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June 19th
Years
1995
29.3k
49 shows
343 tapes
1994
13.8k
85 shows
460 tapes
1993
40.3k
83 shows
656 tapes
1992
43.8k
57 shows
539 tapes
1991
47.7k
78 shows
973 tapes
1990
56.8k
78 shows
1,139 tapes
1989
48.3k
78 shows
1,017 tapes
1988
20.7k
82 shows
882 tapes
1987
42.8k
88 shows
1,025 tapes
1986
12.6k
47 shows
684 tapes
1985
34.7k
73 shows
1,357 tapes
1984
27.3k
67 shows
1,075 tapes
1983
20.7k
71 shows
1,069 tapes
1982
42.3k
63 shows
753 tapes
1981
29.6k
92 shows
868 tapes
1980
70.9k
91 shows
794 tapes
1979
21.1k
79 shows
608 tapes
1978
37.6k
87 shows
592 tapes
1977
236.2k
64 shows
419 tapes
1976
109.4k
45 shows
298 tapes
1975
7.4k
25 shows
63 tapes
1974
84.9k
42 shows
324 tapes
1973
79.5k
75 shows
445 tapes
1972
58.4k
88 shows
361 tapes
1971
33.5k
82 shows
357 tapes
1970
38.8k
101 shows
376 tapes
1969
28.6k
112 shows
326 tapes
1968
7.4k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
6.2k
32 shows
78 tapes
1965
609
2 shows
2 tapes
1980
7/1/80
Franklin's Tower
7:27
El Paso
13:18
Tennessee Jed
6:44
Lazy Lightning >
10:52
Supplicat/ion
3:30
gd80-07-01s1t06
6:54
Althea
9:17
Lost Sailor >
3:36
Saint of Circumstance
3:58
China Cat Sunflower >
8:44
I Know You Rider >
6:23
C.C. Rider
6:58
Peggy-O
7:36
Far From Me
4:35
Uncle John's Band >
7:36
Playin' in the Band >
10:06
D/rums >
8:32
Space >
7:14
Truckin' >
7:45
Wharf Rat >
10:35
Around and Around >
4:14
Good Lov/in'
6:41
e: Alabama Getaway >
5:13
Johnny B. Goode
4:26
FIN
View on archive.org
Sources
Taper: Tim Dalton
3:00:23
SBD
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-07-01.141396.sbd.pcm.dalton.miller.clugston.flac1644
Source:
Source Info: Master Soundboard Cassettes > ?? > Reel to Reel > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to Brian Schley & Andrew F for the shnid136754 audience source which supplies a 1:02 patch in "Supplication", a 5:02 patch in "Lost Sailor > Saint Of Circumstance", the crowd and the first few notes of "Uncle John's Band" (0:04 total), a 0:53 patch in the jam out of "Playin' In The Band", as well as a 0:40 patch in "Good Lovin'" - "Truckin'" space included in "Truckin'" - Encores from a higher gen source - Bob Weir, Mickey Hart, David Rifkin & Christy Lantz were arrested after the show. Blurb from the Santa Cruz Sentinel included, courtesy of the Santa Cruz Sentinel and gratefulseconds.blogspot.com Mastered by Scott Clugston 3/15/2018
Transferrer: Justin Mason
2:47:23
SBD
Transferrer:
Justin Mason
SHNID:
gd1980-07-01.125844.sbd.mason.flac16
Source:
Source: SBD > ? > DAT, however there are clearly multiple sources patched together; Conversion: My DAT > Tascam DA-20 S/PDIF > M-Audio Audiophile S/PDIF > Total Recorder (PC) (44.1/16-bit) > WAV > Split with CDWave > Encode to FLAC (Traders Little Helper); Conversion: Justin Mason
Taper Notes:
View NotesThere only seemed to be one seed of this show available out there at this time (http://db.etree.org/shn/9361), so I wanted to compare it to my DAT. Just like SHN 9361, there seems to be at least two sources brought together to make this show. Also, I’m not sure about the exact lineage of my DAT, as I got it in a trade 20 years ago with only “SBD > DAT” on the label. Almost all the songs seem to be from source 1 (SBD > ? > DAT), which is a low-gen SBD recording, except for: Althea, Lost Sailor from source 2, a higher-gen, with noticeably more hiss. Alabama Getaway > Johnny B. Goode encore from source 3, possibly a higher-gen but definitely sounds like it has some Dolby noise reduction applied to it. First note or two of China Cat sounds like it’s cut. Brief Digi-snit in Franklin’s [@10:47] The following cuts were smoothed with Diamond Cut Audio Restoration software: Middle of Supplication [@2:38] End of Lost Sailor [@literally the end of the track] Middle of Drums [@8:19] After comparing the two sources, I can say that my source has the same cuts, but my source sounds clearer to my ears, so I believe my DAT could be a lower-gen copy of the same source used to seed SHNID 9361, or that source has had some processing done to it such as EQ, Noise Reduction, etc.