RELISTENTOTHE Grateful Dead
Re
1980
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June 18th
9 shows
70 tapes
Years
1995
29k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
39.5k
83 shows
656 tapes
1992
41.7k
57 shows
539 tapes
1991
43.9k
78 shows
973 tapes
1990
53.1k
78 shows
1,139 tapes
1989
46.9k
78 shows
1,017 tapes
1988
19.3k
82 shows
882 tapes
1987
42k
88 shows
1,025 tapes
1986
12.3k
47 shows
684 tapes
1985
32.6k
73 shows
1,357 tapes
1984
26.7k
67 shows
1,075 tapes
1983
20k
71 shows
1,069 tapes
1982
41.6k
63 shows
753 tapes
1981
28.9k
92 shows
868 tapes
1980
69.8k
91 shows
794 tapes
1979
20.3k
79 shows
608 tapes
1978
36.6k
87 shows
592 tapes
1977
232.8k
64 shows
418 tapes
1976
102.3k
45 shows
298 tapes
1975
6.2k
25 shows
63 tapes
1974
81.7k
42 shows
324 tapes
1973
77.8k
75 shows
445 tapes
1972
55.5k
88 shows
361 tapes
1971
32.6k
82 shows
357 tapes
1970
38.1k
101 shows
376 tapes
1969
28k
112 shows
326 tapes
1968
7.3k
41 shows
125 tapes
1967
1.6k
23 shows
55 tapes
1966
6k
32 shows
78 tapes
1965
599
2 shows
2 tapes
1980
6/8/80
Intro
0:11
Uncle John's Band >
9:00
Playin' In The Band >
8:57
Uncle John's Band Reprise
2:57
Me & My Uncle >
2:52
Mexicali Blues
4:56
Tennessee Jed
9:00
Samson & Delilah
7:36
Easy To Love You
3:38
Althea >
8:41
Looks Like Rain
8:35
Deal
4:49
Crowd
1:23
Feel Like A Stranger
10:05
Ship Of Fools
8:57
Estimated Prophet >
8:59
Eyes Of The World >
13:28
Drums >
7:59
Space >
2:47
Saint Of Circumstance >
5:53
Black Peter >
8:45
Sugar Magnolia
8:20
Encore Break
0:47
Alabama Getaway >
4:51
Brokedown Palace
6:28
FIN
View on archive.org
Sources
Taper: Scott Wiseman's Master Audience Cassettes
2:36:06
Taper:
Scott Wiseman's Master Audience Cassettes
Transferrer:
Scott Wiseman and Scott Clugston
SHNID:
gd1980-06-08.155742.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies some of the "Intro" before "Uncle John's Band" (0:08 total), a 0:13 patch in "Drums", as well the "Alabama Getaway" and "Brokedown Palace" encores - Pitch corrected Mastered by Scott Clugston November 2021
Taper: Scott Wiseman's Master Audience Cassettes
2:36:06
Taper:
Scott Wiseman's Master Audience Cassettes
Transferrer:
Scott Wiseman and Scott Clugston
SHNID:
gd1980-06-08.155741.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies some of the "Intro" before "Uncle John's Band" (0:08 total), a 0:13 patch in "Drums", as well the "Alabama Getaway" and "Brokedown Palace" encores - Pitch corrected Mastered by Scott Clugston November 2021
Taper: Recorded and Transferred by Rob Eaton
2:38:21
Taper:
Recorded and Transferred by Rob Eaton
Transferrer:
Mastered by Scott Clugston March 2021
SHNID:
gd1980-06-08.152601.senn.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies an 0:11 patch in the "Looks Like Rain > Deal" transition, as well as a 1:20 patch in the Jam out of "Eyes Of The World" - Pitch corrected Mastered by Scott Clugston March 2021
Taper: Recorded and Transferred by Rob Eaton
2:38:21
Taper:
Recorded and Transferred by Rob Eaton
Transferrer:
Mastered by Scott Clugston March 2021
SHNID:
gd1980-06-08.152600.senn.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies an 0:11 patch in the "Looks Like Rain > Deal" transition, as well as a 1:20 patch in the Jam out of "Eyes Of The World" - Pitch corrected Mastered by Scott Clugston March 2021
Taper: Mason B. Taylor
2:38:49
Rating:
8.00 / 3 ratings
Taper:
Mason B. Taylor
SHNID:
gd1980-06-08.128415.naks.mason.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"