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Bands
Grateful Dead
Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h770107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h64391
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h3.9k518
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.9k359
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.2k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k342
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k374
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k157
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.3k253
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h920102
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k212
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k147
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.6k206
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k223
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k303
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6.1k652
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k289
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.4k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.6k502
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h74876
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.6k595
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k230
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k364
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h43052
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10514
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23618
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1980
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] January 18, 2022
4:15:02
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 18, 2022
SHNID:
gd1980-10-14.155439.sbd.1gen.miller.t.flac16
Source:
SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- This is 155412 2496 > 1644
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] January 18, 2017
4:15:02
SBD
Rating:
10.00 / 2 ratings
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 18, 2017
SHNID:
gd1980-10-14.155412.sbd.miller.flac24
Source:
SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
3:02:09
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1980-10-14.137560.sbd.miller.flac1648
Source:
SBD -> Master Reel (10in 15ips 1/2 trk) > Reel > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Missing Acoustic Set -- Thanks to Rob Eaton for the Dats
Transferrer: matrix by dusborne
3:06:31
SBD
Transferrer:
matrix by dusborne
SHNID:
gd1980-10-14.119320.mtx-electric.dusborne.flac16
Source:
Sets 2 and 3; 2 source matrix-electric sets: Soundboard (shnid=3828): SBD> MR> DAT> CDR> EAC> SHN >TLH >flac and Audience (shnid=89632): FOB either on the floor or 1st row balcony Master Cassette > Nakamichi 700s > Sony TC D-5M
Taper Notes:
View Notes--------------------------------------------------------------------------- Source: 2 source matrix: Soundboard (shnid=3828): ------------------------ Sets Two and Three gd80-10-14.sbd.gardner.3828.sbeok.flac16 SBD> MR> DAT> CDR> EAC> SHN >TLH >flac Tony Gardner ([email protected]) Thanks to Paul Bottiglio for the soundboard discs seeded to etree 4-01 Audience (shnid=89632): ----------------------- gd80-10-14.89632.fob-nak700.ellner-marino.gmb.sbeok.flac16 Green Mountain Brothers - FOB either on the floor or 1st row balcony Master Cassette > Nakamichi 700s > Sony TC D-5M 1st Generation copy to Teac Reel to Reel Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD CD Extraction: EAC > WaveLab (edits) > TLH > FLAC level 8 Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino CD Extraction and edits by Bill Koucky January 2008 --------------------------------------------------------------------------------- -Thank you to Paul Bottiglio and Tony Gardner for making the SBD available. -Thank you to Ron Ellner for recording the show. -Thank you to Mike Marino, Bill Koucky, and The Green Mountain Brothers for making the Audience recording available. -Thanks to germain for everything; seeding, encouragement, advice, and tutelage. No complete soudboard circulates for the acoustic set or encores. I elected not to include the acoustic set. The encores are solely from the GMB audience source. Notes: Mix Ratio: SBD -0 db Aud -7 db ** some minor mix adjustments here and there when needed ** The audience recording is fast, an adjustment of about -1.1% will put it in standard tuning. There is a bit of tape hiss on the SBD, I chose not to remove this. Electric Set 2 ---There is about 15 seconds of tape flucuation on the aud. at the very start of Alabama Getaway. ---There are flucuations in the SBD mix, especially Jerry's Guitar, in Alabama Getaway. ---The SBD reels seem to be paused between most songs in this set. ---Crowd noise from the end of Candyman and the very begining of Rooster is patched with the aud. for 59 seconds. ---6 second aud. patch at the begining of The Wheel. Electric Set 3 ---Aud. tape flip right after Fire. ---4 second aud. patch during the jam in Estimated. ---9 second SBD patch near the end of drums. ---3 second aud. patch right before the first verse in Uncle John's Band. ---Encores pitch corrected by -1.1%. ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 02-29-2012 -------------------------------------------------------------------------------------------
Source 5 of 11
9:22
SBD
Rating:
9.33 / 3 ratings
SHNID:
gd1980-10-14.108883.sbd-stanley.blackwood-waddell.flac16
Source:
SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06.
Lineage:
WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood. Mastering assistance: Jamie Waddell
Source 6 of 11
3:53:50
SBD
Rating:
8.41 / 32 ratings
SHNID:
gd80-10-14.sbd-aud.gardner.3828.sbeok.shnf
Source:
Soundboard and Audience composite
Transferrer: Tony Gardner
2:54:16
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Tony Gardner
SHNID:
gd1980-10-14.sbd.gardner.3576.shnf
Source:
SBD>MR>DAT>CDR>EAC>SHN
Taper: Scott Wiseman
2:57:24
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1980-10-14.163559.electric.sets.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Ellner for the Nakamichi 700 source which supplies some crowd and the beginning of "Alabama Getaway" (1:07 total), a 0:13 patch in "Drums", as well as "Brokedown Palace" in its entirety - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2022
Taper: Scott Wiseman
2:57:24
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1980-10-14.163558.electric.sets.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Ellner for the Nakamichi 700 source which supplies some crowd and the beginning of "Alabama Getaway" (1:07 total), a 0:13 patch in "Drums", as well as "Brokedown Palace" in its entirety - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2022
Source 10 of 11
4:16:16
SHNID:
gd1980-10-14.156399.mtx.photoleon.t-flac16
Source:
Matrix created in Adobe Audition by Joe Noel February 14, 2022
Taper Notes:
View NotesNotes: - Finale of a 15 show run at Warfield - Pre birthday wishes for Bobby (33 on the 16th) - shnid 89632 was pitch corrected. - shnid 89632 was paused between songs, fades were employed to smooth the transition when needed. - First 2:15 of Set I is Source 2 only - First 0:09 of Set II is Source 1 only - First 0:46 of Set III is Source 2 only - Monkey and The Engineer (89632) has a :03 second drop out @ 1:50 - Heaven Help The Fool (155439) is missing the first :03 seconds - Lil Red Rooster (155439) is missing the first :33 seconds - The Wheel (155439) is missing the first :06 seconds - Drums (89632) is missing :10 seconds @ 3:17 Thanks to; - Ron Ellner for recording the show - Mike Marino for the transfer - Bill Koucky for the CD extraction - Betty Cantor-Jackson for the SBD recording - Charlie Miller for the SBD transfer - Rob Eaton for the SBD patch source - John Ammons & his Wilson's for the critique.
Taper: Ron Ellner
3:56:36
Rating:
9.00 / 4 ratings
Taper:
Ron Ellner
Transferrer:
Mike Marino and Bill Koucky
SHNID:
gd1980-10-14.fob-nak700.ellner-marino.gmb.89632.sbeok.flac16
Source:
Master Cassette > Nakamichi 700s > Sony TC D-5M
Lineage:
Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD > EAC > Wavelab > TLH > FLAC
Taper Notes:
View NotesDropouts were removed from the beginnings of nearly all tracks after ripping to wav from the CD source. There were source CDs with fades during CD changes. Fades between Mexicali Blues and Candyman, between Estimated and Terrapin and before the encores were spliced together to keep the integrity of this show intact. There is a 1 second dropout in d3t06 at ~8:46. This is the only complete version of this epic show that circulates.