Friend Of The Devil | 1980-06-20 | Grateful Dead

1980

Bands

Featured

Grateful Dead

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell and the WOO Warriors

27 shows

29 tapes

Bernie Worrell Orchestra

Blueground Undergrass

182 shows

205 tapes

Grateful Dead

Years Recent Top Venues Songs Tours

Years

1980

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

San Bernardino, CA, USA

Mill Valley Recreation Center

Alligator Alley Gym, U. of Florida

Lakeland Civic Center

Pembroke Pines, FL, USA

Radio City Music Hall

Radio City Music Hall

Radio City Music Hall

Radio City Music Hall

Radio City Music Hall

Radio City Music Hall

Radio City Music Hall

San Francisco, CA, USA

Saenger Performing Arts Center

Saenger Performing Arts Center

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Warfiled Theater & Radio City Music Hall

San Francisco, CA and New York City, NY

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Providence Civic Center

Springfield Civic Center

Community War Memorial Auditorium

Philadelphia, PA, USA

Philadelphia, PA, USA

Pine Knob Music Theater

Cleveland Public Hall

Grand Rapids, MI, USA

Alpine Valley Music Theatre

Kansas City Municipal Auditorium Arena

Mississippi River Festival

Edwardsville, IL, USA

San Diego Sports Arena

Pauley Pavilion, UCLA

Seattle Center Coliseum

Portland Memorial Coliseum

Folsom Field, U. of Colorado

Folsom Field, U. of Colorado

Compton Terrace Amphitheatre

Metropolitan Sports Center

Des Moines Civic Center

Cumberland County Civic Center

Hartford Civic Center

Glenns Falls Civic Center

Glenns Falls, NY, USA

Barton Hall, Cornell University

Rec Hall, Penn State U

State College, PA, USA

Baltimore Civic Center

Oakland-Alameda County Coliseum

6/20/80

Jack Straw > Franklin's Tower >

18:01

Jack Straw > Franklin's Tower >

18:01

Mama Tried > Mexicali Blues

6:50

Mama Tried > Mexicali Blues

Lost Sailor > Saint of Circumstance > Deal

17:32

Lost Sailor > Saint of Circumstance > Deal

17:32

FIN

View on archive.org

Sources

Transferrer: Charlie Miller

gd1980-06-20.sbd.miller.113301.flac16

Source:

SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD

Lineage:

CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC

Taper Notes:

View NotesNotes:
-- All disc changes are seamless
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Charlie Miller, Jay Ashley, and Bill Tetzeli

Charlie Miller, Jay Ashley, and Bill Tetzeli

SHNID:

gd1980-06-20.sbd.bertha.tetzeli.fix-25468.73846.reflac.flac16

Source:

SBD>>MC>>SS>SBM2

Lineage:

SBM2>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN>>CEPro>>FLAC

Taper Notes:

View NotesThis is a pitch-corrected version of the Bertha remaster of this show.

Transferrer: Charlie Miller

gd1980-06-20.sbd.miller.25469.sbeok.shnf

Source:

SBD -> Cassette Master

Lineage:

Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) -> CD (Master Production Discs) -> EAC -> SHN

Taper Notes:

View NotesPatch Info:
Patches in Let It Grow and Drums supplied By
AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN

Cassette Masters supplied by Richard Hale
Transfered By David Gans
Converted To SHN By Charlie Miller
[email protected]
8/6/04

Transferrer: Hunter Seamons

gd1980-06-20.mtx.seamons.92783.sbeok.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View NotesNotes:

1) The SBD mix evens out some during Jack Straw.

2) AUD cuts during songs: Drums (0:18-0:52)

3) Fades were used to make the AUD track "seamless" throughout the recording.
 
4) All disc changes are seamless.

5) 'Twas the eve of the Summer Solstice. 

*MATRIX*

----------------------------------------------------
SBD:

SBD -> Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) ->
CD (Master Production Discs) -> EAC -> SHN  (3 Discs Audio / 2 Discs SHN)

Patch Info:
Patches in Let It Grow and Drums supplied By
AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN

Cassette Masters supplied by Richard Hale
Transfered By David Gans
Converted To SHN By Charlie Miller
[email protected]
8/6/04

----------------------------------------------------
AUD:

Source: Recorded by Eddie Claridge at the soundboard patched from Dan Healy.  AKG 414 stereo mic -> Sony TC-158 deck
Lineage: MAC > [DAT?] > CDR (no intermediate cassette generations)
Encoding: EAC(secure) > Cool Edit Pro > CDWAV > shntool > mkwact > SHN(seekable) by Matt Vernon

Thanks to John Gaetzi for the source disks!

---------------------------------------------------

Thank you to Charlie Miller for the SBD transfer,
to Eddie Claridge for recording the show,
and to Matt Vernon for the AUD transfer.

Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) 
July 12, 2008

Transferrer: Jay Ashley

gd1980-06-20.sbd.miller.bertha.25468.sbeok.shnf

Source:

SHNID 25469: SBD>>MC>>SS>SBM2>>CDA>>WAV(EAC)>>SHN

Lineage:

SHN>>DAW(Bertha)>>CDA/SHN

Taper Notes:

View NotesNotes:

Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected].  Completed on August 14, 2004.

3db pure sample noise reduction used to make the tape hiss a bit less noticeable.

Source 6 of 13

gd80-06-20.sbd.donohue.17268.sbefixed.shnf

Source:

Soundboard

Lineage:

SBD > MC > C > CDR, with SBE fix

Taper Notes:

View NotesSBE-fixed version of <a href="http://db.etree.org/shninfo_detail.php?shnid=13532" rel="ugc nofollow">previous</a> source:

Source: SBD>MC>1C>CD-R
CONVERSION: SBLIVE>COOLEDIT2000>mkwACT>SHN
Mastered, edited, and shn'd from first gen cassette by Brian Donohue, Kodiak, Alaska.

Transferrer: Brian Donohue

gd1980-06-20.sbd.donahue.13532.sbefail.shnf

Source:

SBD>MC>1C>WAV(via SBLive)>CDR

Lineage:

BLive!>COOLEDIT2000>mkwACT>SHN

Taper Notes:

View NotesEditing notes:
Splice in Let It Grow at tape flip, portion of lyrics missing
Splice in Drums at tape flip, portion of drums missing
Splice locations chosen to enhance the listening experience and not
   for archival purposes.  Original wav file from Cass/1 available.
Minor splices between songs where taper paused during tuning, etc.
Fade ins/outs at beginning/end of each disc

Noise recuction, tracking at sector boundaries and bass boost applied
via Cool Edit 2000 (noise reduction via tape hiss sample without crowd noise)

Transferrer: James Hicks

gd1980-06-20.sbd.hicks.1474.shnf

Source:

analog SBD -> Processed in Sound Forge 4.0 -> CDR

Taper: Mark Severson

Scott Clugston and Charlie Miller

SHNID:

gd1980-06-20.144907.fob.nak700.severson.miller.clugston.flac2496

Source:

Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on pole 25' from stage, right side, Row J Seat 2) > Sony TC-D5 (Maxell XLII)

Lineage:

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Eddie Claridge and Matt Vernon for the shnid20205 AKG 414 source which supplies a 0:10 patch in "Althea", as well as an 0:11 patch in "Drums"
- NFA space included in "Not Fade Away"
- Pitch corrected

Mastered by Scott Clugston
February 2019

Taper: Mark Severson

Scott Clugston and Charlie Miller

SHNID:

gd1980-06-20.144906.fob.nak700.severson.miller.clugston.flac1648

Source:

Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on pole 25' from stage, right side, Row J Seat 2) > Sony TC-D5 (Maxell XLII)

Lineage:

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Eddie Claridge and Matt Vernon for the shnid20205 AKG 414 source which supplies a 0:10 patch in "Althea", as well as an 0:11 patch in "Drums"
- NFA space included in "Not Fade Away"
- Pitch corrected

Mastered by Scott Clugston
February 2019

Source 11 of 13

2:50:47

SHNID:

gd1980-06-20.156397.mtx.photoleon.t-flac16

Source:

Matrix created in Adobe Audition by Joe Noel

Taper Notes:

View NotesNotes:
- fades were applied to where Source 1 was paused.

Thanks to;
- Mark Severson for going the extra mile & making this FOB recording.
- Scott Clugston for mastering the Severson cassettes.
- Richard Hale for sharing the SBD cassette masters.
- David Gans for transferring the cassettes to CD.
- Charlie Miller for the transfer (s1) & processing (s2).
- John Ammons for the critique.

Taper: Mark Severson

gd1980-06-20.nak700.severson.minches.89188.flac16

Source:

2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs)

Lineage:

Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (dither/downsample)> FLAC encoding

Taper Notes:

View NotesRecorded from Row J, Seat 2, Right Side; 25' from stage

Althea [0:08 - 0:18] patched from source (20205): Recorded by Eddie Claridge at the soundboard patched from Dan Healy.  AKG 414 stereo mic -> Sony TC-158 deck

Taper: Eddie Claridge patching from Dan Healy

Eddie Claridge patching from Dan Healy

SHNID:

gd80-06-20.akg-claridge-healy.vernon.20205.sbeok.shnf

Source:

Audience Recording: AKG 414 stereo mic

Lineage:

AKG 414 stereo mic -> Sony TC-158 deck

Taper Notes:

View NotesRecorded by Eddie Claridge at the soundboard patched from Dan Healy.  AKG 414 stereo mic -> Sony TC-158 deck via John Gaetzi encoded by Matt Vernon