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Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.4k190
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h60185
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6k806
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.2k278
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h4.9k638
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k369
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k404
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k145
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k280
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h84695
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k238
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k187
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.3k178
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k237
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.2k290
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k181
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.5k460
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.3k728
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h86472
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.5k566
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.5k591
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.6k446
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k248
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.6k978
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.5k607
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52564
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13620
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h32124
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1980
10/23/80
Tuning
0:45
On the Road Again
3:56
It Must Have Been The Roses
8:04
Dark Hollow
5:18
Jack-A-Roe
5:38
Cassidy
5:45
China Doll
5:31
Monkey & the Engineer ->
2:29
Oh Babe It Ain't No Lie ->
7:09
Ripple
4:38
Feel Like a Stranger
9:03
Tennessee Jed
10:02
Mama Tried ->
2:36
Mexicali Blues
5:36
Althea
9:45
Little Red Rooster
10:06
Big Railroad Blues
3:40
The Music Never Stopped
7:56
Tuning
1:01
Samson & Delilah
7:36
Ship of Fools
9:05
Estimated Prophet ->
11:25
Terrapin Station ->
12:20
Drums ->
8:04
Space ->
2:31
The Wheel ->
4:41
Truckin' ->
7:09
Wharf Rat ->
10:10
Sugar Magnolia
8:50
Casey Jones
5:41
FIN
View on archive.org
Sources
Taper: Mark Cohen
3:04:06
Rating:
8.00 / 2 ratings
Taper:
Mark Cohen
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-10-23.143352.fob.nak700.cohen.miller.clugston.flac2496
Source:
Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony D5 (located in the orchestra seats)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Cohen for the (FOB) master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Flaws (channel dropouts, skips, cuts) noted in previous version (shnid13140), are not present on this transcription - Thanks to Jim Wise and Charlie Miller for the shnid100416 Sony ECM-280 source which supplies a 0:12 patch in "Ripple", a 0:08 patch in the transition between "Terrapin Station" and "Drums", as well as a 0:19 patch in "Drums" - Noodle into Wheel included in "The Wheel" - Pitch corrected Mastered by Scott Clugston October 2018
Taper: Mark Cowen
3:04:06
Taper:
Mark Cowen
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-10-23.143351.fob.nak700.cohen.miller.clugston.flac1648
Source:
Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony D5 (located in the orchestra seats)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Cohen for the (FOB) master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Flaws (channel dropouts, skips, cuts) noted in previous version (shnid13140), are not present on this transcription - Thanks to Jim Wise and Charlie Miller for the shnid100416 Sony ECM-280 source which supplies a 0:12 patch in "Ripple", a 0:08 patch in the transition between "Terrapin Station" and "Drums", as well as a 0:19 patch in "Drums" - Noodle into Wheel included in "The Wheel" - Pitch corrected Mastered by Scott Clugston October 2018
Taper: Jim Wise
3:14:59
Rating:
6.67 / 4 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-10-23.fob.sonyecm280.wise.miller.101256.flac16
Source:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
Taper Notes:
View NotesNotes: -- Discs 2 and 3 are seamless -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Keith Gatto & Pete Jaeger
3:16:30
Rating:
8.00 / 1 rating
Taper:
Keith Gatto & Pete Jaeger
Transferrer:
Michael Turi
SHNID:
gd1980-10-23.120072.fob-nak700.gatto-jaeger.dusborne.flac16
Source:
Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 ; Tracked in Audacity 2.0 by dusborne
Taper Notes:
View Notes-------------------------------------------------------------------------------- Loge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac Recorded by Keith Gatto & Pete Jaeger Extracted & flac encoded by Michael Turi Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne 05-06-2012 ---------------------------------------------------------------------------------- Patched With: gd80-10-23.fob-sonyECM280.wise-miller.101256.flac16 Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] September 9, 2009 Notes: -- Discs 2 and 3 are seamless -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction ---------------------------------------------------------------------------------------- ---Thank You Keith Gatto, Pete Jaeger and Jim Wise for recording the show. ---Thank You Michael Turi For extracting the files from your personal cd's. ---Thank you Charlie Miller for your work on Jim's recording. ---Thanks to germain for everything;seeding,encouragement,advice and tutelage. ------------------------------------------------------------------------------------- ---------------------------------------------------------------------------------------- Patch Notes: Acoustic set 1 Lead into On the Road Again - 47 seconds On the Road Again-It Must Have Been The Roses transition - 24 seconds It Must Have Been The Roses-Dark Hollow transition - 56 seconds Dark Hollow-Jack-A-Roe transition - 34 seconds Jack-A-Roe-Cassidy transition - 47 seconds Cassidy-China Doll transition - 59 seconds China Doll-Monkey & the Engineer transition - 2 seconds Smoothed cuts with fades many mic bumps smoothed out as best as could be done without hurting music Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 5-6-2012
Taper: Bob Morris
3:10:57
Taper:
Bob Morris
SHNID:
gd1980-10-23.aud.morris.fixed.111029.flac24
Source:
(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris; This is an upgrade to shn 108016: deleted extraneous bad tracks; renamed files; Patched with ID 101256
Taper Notes:
View NotesThis is an upgrade to shn 108016: deleted extraneous bad tracks; renamed files. Patched with ID 101256 SonyECM280 (Audiogate 1644>2496 conversion) in the following: All of s1t01, s1t02, s2t01 and s2t02; Roses (0:00-0:41; 1:01-1:03). Tape flip in Drums spliced at 3:19 and dropouts edited at 4:40 & 5:58. Recorded from Orchestra Row A, Seat 310, by Bob Morris. Thanks to Sam for help and to Dave B for lending his Naks. Transfer (Jul 09), edits/patches (Dec 09), upgrade (9/10) by Bob Morris.
Taper: Bob Morris
3:25:36
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1980-10-23.aud.morris.108016.flac24
Source:
(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits)
Taper Notes:
View NotesPatches using ID 101256 SonyECM280 in the following: All of d1t1, d1t2, d2t1 and d2t2; Roses (0:00-0:41; 1:01-1:03). In Drums, tape flip spliced at 3:19 & dropouts edited at 4:40 & 5:58. Recorded from Orchestra Row A, Seat 310, by Bob Morris. Thanks to Sam for help and to Dave B for lending his Naks. Transfer (Jul 09) and edits / patches (Dec 09) by Bob Morris.
Taper: Bob Morris
3:03:44
Rating:
6.00 / 1 rating
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1980-10-23.fob.nak300.morris.102026.sbeok.flac16
Source:
(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90) ; Recorded from Orchestra Row A, Seat 310
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Mark Cohen
3:01:32
Rating:
9.57 / 15 ratings
Taper:
Mark Cohen
SHNID:
gd80-10-23.cohen.vernon.13140.sbeok.shnf
Source:
Audience Recording: Nak 700's
Lineage:
AUD from orchestra seats with Nak 700s > Sony D5; AUDMC > Cass > DAT > CDR via Jay Jurina, conversion Matt Vernon
Taper Notes:
View NotesMark Cohen AUD from orchestra seats with Nak 700s > Sony D5; Lineage: AUDMC > Cass > DAT > CDR via Jay Jurina, conversion Matt Vernon
Source 9 of 9
3:10:02
Rating:
4.00 / 1 rating
SHNID:
gd80-10-23.sonyecm280.wiley.8700.sbeok.shnf
Source:
Audience Recording: Sony ECM-280 mics
Lineage:
AUD (Sony ECM-280's)> MC> DAT> CDR
Taper Notes:
View NotesAUD(Sony ECM-280Âs)>MC>DAT>CDR; Seeded to etree by Tim Wiley