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Today In History
June 13th
7 shows
49 tapes
Years
1995
29.8k
PlaybackListensHours
48h49365
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.5k246
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.4k586
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.2k549
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.8k374
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.9k363
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k173
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.5k898
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k125
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.7k204
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.4k624
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.4k182
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.5k189
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.8k227
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h9.6k1.1k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k243
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k275
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.4k1.3k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h15.5k2.1k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h38840
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h3.9k505
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k713
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h2.9k375
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.8k203
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k203
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h50463
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14621
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30223
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h262
7d956
30d61936
2 shows
2 tapes
1980
5/10/80
tuning
1:24
New Minglewood Blues
7:02
Peggy-O
7:00
Mexicali Blues
4:14
El Paso
4:08
Althea
8:57
Passenger
5:12
Far From Me
5:22
Lost Sailor ->
6:10
St of Circumstance ->
5:49
Deal
4:49
keep the aisles clear"
0:43
China Cat Sunflower ->
7:16
I Know You Rider
6:23
tuning
0:37
Feel Like A Stranger ->
7:28
Comes A Time ->
8:48
Estimated Prophet ->
10:34
He's Gone ->
14:44
Uncle John's Band ->
11:09
drums ->
9:55
Not Fade Away ->
9:57
Sugar Magnolia
8:34
tuning
1:02
Alabama Getaway ->
4:22
One More Saturday Night
5:02
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:49:45
SBD
Rating:
8.86 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd1980-05-10.set2.sbd.miller.91938.sbeok.flac16
Source:
SBD -> Cassette Master -> Dat -> Sound Forge -> WAV D
Lineage:
WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesPatch Info: (3) Nakamichi 300 -> Cassette Master -> CD (shnid=83063) supplies: He's Gone (0:03 - 0:12) Not Fade Away (7:38 - end of show) Notes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Jim Wise
2:53:33
Rating:
8.00 / 6 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-05-10.nak700.wise.miller.100402.flac16
Source:
(3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> FLAC (shnid=98724) supplies: Estimated Prophet (9:15 - 9:28) Drums (8:41 - 8:53) Notes: -- Set 2 is seamless -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Source 3 of 16
1:29:07
SHNID:
gd1980-05-10.169891.mtx.chapin.flac2496
Source:
2 Source Matrix by Brock Chapin
Taper Notes:
View NotesMatrix Notes: Soundboard source contains only the first 8 songs of the second set and only that material is included in this release. That source ends at 07:38 of "Not Fade Away" but I include the entire track so the last ~1 minute is the audience source only. This is my first attempt at a matrix mix. My approach was to focus on the wonderful Barry Glassberg audience recording. Their tape is clear, uncolored, and captures the wild room energy of a Saturday night on the East Coast Spring 1980 tour. I didn't apply any EQ or changes of any kind to the audience source. I kept the same track numbers, track length, and names. The 16bit soundboard source is crisp and dry with minimal ambience. The stereo spread is very wide with the individual drummers panned to either side giving it that clunky feel that is common on early 80s soundboards. Both sources include a cassette generation so there is some pitch/speed variation, but more so on the soundboard source. I made many small manual edits and pitch/speed adjustments to the sbd to keep them in sync. I applied a 6db EQ boost at 80hz. I reduced the stereo spread to %23 to closely match the audience. I blended the soundboard level by ear (near 50/50) to enhance the audience and not dominate. Both sources converted to 32bit float at 96khz and then exported to 24bit 96khz software: Audacity 3.7.1 + Melda MUtility Plugin.
Taper: Recorded, Transferred and Mastered by Rob Eaton
2:55:10
Taper:
Recorded, Transferred and Mastered by Rob Eaton
Transferrer:
Mastered by Scott Clugston April 2021
SHNID:
gd1980-05-10.152806.senn.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the master recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Barry Glassberg and the MOTB folks for the Nakamichi 700 source which supplies a 0:22 patch in Jam out of "Estimated Prophet", a 0:32 patch in "Drums", as well as an 0:11 patch in "Alabama Getaway" - Pitch corrected
Taper: Recorded, Transferred and Mastered by Rob Eaton
2:55:10
Taper:
Recorded, Transferred and Mastered by Rob Eaton
Transferrer:
Mastered by Scott Clugston April 2021
SHNID:
gd1980-05-10.152805.senn.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the master recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Barry Glassberg and the MOTB folks for the Nakamichi 700 source which supplies a 0:22 patch in Jam out of "Estimated Prophet", a 0:32 patch in "Drums", as well as an 0:11 patch in "Alabama Getaway" - Pitch corrected
Taper: Jim Wise
2:50:31
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd1980-05-10.132518.aud.nak700.flac16
Source:
<b>flac16/48kHz</b>; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound Board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)Tagging(Tag & Re-name)Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
Source 7 of 16
2:50:31
SHNID:
gd1980-05-10.132517.aud.nak700.flac24
Source:
Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
Taper: Barry Glassberg
2:56:56
Rating:
10.00 / 1 rating
Taper:
Barry Glassberg
SHNID:
gd1980-05-10.110832.fob.nak700.glassberg.motb0161.flac24
Source:
2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg
Taper Notes:
View NotesPatch for tape flip at beginning of He's Gone (1:28 - 1:24): Recorded By Bob Morris (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24/96 last "Comes A Time": 02-09-79
Taper: Barry Glassberg
2:56:55
Rating:
10.00 / 3 ratings
Taper:
Barry Glassberg
SHNID:
gd1980-05-10.110830.fob.nak700.glassberg.motb0161.flac16
Source:
2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg
Taper Notes:
View NotesNotes: Patch for tape flip at beginning of He's Gone: Recorded By Bob Morris (FOB) Sony ECM-990 stereo mic > Cassette Master(Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) >Audiogate (1-bit/5.6MHz > 24/96 last "Comes A Time": 02-09-79
Taper: Tim Friend
2:52:42
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1980-05-10.nak300.friend.andrewf.107544.flac16
Source:
AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2010
Taper: Tim Friend
2:52:45
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1980-05-10.nak300.friend.andrewf.107543.flac24
Source:
AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2010
Taper Notes:
View Notes24 bit file set.
