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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1980
6/19/80
Crowd
0:22
Alabama Getaway >
4:35
Promised Land
4:56
They Love Each Other >
6:55
El Paso >
4:56
Tennessee Jed
9:47
Cassidy
5:38
Althea >
7:54
Looks Like Rain
9:41
Far From Me
5:18
The Music Never Stopped
8:23
China Cat Sunflower >
5:40
I Know You Rider >
5:24
CC Rider
7:34
Peggy O
7:29
Lost Sailor >
6:08
Saint Of Circumstance >
6:01
Drums >
6:51
Space >
5:13
Wharf Rat >
10:03
I Need A Miracle >
4:09
Bertha >
6:06
Good Lovin'
8:01
Encore Break
1:14
US Blues
5:19
FIN
View on archive.org
Sources
Taper: Mark Severson
2:33:37
Rating:
8.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-06-19.144904.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, Row M, Seat 12, left side) > Sony TC-D5(2 Maxell XLII's, 1 Maxell UDXLI)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid113300 soundboard source which supplies a 0:06 patch in the "Wharf Rat > I Need A Miracle" transition (no other patch source available) - Pitch corrected Mastered by Scott Clugston February 2019
Transferrer: 2:35:49.252
2:35:50
Transferrer:
2:35:49.252
SHNID:
gd1980-06-19.156396.mtx.photoleon.t-flac16
Source:
Matrix created in Adobe Audition by Joe Noel
Taper Notes:
View NotesNotes: - Cross fades were applied to where Source 1 & 2 were paused. - s1t01 (all) is Source 1 only - s1t02 (start - 00:10) is Source 1 only - s1t04 (04:21 - 04:31) is Source 1 only - s1t08 (06:14 - 07:10) is Source 1 only - s1t09 (start - 00:14) is Source 1 only - s2t01 (start - 00:14) is Source 1 only Thanks to; - Mark Severson for going the extra mile & making this FOB recording - Scott Clugston for mastering the Severson cassettes - Richard Hale for sharing the SBD cassette masters - David Gans for transferring the cassettes to CD - Charlie Miller for the (FOB) transfer & (SBD) processing - John Ammons for the critique.
Source 8 of 9
2:33:17
Rating:
10.00 / 3 ratings
SHNID:
gd1980-06-19.153162.mtx.seamons.ht134.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 29, 2021
Taper Notes:
View NotesMix fluctuations during Alabama Getaway. Vocals a little hot initially but seem to mellow as the show progresses. Jerry's guitar is lower in the SBD mix on some songs but the matrix helps correct this. The guitar is very low for China Cat and the first minute of I Know You Rider. Some SBD dead air was trimmed out between songs, and a short segment of the AUD was trimmed for continuity with a SBD cut. The 2019 transfer of Severson's recording was greatly improved over the 2007 transfer. Click removed from the AUD at the beginning of Wharf Rat. Despite a lack of jams, a much better show experience than anticipated. Highlights include fine versions of Althea, Music Never Stopped, Peggy-O and Wharf Rat, and a pretty great second set with a high energy Good Lovin' closer. Very tight and focused playing.