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June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1980
8/31/80
01 Alabama Getaway
5:15
02 The Promised Land
4:21
03 They Love Each Other
7:29
04 Mama Tried
2:36
05 Mexicali Blues
5:11
06 Althea
8:30
07 Little Red Rooster
8:24
08 Tennessee Jed
9:43
09 Far From Me
4:32
10 Lazy Lightning
3:19
11 Supplication
6:28
12 Deal
4:47
13 Tuning
1:05
14 Greatest Story Ever Told
3:55
15 Uncle John's Band
8:57
16 Lost Sailor
6:49
17 Saint Of Circumstance
7:01
18 Comes A Time
9:15
19 Truckin'
8:35
20 Drums
11:21
21 Space
4:20
22 The Other One
8:15
23 Stella Blue
9:26
24 I Need A Miracle
3:59
25 Good Lovin'
7:24
26 Brokedown Palace
7:23
FIN
View on archive.org
Sources
Taper: Rob Eaton
2:54:51
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston
SHNID:
gd1980-08-31.154698.senn.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Cohen for the Nakamichi 700 source which supplies a 0:24 patch in "Promised Land", as well as from 0:41 into "Saint Of Circumstance" thru most of "Drums" (31:04 total) - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2021
Taper: Rob Eaton
2:54:51
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston
SHNID:
gd1980-08-31.154697.senn.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Cohen for the Nakamichi 700 source which supplies a 0:24 patch in "Promised Land", as well as from 0:41 into "Saint Of Circumstance" thru most of "Drums" (31:04 total) - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2021
Taper: Mason B. Taylor
2:45:03
Taper:
Mason B. Taylor
SHNID:
gd1980-08-31.128509.naks.mason.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"