Taper: Bob Morris
2:46:41
Taper:
Bob Morris
SHNID:
gd1980-05-10.fob.sonyecm999.morris.100248.flac16
Source:
(FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) ; Recorded from Section B, Row R, Seat 12
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesNotes - Tape flip near beginning of Uncle John's Band -- spliced at 0:05 using Soundforge 9.0 Encores (d3t04, d3t05, d3t06) transferred using Korg D-888 (16-bit/44.1 KHz) Recorded from Section B, Row R, Seat 12 by Bob Morris -- thanks to Sam R and Charlie Connor Transferred 6/09
Taper: Steve Rolfe
2:52:39
Taper:
Steve Rolfe
Transferrer:
David Minches
SHNID:
gd1980-05-10.nak700.rolfe.minches.98724.flac16
Source:
2 Nak 700s> Sony TC-D5 Recorded right beside the soundboard on the left side
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
Taper Notes:
View NotesThanks to Joe B. Jones for pitch correction.
Taper: Jim Wise
2:52:33
Rating:
8.40 / 5 ratings
Taper:
Jim Wise
Transferrer:
Andrew F.
SHNID:
gd1980-05-10.aud.wise.83063.sbeok.flac16
Source:
Three Nakamichi CM-300's > patched thru Nakamichi 550 > Sony TC-D5
Lineage:
MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner) > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: Mics on a stand, next to the soundboard. This is from the same MAC that became ShnID-7559, but is an upgrade to that file-set as follows: - One of the transfers in the lineage of 7559 was run way too hot, and all the wav's ended up clipped and distorted. This seed is an excellent transfer from the MAC and a major improvement in sound quality. - This source does not have the drop-outs in He's Gone that are on 7559. - The two tape flips in the second set have been patched with material from Steve Rolfe's tape (ShnID-18158), so the second set is seamless. Rolfe reports he was set up "right beside the soundboard on the left side". As the same people can be heard yelling on both sources, it's presumed that the tapers were set up very near to each other. Patches from ShnID-18158 are located in: Passenger (crowd noise at end) 5:09 > 5:23, Estimated Prophet 9:12 > 9:21, Drums 8:39 > 8:47. WavMerge and CD-Wave were used to combine and retrack the file set. Soundforge was used to make fades, and to insert the patches. TLH was used for SBE fix, lossless compression, and checksums. There are numerous fireworks and loud explosions during the show. THANKS to Jim for the discs!
Taper: Steve Rolfe
2:53:12
Rating:
8.80 / 20 ratings
Taper:
Steve Rolfe
SHNID:
gd80-05-10.rolfe.vernon.18158.sbeok.shnf
Source:
Audience Recording: Nak 700's
Lineage:
Nak 700's > Sony D5 Master Cassette recorded from right beside the soundboard on the left side
Taper Notes:
View NotesNak 700's > Sony D5 Master Cassette recorded by Steve Rolfe from "right beside the soundboard on the left side" AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable) via Dave Minor, converted and shn'd by Marc Pujol and Matt Vernon
Taper: Jim Wise
2:51:54
Rating:
8.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Willy
SHNID:
gd1980-05-10.aud.willy.7559.sbeok.shnf
Source:
Nak 300's > Sony D5
Taper Notes:
View NotesNotes- Succesion of dropouts between 11:26 & 11:31 d2t06 (He's Gone) Cut between end of d2t07 & start of d3t01 (UJB & Drums). It is between discs and as such unnoticable. At least until longer media. Several loud 'bangs' during the show (careful if you're driving ;^). This was my first show and I remember (vaguely) these noises as being firecrackers of some sort. You can hear the crowd 'boo' the noises. I really tried not to put 'drums' at the start of d3, but this was a headache show to track because the pre drums run of songs was so long. If you have any alternate tracking ideas feel free to let me know or just post it in the etree 'comments' area.