lay Me Down made for Reckoning on February 20, 1981 -- This is 150759 2469 > 1644
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
18:30
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
SHNID:
gd1980-10-25.150759.sbd.miller.flac2496
Source:
SBD > (16-track) Reel Master > Cassette
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24
Taper Notes:
View NotesNotes: -- Two different mixes of To Lay Me Down made for Reckoning
Taper: Jim Wise
3:22:10
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-10-25.fob.sonyecm280.wise.miller.102405.flac16
Source:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Steve Rolfe
3:27:14
Rating:
8.00 / 2 ratings
Taper:
Steve Rolfe
Transferrer:
Charlie Miller
SHNID:
gd1980-10-25.nak700.rolfe.miller.93804.sbeok.flac16
Source:
Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B)
Lineage:
Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: Audience Recording (shnid=8726) supplies: Very short patch at end of Black Peter (forgot to note the times) Notes: -- All disc changes are seamless -- Recorded front row balcony -- Thanks to Steve Rolfe for lending me his masters
Taper: Keith Gatto & Pete Jaeger
3:17:38
Rating:
8.00 / 2 ratings
Taper:
Keith Gatto & Pete Jaeger
Transferrer:
Flac by Michael Turi, eq by Dan McDonald
SHNID:
gd1980-10-25.120163.fob-nak700.gatto-jaeger.dan.flac16
Source:
Nak 700's > Sony D-5 > AMC; Recorded Dead front center loge by Keith Gatto & Pete Jaeger; AMC > DAT > CDR > EAC > FLac (EAC > Flac by Michael Turi); Equalization: Used a multifilter with the following order: 20-band EQ with linear increases from 0-500 Hz. One subharmonic synthesizer set at 125 Hz. Two expanders (dynamic noise in expander mode) to increase the dynamic range. May, 2012-Dan McDonald
Taper Notes:
View NotesThis recording, like the other Gatto-Jaeger recordings of this run, has excellent high-end energy, but was lacking a bit in the lower frequencies. The recorder was paused between most non-sequential songs creating abrupt tansitions, most noticable in the first set. The second set contained several sonic anomalies scattered throughout. Several songs were not ideally tracked with a couple of songs in the third set combined into one track. I asked Dan if he could boost the base without affecting the mid-range and high-end and clean up the transitions and anomalies. Dan's Change Log: 101- OK 102- Cross-faded about 2 seconds 103- Cross-faded about 3 seconds 104- Cross faded about 2 seconds; Quasi-fadeout (-12.42dB) for track 4 105- cross-fade to track 6 106- Trimmed about 1/4 sec. of silence from end 107- Trimmed 1/4 sec. of silence from end 107; crossfaded 3 secs 108- faded out 107 and let 108 start as it was because music was already cut for beginning of track 108 109- clapping at first note of Dire Wolf so faded out HHTH applause for about 3 sec then a fast fade in to DW. 110- Did a slightly faster fadeout 201- faded in; anomaly at 5:28 Interpolated so it's not noticeable now. 202- anomalies at 8:02 & 8:10 (8:02 has a funny sound; fixed the tape start, but not the odd sound; fixed by cutting out about 1/4 second and interpolating the two pieces; 8:10 fixed the same way) 203- OK 204- anomalies at 5:54, 6:16, 6:29, & 6:52 Interpolated 205- anomalies at 8:55 & 9:04 (crossfaded the first, cut the second out) 206- anomalies at 7:55, 8:51 & 9:03 interpolated 207- OK 208- OK 209- abrupt ending faded out 301- There were two level changes, and a gradual increase in level, so I added 2dB to the second change, 4 dB to the first change, and then added a linear increase from 3 to 0dB for the first few seconds. Still starts abruptly, but the music sounds about right after it starts. 302/303- blank space cut out; cut to two tracks 304- Crossfade 305- OK 306- anomaly or cut at 8:39 looks like digi-mess from the transfer. Blocky spots and blank spaces. Only option was to cut it out or paste over from another spot. About 1 second removed. 307/308- Split into 2 tracks 309- Ok 310- OK 311- Redid fade 312- faded in; cut a small section of blank space at the end of song. Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. B. Proctor 5-18-12
Taper: Tim Friend;Joe Morrone
3:21:08
Taper:
Tim Friend;Joe Morrone
Transferrer:
AndrewF
SHNID:
gd1980-10-25.nak300.morrone.friend.116768.flac2448
Source:
AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2011
Taper Notes:
View NotesNotes: Big mic-bumps near the start of Deep Elem and Ripple. ID-93804 patch in Deep Elem 0:00 > 0:07, ID-102405 patch in Drums 2:40 > 3:57.
Source 7 of 8
3:25:12
Rating:
8.50 / 5 ratings
SHNID:
gd80-10-25.aud.wiley.8726.sbefail.shnf
Source:
Audience Recording
Lineage:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR; Seeded to etree by Tim W
Taper: Tim Friend;Joe Morrone
3:21:09
Taper:
Tim Friend;Joe Morrone
Transferrer:
AndrewF
SHNID:
gd1980-10-25.nak300.morrone.friend.116769.1644
Source:
AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011
Taper Notes:
View NotesNotes: Big mic-bumps near the start of Deep Elem and Ripple. ID-93804 patch Deep Elem 0:00 > 0:07, ID-102405 patch Drums 2:40 > 3:57. CDRs layout: D1 s1t01 > s2t03, D2 s2t04 > s3t04, D3 s3t05 > s3t14.