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Grateful Dead
Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h52070
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h866113
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h2.7k353
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.3k290
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h7.1k977
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h3.6k456
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k342
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.1k130
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h1.9k213
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h78787
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.5k173
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h962126
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k189
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.6k194
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.1k268
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h7.1k752
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k180
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.6k220
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.5k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3k412
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h84680
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h5.2k663
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4k520
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h2.8k343
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k184
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h6.7k674
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k346
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h41053
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h8712
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h20816
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h422
7d1026
30d57334
2 shows
2 tapes
1980
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] January 18, 2022
4:15:02
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 18, 2022
SHNID:
gd1980-10-14.155439.sbd.1gen.miller.t.flac16
Source:
SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- This is 155412 2496 > 1644
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] January 18, 2017
4:15:02
SBD
Rating:
10.00 / 2 ratings
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 18, 2017
SHNID:
gd1980-10-14.155412.sbd.miller.flac24
Source:
SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
3:02:09
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1980-10-14.137560.sbd.miller.flac1648
Source:
SBD -> Master Reel (10in 15ips 1/2 trk) > Reel > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Missing Acoustic Set -- Thanks to Rob Eaton for the Dats
Transferrer: matrix by dusborne
3:06:31
SBD
Transferrer:
matrix by dusborne
SHNID:
gd1980-10-14.119320.mtx-electric.dusborne.flac16
Source:
Sets 2 and 3; 2 source matrix-electric sets: Soundboard (shnid=3828): SBD> MR> DAT> CDR> EAC> SHN >TLH >flac and Audience (shnid=89632): FOB either on the floor or 1st row balcony Master Cassette > Nakamichi 700s > Sony TC D-5M
Taper Notes:
View Notes--------------------------------------------------------------------------- Source: 2 source matrix: Soundboard (shnid=3828): ------------------------ Sets Two and Three gd80-10-14.sbd.gardner.3828.sbeok.flac16 SBD> MR> DAT> CDR> EAC> SHN >TLH >flac Tony Gardner ([email protected]) Thanks to Paul Bottiglio for the soundboard discs seeded to etree 4-01 Audience (shnid=89632): ----------------------- gd80-10-14.89632.fob-nak700.ellner-marino.gmb.sbeok.flac16 Green Mountain Brothers - FOB either on the floor or 1st row balcony Master Cassette > Nakamichi 700s > Sony TC D-5M 1st Generation copy to Teac Reel to Reel Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD CD Extraction: EAC > WaveLab (edits) > TLH > FLAC level 8 Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino CD Extraction and edits by Bill Koucky January 2008 --------------------------------------------------------------------------------- -Thank you to Paul Bottiglio and Tony Gardner for making the SBD available. -Thank you to Ron Ellner for recording the show. -Thank you to Mike Marino, Bill Koucky, and The Green Mountain Brothers for making the Audience recording available. -Thanks to germain for everything; seeding, encouragement, advice, and tutelage. No complete soudboard circulates for the acoustic set or encores. I elected not to include the acoustic set. The encores are solely from the GMB audience source. Notes: Mix Ratio: SBD -0 db Aud -7 db ** some minor mix adjustments here and there when needed ** The audience recording is fast, an adjustment of about -1.1% will put it in standard tuning. There is a bit of tape hiss on the SBD, I chose not to remove this. Electric Set 2 ---There is about 15 seconds of tape flucuation on the aud. at the very start of Alabama Getaway. ---There are flucuations in the SBD mix, especially Jerry's Guitar, in Alabama Getaway. ---The SBD reels seem to be paused between most songs in this set. ---Crowd noise from the end of Candyman and the very begining of Rooster is patched with the aud. for 59 seconds. ---6 second aud. patch at the begining of The Wheel. Electric Set 3 ---Aud. tape flip right after Fire. ---4 second aud. patch during the jam in Estimated. ---9 second SBD patch near the end of drums. ---3 second aud. patch right before the first verse in Uncle John's Band. ---Encores pitch corrected by -1.1%. ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 02-29-2012 -------------------------------------------------------------------------------------------
Source 5 of 11
9:22
SBD
Rating:
9.33 / 3 ratings
SHNID:
gd1980-10-14.108883.sbd-stanley.blackwood-waddell.flac16
Source:
SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06.
Lineage:
WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood. Mastering assistance: Jamie Waddell
Source 6 of 11
3:53:50
SBD
Rating:
8.41 / 32 ratings
SHNID:
gd80-10-14.sbd-aud.gardner.3828.sbeok.shnf
Source:
Soundboard and Audience composite
Transferrer: Tony Gardner
2:54:16
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Tony Gardner
SHNID:
gd1980-10-14.sbd.gardner.3576.shnf
Source:
SBD>MR>DAT>CDR>EAC>SHN
Taper: Scott Wiseman
2:57:24
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1980-10-14.163559.electric.sets.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Ellner for the Nakamichi 700 source which supplies some crowd and the beginning of "Alabama Getaway" (1:07 total), a 0:13 patch in "Drums", as well as "Brokedown Palace" in its entirety - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2022
Taper: Scott Wiseman
2:57:24
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1980-10-14.163558.electric.sets.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Ellner for the Nakamichi 700 source which supplies some crowd and the beginning of "Alabama Getaway" (1:07 total), a 0:13 patch in "Drums", as well as "Brokedown Palace" in its entirety - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2022
Source 10 of 11
4:16:16
SHNID:
gd1980-10-14.156399.mtx.photoleon.t-flac16
Source:
Matrix created in Adobe Audition by Joe Noel February 14, 2022
Taper Notes:
View NotesNotes: - Finale of a 15 show run at Warfield - Pre birthday wishes for Bobby (33 on the 16th) - shnid 89632 was pitch corrected. - shnid 89632 was paused between songs, fades were employed to smooth the transition when needed. - First 2:15 of Set I is Source 2 only - First 0:09 of Set II is Source 1 only - First 0:46 of Set III is Source 2 only - Monkey and The Engineer (89632) has a :03 second drop out @ 1:50 - Heaven Help The Fool (155439) is missing the first :03 seconds - Lil Red Rooster (155439) is missing the first :33 seconds - The Wheel (155439) is missing the first :06 seconds - Drums (89632) is missing :10 seconds @ 3:17 Thanks to; - Ron Ellner for recording the show - Mike Marino for the transfer - Bill Koucky for the CD extraction - Betty Cantor-Jackson for the SBD recording - Charlie Miller for the SBD transfer - Rob Eaton for the SBD patch source - John Ammons & his Wilson's for the critique.
Taper: Ron Ellner
3:56:36
Rating:
9.00 / 4 ratings
Taper:
Ron Ellner
Transferrer:
Mike Marino and Bill Koucky
SHNID:
gd1980-10-14.fob-nak700.ellner-marino.gmb.89632.sbeok.flac16
Source:
Master Cassette > Nakamichi 700s > Sony TC D-5M
Lineage:
Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD > EAC > Wavelab > TLH > FLAC
Taper Notes:
View NotesDropouts were removed from the beginnings of nearly all tracks after ripping to wav from the CD source. There were source CDs with fades during CD changes. Fades between Mexicali Blues and Candyman, between Estimated and Terrapin and before the encores were spliced together to keep the integrity of this show intact. There is a 1 second dropout in d3t06 at ~8:46. This is the only complete version of this epic show that circulates.